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Rice University Launches Religion, Hip-Hop Culture Online Course

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Free Class by Anthony Pinn and Bernard ‘Bun B’ Freeman Kicks off March 24

Bernard ‘Bun B’ Freeman (left) and Anthony Pinn (Courtesy Photo)

Bernard ‘Bun B’ Freeman (left) and Anthony Pinn (Courtesy Photo)

by Jeffrey L. Boney
Special to the NNPA from the Houston Forward Times

Religion and Hip-Hop Culture is a new and free edX online course being offered by Rice University’s Center for Digital Learning and Scholarship. The class will feature Religious Studies Professor and Founding Director of the Center for Engaged Research and Collaborative Learning (CERCL) Anthony Pinn and CERCL Distinguished Visiting Lecturer and Grammy nominee Bernard “Bun B” Freeman. The course is now open for enrollment and will begin March 24th.

The Religion and Hip-Hop Culture course, or RELI157x, is the first Massive Open Online Course (MOOC) for Pinn and Bun B. The online course is built upon and expands the popular class they have taught together at Rice University. The Religion and Hip-Hop Culture course will explore questions such as – What is religion? What is hip-hop? Are they the same thing? Do they overlap?

Over the six-week course, Pinn and Bun B will provide the tools necessary to let students critically engage the world in which they live and answer these questions for themselves.

Bernard “Bun B” Freeman, who rose to fame in the influential rap duo UGK, has won numerous awards and has been nominated for a Grammy. Bun B has also been featured on albums with several other well-known artists. His most notable guest appearances were on the Jay-Z hit single “Big Pimpin” and Beyonce’s chart-topper “Check On It.” Bun B’s solo projects include “Trill” (which opened at No. 6 on the Billboard Hot 200 and also peaked at No. 1 on Billboard’s Top R&B/Hip-hop Album chart) and “Trill O.G.,” which was released in 2010.

“This course gave me the opportunity to let people see a side of hip-hop that isn’t always discussed,” Bun B said. “We’ve started a conversation that cannot end until people have a better understanding of who we are and what we do.”

Anthony Pinn is the Agnes Cullen Arnold Professor of Humanities and professor of religious studies at Rice University, where he is also the founding director of the Center for Engaged Research and Collaborative Learning. Pinn is also the director of research for the Institute for Humanist Studies, a Washington, D.C. think tank. His interests include the intersections of popular culture and religious identity and nontheistic trends in American public life. He is the author and editor of over 30 books, including “Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music” (2003) and “The Hip-Hop and Religion Reader” (2014).

“Our classroom course at Rice went so well that people off campus were contacting us and asking us about the course and how they could take it,” Pinn said. “Working with Bun in the classroom, it became clear that there were ways of learning and teaching that we hadn’t tapped. The MOOC gave us a way to be even more creative and innovative in terms of how we link the rest of world with the cultural richness and diversity of Houston to get information across.”

The course will start with some basic assumptions, the most important being a willingness to think about hip-hop and religion as cultures that wrestle with the huge questions of human existence. Pinn and Bun B said that students will also need to be open to the possibility of hip-hop as a language through which complex questions, including some about religion, are presented, explored and interpreted.

“This course takes two important cultural developments in human history and looks at their points of commonality and their differences,” Pinn said. “The idea is to do that in a way that gives students a vocabulary, grammar, ideas and concepts that will allow them to think about and work on related issues within their own context.”

The Religion and Hip-Hop Culture course will use a mix of videos, readings, music, images, stories and behind-the-scenes insider perspectives. Pinn and Bun B are leading collaborations between Rice University and local institutions to engage the Houston community in conversations inspired by topics in the course.

This is the 23rd MOOC offered by Rice’s Center for Digital Learning and Scholarship.

“This course reflects the university’s commitment to experimental teaching and research that engages dynamically with Houston arts partners,” said Caroline Levander, Rice’s vice president for strategic initiatives and digital education. “The result is a course that showcases the cultural innovation for which Rice and Houston are known.”

“We have been honored to work with Rice University on MOOCs ranging from high school- to college-level courses,” said Anant Agarwal, CEO of edX. “With Religion and Hip-Hop Culture, together we are enabling the global learning community to examine the intersection of two vital areas — religion and music — that are so deeply rooted in cultures around the world.”

Students still have time to sign up for Pinn and Bun B’s Religion and Hip-Hop Culture course by visiting the edX course page at http://online.rice.edu/mooc/course/religion-and-hip-hop-culture.

For more information on all of Rice University’s online classes, visit http://online.rice.edu/about.

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Business

From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

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Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum. 

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”

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Oakland Post: Week of September 23 – 29, 2026

The printed Weekly Edition of the Oakland Post: Week of September 23 – 29, 2026

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BOOK REVIEW: ‘Laws of Solomon’ Reveals Tender Heart of Former Child Soldier

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

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Book cover of “Laws of Solomon.” Courtesy of Poisoned Pen Press

Author: Eriq La Salle, Copyright: c.2026, Publisher: Poisoned Pen Press, SRP: $18.99, Page Count: 304 pages

Finally, after so much work, you’ve left your past behind.

That’s what you tell yourself: what’s done is done and you can’t undo history. It’s over. You try not to think about last month, last year, a decade back because what does it matter? As in the new novel, “Laws of Solomon” by Eriq La Salle, remembering is too full of pain.

The monsters that came to him early in his sleep were the easy ones. It was the later demons that stole Solomon Nangobi’s sleep, the spirits of all the people he killed when he was a child soldier in Uganda, and when he was a fixer in New York as an adult. Their ghosts called to him with urgent voices, though he left that life behind long ago.

Now, his days were filled working the soil in gardens near Malibu, and he loved the quiet life.

Still, he kept his guns.

And he was glad: when Solomon recognized two Zeta gunmen stalking a well-dressed man, woman, and child through the gardens, he couldn’t walk away. He stopped the gangsters with bullets, but not before the adults and their bodyguards were dead. The child, an 8-year-old boy named Gaby, was safe, but Gaby couldn’t tell Solomon what was going on.

What became quickly certain, however, was that Solomon was now Gaby’s guardian, and the Zeta crime boss wanted them dead, too.

When he was the same age as Gaby, Solomon saw unspeakable things, the murder of his parents, the destruction of his homeland, and the atrocities that Uganda dictator Idi Amin’s soldiers committed. He learned to kill, he observed, and he was hardened, understanding as a small boy that revenge was often necessary and needed, and that blood would shed at those times.

But Gaby was pure, an innocent, a child.

Solomon reached out to his contacts to try to get the boy to safety, but being a contact of a marked man was likewise a dangerous thing: the monsters outside were worse than the ones inside him.

Two words for you: ‘Whoo weee.’ That’s what you’re going to say when you close the back cover of “Laws of Solomon,” knowing that you’ve just been taken on a wild up-and-down, around-and-round ride.

La Salle makes it impossible not to like Solomon, an African man who has, over time, lost nearly everything dear to him and who has no faith in much of anything. Readers get that part of the story eventually, and there’s historical authenticity in some of it, but we never really get to know Solomon, which makes the book feel dark and dangerous. Along the way, we meet and get to know his helpers, which buoys Solomon’s chase to find safety for the boy, and your heart won’t stop pounding.

Keep in mind that this is a thriller partially set in 1970s Uganda, so expect lots of violence but don’t expect a lot of people to live. If you’re up for that, find “Laws of Solomon.” You won’t be able to leave it behind.

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