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The Transatlantic Slave Trade: 500 Years Later the Diaspora Still Suffers

BLACKPRESSUSA NEWSWIRE — The Transatlantic Slave Trade is not just Black history—it is American history, and Black Americans lived it.

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The Transatlantic Slave Trade is not just Black history—it is American history, and Black Americans lived it. Their ancestors were violently torn from their homes, forced into brutal labor, and stripped of basic humanity. That legacy of injustice echoes loudly in every aspect of our society—because the slave trade wasn’t just cruel, it was foundational. Yet today, that truth itself is under attack. President Donald Trump denounced the Smithsonian Institution as allegedly “out of control” for telling the unvarnished history of slavery—claiming museums focus too much on how bad slavery was and not enough on “brightness” or success, even as his administration reviews exhibits and threatens funding cuts to sanitize the narrative. He dismissed honest reflection as “woke,” arguing it undermines national pride. We are re-running this series, which we originally published in 2019, each day because confronting our painful past is urgent—and because critics who erase suffering do so to keep oppression alive.

By Stacy M. Brown
Black Press USA Senior National Correspondent

“Impossible is just a big word thrown around by small men who find it easier to live in the world they’ve been given than to explore the power they have to change it. Impossible is not a fact. It’s an opinion. Impossible is not a declaration. It’s a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.” — Muhammad Ali.

“We need to exert ourselves that much more and break out of the vicious cycle of dependence imposed on us by the financially powerful: those in command of immense market power and those who dare to fashion the world in their own image.”  — Nelson Mandela.

The most enduring consequences of the migration for the migrants themselves and for the receiving communities were the development of racism and the corresponding emergence and sustenance of an African American community, with particular cultural manifestations, attitudes, and expressions. The legacy is reflected in music and art, with a significant influence on religion, cuisine, and language, according to Paul E. Lovejoy, a distinguished research professor and Canada Research Chair in African Diaspora History at York University in Toronto. “The cultural and religious impact of this African immigration shows that migrations involve more than people; they also involve the culture of those people,” Lovejoy said in a recent post about the creation of the African diaspora.

American culture is not European or African but its own form, created in a political and economic context of inequality and oppression in which diverse ethnic and cultural influences, both European and African – and in some contexts, Native American – can be discerned, Lovejoy said. “Undoubtedly, the transatlantic slave trade was the defining migration that shaped the African Diaspora. It did so through the people it forced to migrate, and especially the women who were to give birth to the children who formed the new African American population,” he said. These women included many who can be identified as Igbo or Ibibio, but almost none who were Yoruba, Fon, or Hausa.

Bantu women, from matrilineal societies, also constituted a considerable portion of the African immigrants, and it appears that females from Sierra Leone and other parts of the Upper Guinea Coast were also well represented, Lovejoy said. “These were the women who gave birth to African American culture and society,” he said. After many rang in 2019 with celebratory parties and gatherings, there were still others who solemnly recalled the beginning of the transatlantic slave trade that started 400 years ago – 500 years, depending upon the region. For Africans throughout the diaspora, their struggle not only traces back 400 or 500 years, but it continued and was underscored as recently as 135 years ago when the infamous Berlin Conference was held.

The conference led to the so-called “Scramble for Africa” by European powers, who successfully split the continent into 53 countries, assuring a division that remains today. “There isn’t a single thing that was more damaging to Africa than the Berlin Conference,” said African Union Ambassador Dr. Arikana Chihombori-Quao. “Africans weren’t even invited to the conference,” she said. At the conference, which took place over three months in Brazil beginning in February 1884 and attended by 13 European nations and the United States, ground rules were established to split Africa. “Africans still are suffering the consequences,” the ambassador said. Said John W. Ashe, the president of the United Nations General Assembly:

“The Transatlantic slave trade … for 400 years deprived Africa of its lifeblood for centuries and transformed the world forever.” There’s no question that legacies of the slave trade persist today in most of the countries Africans were taken to, said Ayo Sopitan, founder of Pendulum Technologies in Houston, Texas. “I have been thinking about how Africans and the diaspora need to get together – through proxies in the persons of recognized leaders – and have a conversation about the past, the role that African collaborators played, and how we can unite as a people. Then, and only then, will we be able to excel as a people,” Sopitan said.

