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VIDEO: Hamilton County Juvenile Judge Tracie Hunter Dragged Off to Jail — Literally

NNPA NEWSWIRE — Hunter was initially charged with committing nine felonies. After charges were dropped on all but one, she was convicted and entered into a lengthy appeals process. The state supreme court of Ohio refused to hear her appeal, sending the case back to the lower court and resulting in her ultimate sentencing.

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By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

Former Hamilton County, Ohio Juvenile Judge Tracie Hunter appeared overcome with emotion as she was literally dragged from a Cincinnati courtroom by a sheriff’s deputy on Monday, July 22, after she was sentenced to six months in jail for charges stemming from a controversial conviction in 2014.

A jury convicted Hunter of unlawful interest in a public contract after she was accused of helping her brother keep his county job by mishandling a confidential document.

Hunter was initially charged with committing nine felonies. After charges were dropped on all but one, she was convicted and entered into a lengthy appeals process. The state supreme court of Ohio refused to hear her appeal, sending the case back to the lower court and resulting in her ultimate sentencing.

With a courtroom packed with supporters — and many more who stood outside of the proceedings — Hamilton County Common Pleas Judge Patrick Dinkelacker dispensed Hunter’s punishment.

Prior to sentencing, Hamilton County Prosecutor Joe Deters wrote a letter asking the court to consider having Hunter undergo psychiatric evaluation based on questions he has about what he calls Hunter’s “mental condition,” according to reporting from WLWT5.

Hunter’s attorney David Singleton disagreed with the request, adding that he “couldn’t believe” Deters would ask the court to have Hunter undergo evaluation and that they plan to file a motion to dismiss the case.

With all of the support Hunter has received based on both real and perceived biases during the initial trial and appeals process, Mayor John Cranley wrote a letter to Dinkelacker asking him not to place Hunter in prison, saying that she has suffered as a result of her conviction and doesn’t appear to pose any risks to others.

Postcards were sent to Dinkelacker’s house asking for leniency in his sentencing. He read some of the postcards during the hearing.

“I violated no laws, I did not secure a public contract, I did not secure employment for my brother who worked for the court for about seven years before I was elected judge,” Hunter said.

At least one of Hunter’s supporters was arrested at the courthouse after trying to intervene when deputies attempted to take Hunter into custody.

Others shouted, “No Justice, No Peace,” and accused the court of racism.

In June, former Cincinnati State Sen. Eric Kearney had expressed to NNPA Newswire that Hunter’s incarceration was “going to be a problem” and the city would “explode. I’m telling you, black people [in Cincinnati] are not going to take [Hunter going to jail] lightly,” Kearney said. “The city is on edge.”

Kearney, Hunter and her vast number of supporters have said the process used to convict her wreaked of politics, corruption, nepotism and racism.

The jury that rendered the guilty verdict in her trial was comprised of political foes and others associated with the prosecutors and a Republican establishment that didn’t take kindly to Hunter breaking the GOP and white-male dominated stronghold to win a seat on the bench in 2010, her supporters have pointed out.

For example, one of the jurors worked for WCPO Television, a local station that has filed numerous lawsuits against Hunter.

Court documents revealed that the jury foreman contributed $500 to state Sen. Bill Seitz, the father of county jury coordinator Brad Seitz, who was responsible for compiling the panel of jurors that arrived at the guilty verdict, which required a unanimous decision from the jury.

Hunter said that the only three black jurors, none of whom had known ties to prosecutors and all of whom held out for acquittal, ultimately yielded to pressure from other jurors. The judge refused to allow defense lawyers to poll the jury after announcing the verdict.

In every American criminal trial, particularly those that end in guilty verdicts, it’s the right of attorneys to request the judge to poll all 12 jurors to ensure each is in agreement with the verdict.

“The judge refused a motion for a retrial after he refused to poll the jury, in clear violation of the law and at the request of my attorney,” Hunter told NNPA Newswire in June.

“If the judge polled the jury, it happened in a blink, but I don’t remember that happening,” Kearney said.

At the close of the trial, three jurors came forward and said that their true verdict was not guilty and “if Judge Norbert Nadel had polled the jury, they would have said so,” Hunter said.

Hunter also wanted her supporters to know that she is not suicidal.

“I want everyone to know that I don’t drink … I don’t do drugs … I have no intention of harming myself,” she said.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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