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Rice University Launches Religion, Hip-Hop Culture Online Course

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Free Class by Anthony Pinn and Bernard ‘Bun B’ Freeman Kicks off March 24

Bernard ‘Bun B’ Freeman (left) and Anthony Pinn (Courtesy Photo)

Bernard ‘Bun B’ Freeman (left) and Anthony Pinn (Courtesy Photo)

by Jeffrey L. Boney
Special to the NNPA from the Houston Forward Times

Religion and Hip-Hop Culture is a new and free edX online course being offered by Rice University’s Center for Digital Learning and Scholarship. The class will feature Religious Studies Professor and Founding Director of the Center for Engaged Research and Collaborative Learning (CERCL) Anthony Pinn and CERCL Distinguished Visiting Lecturer and Grammy nominee Bernard “Bun B” Freeman. The course is now open for enrollment and will begin March 24th.

The Religion and Hip-Hop Culture course, or RELI157x, is the first Massive Open Online Course (MOOC) for Pinn and Bun B. The online course is built upon and expands the popular class they have taught together at Rice University. The Religion and Hip-Hop Culture course will explore questions such as – What is religion? What is hip-hop? Are they the same thing? Do they overlap?

Over the six-week course, Pinn and Bun B will provide the tools necessary to let students critically engage the world in which they live and answer these questions for themselves.

Bernard “Bun B” Freeman, who rose to fame in the influential rap duo UGK, has won numerous awards and has been nominated for a Grammy. Bun B has also been featured on albums with several other well-known artists. His most notable guest appearances were on the Jay-Z hit single “Big Pimpin” and Beyonce’s chart-topper “Check On It.” Bun B’s solo projects include “Trill” (which opened at No. 6 on the Billboard Hot 200 and also peaked at No. 1 on Billboard’s Top R&B/Hip-hop Album chart) and “Trill O.G.,” which was released in 2010.

“This course gave me the opportunity to let people see a side of hip-hop that isn’t always discussed,” Bun B said. “We’ve started a conversation that cannot end until people have a better understanding of who we are and what we do.”

Anthony Pinn is the Agnes Cullen Arnold Professor of Humanities and professor of religious studies at Rice University, where he is also the founding director of the Center for Engaged Research and Collaborative Learning. Pinn is also the director of research for the Institute for Humanist Studies, a Washington, D.C. think tank. His interests include the intersections of popular culture and religious identity and nontheistic trends in American public life. He is the author and editor of over 30 books, including “Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music” (2003) and “The Hip-Hop and Religion Reader” (2014).

“Our classroom course at Rice went so well that people off campus were contacting us and asking us about the course and how they could take it,” Pinn said. “Working with Bun in the classroom, it became clear that there were ways of learning and teaching that we hadn’t tapped. The MOOC gave us a way to be even more creative and innovative in terms of how we link the rest of world with the cultural richness and diversity of Houston to get information across.”

The course will start with some basic assumptions, the most important being a willingness to think about hip-hop and religion as cultures that wrestle with the huge questions of human existence. Pinn and Bun B said that students will also need to be open to the possibility of hip-hop as a language through which complex questions, including some about religion, are presented, explored and interpreted.

“This course takes two important cultural developments in human history and looks at their points of commonality and their differences,” Pinn said. “The idea is to do that in a way that gives students a vocabulary, grammar, ideas and concepts that will allow them to think about and work on related issues within their own context.”

The Religion and Hip-Hop Culture course will use a mix of videos, readings, music, images, stories and behind-the-scenes insider perspectives. Pinn and Bun B are leading collaborations between Rice University and local institutions to engage the Houston community in conversations inspired by topics in the course.

This is the 23rd MOOC offered by Rice’s Center for Digital Learning and Scholarship.

“This course reflects the university’s commitment to experimental teaching and research that engages dynamically with Houston arts partners,” said Caroline Levander, Rice’s vice president for strategic initiatives and digital education. “The result is a course that showcases the cultural innovation for which Rice and Houston are known.”