“I have sat at lectures by Henry Gates and learned about blacks in the Americas. The conclusion is that wherever we are, blacks are usually at the bottom of the totem pole. This does not have to continue,” he said. The transatlantic slave trade was an oceanic trade in African men, women, and children that lasted from the mid-sixteenth century until the 1860s. European traders loaded African captives at dozens of points on the African coast, from Senegambia to Angola and around the Cape to Mozambique.

The great majority of captives were collected from West and Central Africa and from Angola, according to the United Nations Educational, Scientific, and Cultural Organization – UNESCO. The trade was initiated by the Portuguese and Spanish, especially after the settlement of sugar plantations in the Americas, UNESCO officials noted in a 2018 web presentation titled “Slavery and Remembrance.”

European planters spread sugar, cultivated by enslaved Africans on plantations in Brazil, and later Barbados, throughout the Caribbean.

In time, planters sought to grow other profitable crops, such as tobacco, rice, coffee, cocoa, and cotton, with European indentured laborers as well as African and Indian slave laborers. Nearly 70 percent of all African laborers in the Americas worked on plantations that grew sugar cane and produced sugar, rum, molasses, and other byproducts for export to Europe, North America, and elsewhere in the Atlantic world, according to UNESCO. Before the first Africans arrived in British North America in 1619, more than half a million African captives had already been transported and enslaved in Brazil. By the end of the nineteenth century, that number had risen to more than 4 million. Northern European powers soon followed Portugal and Spain into the transatlantic slave trade.

The majority of African captives were carried by the Portuguese, Brazilians, the British, the French, and the Dutch. British slave traders alone transported 3.5 million Africans to the Americas, UNESCO reported. The transatlantic slave trade was complex and varied considerably over time and place, but it had far-reaching and lasting consequences for much of Europe, Africa, the Americas, and Asia. The profits gained by Americans and Europeans from the slave trade and slavery made possible the development of economic and political growth in major regions of the Americas and Europe. Europeans used various methods to organize the Atlantic trade.

Spain licensed (by Asiento agreements) other nations to supply its Spanish American and Caribbean colonies with African captives. France, the Netherlands, and England initially used monopoly companies. In time, the demand for African laborers in the Americas was met by more open trade, which allowed other merchants to engage in the trade with Africans. Thus, formidable private trading companies emerged, such as Britain’s Royal African Company (1660–1752) and the Dutch West India Company of the Netherlands (1602–1792), according to UNESCO.

The profits generated from the Atlantic trade economically and politically transformed Liverpool and Bristol in England, Nantes and Bordeaux in France, Lisbon in Portugal, Rio de Janeiro and Salvador de Bahia in Brazil, and Newport, Rhode Island, in the United States. Each port developed links to a wide hinterland for local and international goods in Asia and capital to sustain the trade in African captives. European merchants and ship captains – followed later by those from Brazil and North America – packed their sailing vessels with local goods and commodities from Asia to trade on the African coast.

Enslaved Africans, their often-violent capture and enslavement out of sight of the European general public, were exchanged for iron bars and textiles, luxury goods, cowrie shells, liquor, firearms, and other products that varied region by region over time. Much of the wealth generated by the transatlantic slave trade supported the creation of industries and institutions in modern North America and Europe. To an equal degree, profits from slave trading and slave-generated products funded the creation of fine art, decorative arts, and architecture that continues to inform aesthetics today, UNESCO officials said.

“European countries – Portuguese, English, French, and Spanish – are most complicit in the transatlantic slave trade. This pernicious form of slavery was driven by European capitalistic countries seeking to expand their nation-states and empires,” said Dr. Jonathan Chism, assistant professor of history and a fellow with the Center for Critical Race Studies at the University of Houston Downtown. The pain continues today. “The fact that slavery was underway for a century in South America before its introduction in North America is not widely taught nor commonly understood,” said Felicia Davis of the HBCU Green Fund.

“It is a powerful historical fact missing from our understanding of slavery, its magnitude, and global impact. Knowledge that slavery was underway for a century [before it began in North America] provides deep insight into how enslaved Africans adapted,” Davis said. “Far beyond the horrific seasoning description, clearly generations had been born into slavery long before introduction in North America. It deepens the understanding of how vast majorities could be oppressed in such an extreme manner for such a long period of time,” Davis said. “It is also a testament to the strength and drive among people of African descent to live free.”

Up Next: UN Observes International Remembrance of Slave Trade

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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