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Cincinnati ‘Ready to Explode’ if Judge Goes to Jail

NNPA NEWSWIRE — Former Cincinnati State Sen. Eric Kearney told a group of Black Press of America publishers that he’s concerned that the prosecution and conviction of Judge Tracie Hunter and her impending six-month jail sentence, that’s set to begin on July 22, will rekindle the same intense racial division that led to race riots less than 20 years ago.

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Former Judge Fears “Being another Sandra Bland”

By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

The impending jailing of Judge Tracie Hunter, the first African American Juvenile Court Judge in Hamilton County’s long history, has the city of Cincinnati on edge, according to her supporters and a former state senator.

“I think it’s going to be a problem,” said former Cincinnati State Sen. Eric Kearney, who is revered as “The Connector in Chief” throughout the state and neighboring Kentucky.

An attorney by trade, Kearney currently serves as president and CEO of the Greater Cincinnati and Northern Kentucky African-American Chamber of Commerce.

Kearney told a group of Black Press of America publishers that he’s concerned that the prosecution and conviction of Judge Tracie Hunter and her impending six-month jail sentence, that’s set to begin on July 22, will rekindle the same intense racial division that led to race riots less than 20 years ago.

“I’m telling you, black people are not going to take [Hunter going to jail] lightly. The city is on edge,” Kearney said. “The city is going to explode.”

Hunter was convicted of just one of the 10 counts against her for securing a public contract.

Kearney, Hunter and her vast number of supporters have said the process used to convict her wreaked of politics, corruption, nepotism and racism.

The jury that rendered the guilty verdict was comprised of political foes and others associated with the prosecutors and a Republican establishment that didn’t take kindly to Hunter breaking the GOP and white-male dominated stronghold to win a seat on the bench in 2010, her supporters have pointed out.

Surprisingly, one of the jurors worked for WCPO Television, a local station that has filed numerous lawsuits against Hunter.

Also, court documents revealed that the jury foreman contributed $500 to state Sen. Bill Seitz, the father of county jury coordinator Brad Seitz, who was responsible for compiling the panel of jurors.

Hunter said three black jurors, none of whom had known ties to prosecutors and all of whom held out for acquittal, ultimately succumbed to pressure from other jurors and a judge who refused to allow defense lawyers to poll the jury after announcing the verdict.

In every American criminal trial, particularly those that end in guilty verdicts, it’s the right of attorneys to request the judge to poll all 12 jurors to ensure each were in agreement with the verdict.

“The judge refused a motion for a retrial after he refused to poll the jury, in clear violation of the law and at the request of my attorney,” Hunter said as she stood in front of a large group of supporters sporting black T-shirts imprinted with the logo, “Justice for Judge Tracie Hunter.”

“If the judge polled the jury, it happened in a blink, but I don’t remember that happening,” Kearney said.

“At the close of the trial, three jurors came forward and said that their true verdict was not guilty and if Judge Norbert Nadel had polled the jury, they would have said so,” Hunter said.

After being convicted on one of 10 counts filed against her, Hunter lost her appeals, one of which was presided over by prosecutor Joe Deters’ mother-in-law, Judge Sylvia Hendon.

Representatives for Deters and Hendon have declined to comment to NNPA Newswire.

Hunter, who earned her undergraduate degree from Miami University in 1988 and her Juris Doctorate from the University of Cincinnati College of Law in 1992, won election in 2010, stunning the Republican-led city by defeating GOP contender John Williams.

Williams and the GOP contested Hunter’s victory and a heated court battle and numerous appeals by the Hamilton County Board of Elections which refused to count more than 800 votes from majority Democrat and Black precincts, ensued.

Hunter then filed a federal lawsuit to have those voted counted.

While the court finally ordered those votes to be counted, election officials still certified Williams as the victor.

However, once the votes were counted, the election was overturned in Hunter’s favor.

The 18-month period proved pivotal because then-Gov. John Kasich appointed Williams to the bench and the state Supreme Court changed the rules giving Williams administrative authority over the court.

As the senior judge and the only one elected, Hunter would have received the position of administrative judge.

Still, Hunter worked behind the bench to protect the rights of children including refusing to allow their names and faces to appear in news coverage.

After serving just 18 months, her enemies found a way to silence her and end her career.

Hunter was charged with theft for using her judicial credit card to appeal the lawsuits filed against her by Deters, the prosecutor.

“I think this is about power and control,” Kearney said. “Judge Hunter didn’t come through traditional means and she didn’t come through the status quo and that makes her a threat,” he said.

Kearney said the city is on edge, something Hunter acknowledges that she’s fully aware of.

“There is so much racism, so much nepotism and so much cronyism here in Cincinnati but I just hold on to the belief that the truth shall set you free and I will continue to stand on the truth,” Hunter said.

Now, with her law license suspended and having exhausted any savings and appeals, Hunter is facing jail.

Further frustrating is that Hunter is the lone caregiver to her ailing and aging mother and Hunter said she knows that her pending incarceration is both political and racially-motivated.

In a televised interview with a local station in Cincinnati, Hunter said she fears being another Sandra Bland, the African American woman who in 2015 was found dead in her jail cell just three days after being arrested during a traffic stop.

“I want everyone to know that I don’t drink … I don’t do drugs… I have no intention of harming myself,” Hunter said.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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