“We have been honored to work with Rice University on MOOCs ranging from high school- to college-level courses,” said Anant Agarwal, CEO of edX. “With Religion and Hip-Hop Culture, together we are enabling the global learning community to examine the intersection of two vital areas — religion and music — that are so deeply rooted in cultures around the world.”

Students still have time to sign up for Pinn and Bun B’s Religion and Hip-Hop Culture course by visiting the edX course page at http://online.rice.edu/mooc/course/religion-and-hip-hop-culture.

For more information on all of Rice University’s online classes, visit http://online.rice.edu/about.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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Alameda County

Black History Events in the East Bay

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event

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The Oakland Black Cowboys Association will hold an event to teach children the love of riding at Fairyland on Feb. 14. Here, a member of the OBCA high-fives a young rider at an event in 2021. Facebook photo.
The Oakland Black Cowboys Association will hold an event to teach children the love of riding at Fairyland on Feb. 14. Here, a member of the OBCA high-fives a young rider at an event in 2021. Facebook photo.

By Post Staff

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event, and nearly every day in the Bay Area, there is somewhere to honor the ancestors, our living thought leaders, artists, and activists, and prepare children for the future. Below are just a few places to go.

Lunar New Year X Black History Month 2026: Celebrating Asian & African American Solidarity

Now in its fourth year, the Oakland Asian Cultural Center rolls out its biggest event, featuring lion dancers, drummers, performers, arts & crafts, a Kids + Teens Zone curated by Storyland Collective, a marketplace of local artisans, and free admission for all ages! This event is part of OACC’s ongoing Open E.A.R.S. for Change initiative, launched in 2020 to build stronger relationships between local APIA and Black communities. SambaFunk closes out the day at 3:15 and the Bantaba Drum Call and Comrade Lover Lion Dancers perform shortly after story time for young children at noon. Register for free tickets. https://oacc.liveimpact.org/li/8737/sevent/evt/home/294475/69

Oakland Asian Cultural Center
388 Ninth St. Suite 290
Oakland, CA
Feb. 7, 11 a.m.- 4 p.m.

DIY: Black Culture Bookmark Making

Go to the Golden Gate Branch of the Oakland Public Library for small-scale collaging at this Black-themed make-your-own-bookmarks session.

Bring: Your vision, creativity, and, if you like, wallet-sized photos or images of your favorite Black heroes or family members.

We’ll supply the cardstock paper, African diaspora designs, artwork, images, lettering, glue, scissors, and laminating. This session is suitable for adults and seniors.

Golden Gate Library
5609 San Pablo Ave.
Oakland, CA,
Feb. 11, 5:30-7 p.m.

Oakland Black Cowboy Association Shares Love of the Ride

Celebrate the history, culture, and living legacy of Black cowboys at the Black Cowboy Academy. It will be an interactive day of lasso lessons, pony grooming with real live ponies, and meet and greets with actual cowboys! Fairyland joins hands and hearts with the Oakland Black Cowboy Association and the Metropolitan Horsemen’s Association this Valentine’s Day for an immersive event of learning and love. Included with general admission.

Children’s Fairyland
699 Bellevue Ave.
Sat., Feb. 14, 10 a.m.- 1 p.m.

Love Stories for Black History Month

At the Berkeley Public Library, a children’s book fair “Valentine to Black Stories” will feature some of your favorite Black authors of children’s books!

Come celebrate love, Black authors, and Black stories at this special children’s book fair. They will have free books, crafts and special presentations from Bay Area Black authors.Festivities will feature a collage workshop led by Oakland artist  Chanel London of Hella Artsy. Participants will be invited to make collage portraits inspired by artist Derrick Barnes.

Berkeley Central Public Library
2090 Kittredge St. Berkeley, CA
Sat. Feb. 14, 1- 4 p.m.

The Black Child Book Fair (BCBF) from Chicago to Oakland, CA- Book Signing Event

BCBF began in Chicago in 2009 through the vision and experience of author and poet Darryl Harvey. Harvey’s vision brings extraordinary children’s book authors together to close the great need for black representation in children’s books. Engage with authors, participate in story time and fun activities.

Oakland African American Museum and Library
859 14th St., Oakland CA
Sat. Feb. 21, 12-5 p.m.

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