Entertainment

Film Review: ‘Focus’

Published

11 years ago

March 3, 2015

Oakland Post

Will Smith and Margot Robbie co-star in the con artist movie Focus. (Courtesy Photo)

By Dwight Brown
NNPA Film Critic

After Earth, Men in Black 3, Seven Pounds… It’s been a while since Will Smith lived up to his star status in a film worth having his name above the marquee. As Nicky, a con artist’s con artist in Focus, he redeems himself somewhat in a generic but often entertaining game of who’s fooling who.

Nicky Spurgeon – part con artist and part thief – was trained by his dad and granddad in the fine art of deception: Focus your victim’s attention in one direction, while you steal him blind out of his line of vision. One night in a New York bar, Jess (Margot Robbie, The Wolf of Wall Street), a novice shyster, picks him up and brings him back to her hotel. Her enraged husband barges into the room demanding money from Nicky, or he’ll kill him. Don’t BS a BSer. Nick knows the two are on the con. He schools them. That would have been the end of a strange night, except Jess wants to learn the ropes from a master and Nicky is smitten with the svelte blonde.

Nicky works Jess into his gang of thieves. In New Orleans, they pickpocket, swipe jewelry and steal money with a nerve and rhythm that is precision. At a football game, Nicky schemes on a wealthy man named Liyuan (BD Wong) who likes to bet on anything. He pulls an unwitting Jess into his ruse. Once he’s done, he leaves her. Three years later in Buenos Aries, Nicky shows up for a job involving the racecar world and a coveted algorithm. He’s working for a slick dude named Garriga (Rodrigo Santoro). He’s shocked one night when he finds a beautiful blonde cozying up to his mark. It’s Jess.

The cagey film The Grifters, starring Annette Bening, Anjelica Houston and John Cusack, directed by Stephen Frears, set the bar real high for all con artist movies that followed. This nicely crafted and very slick looking production isn’t as gripping or original as the aforementioned, but that doesn’t stop it from being fun. You won’t be astonished, but you won’t be bored either.

Writer/directors Glenn Ficara and John Requa (Crazy, Stupid, Love) mix in enough hijinks (thieves working a New Orleans crowd), violence (a car crash, punched faces and gun play) and titillation (Smith goes bare chest, Robbie does not, their modest love sex scene lacks chemistry) to keep your interests piqued. The screenplay has a lot of twists and turns, and you can’t quite guess where the story is leading, though you know instinctively that a big con is coming.

Jan Kovac’s (Curb Your Enthusiasm) editing is pretty nimble and well accommodates the film’s four acts, which unfold in 104 minutes. There is a happy marriage between Xavier Grobet’s (Mother and Child) glossy cinematography, Beth Mickle’s (Thanks for Sharing) production design and Kelly Curley’s art direction, which tends to favor teal blue. The musical score by Nick Urata (I Love You Phillip Morris) is reminiscent of 1980s hip nightclub music, like the hit song “Ghost Town” by The Specials.

Margot Robbie, certainly tall and beautiful in a Victoria Secrets kind of way, has a tough interior. Adrian Martinez (American Hustle) as Farhad, one of Nicky’s cronies, brings humor to the gang. As Jess sits in the back seat and Nicky drives the car, Farhad blurts out, “You hitting that?” Gerald McRaney (TV’s House of Cards) plays the perfect henchman. Rodrigo Santoro is fine as the Argentinean playboy, but he was much more electric in 300: Rise of an Empire.

Will Smith carries this film on shoulders. His cool demeanor and devil-may-care attitude are appealing. He has tremendous stage presence and he knows how to work the camera. Physically, for a 47 year-old-man, he’s in great shape and aging like Dorian Grey. What Smith’s career needs now, is a blockbuster that can put him back on top of the heap.

Focus is a bit too slick, but engaging nonetheless. It doesn’t give up. It doesn’t stop. Or, as Nicky puts it, “Never drop the con. Die with the lie.”

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

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Alameda County

The Marin City Flea Market Is Back

The Marin City Flea Market returns on May 23, offering arts, crafts, vintage items, and collectibles. The market aims to uplift local vendors and celebrate cultural diversity.

Published

4 days ago

May 15, 2026

Oakland Post

Customers shopping in Marin City Flea Market. Photo courtesy of marincityflea.org.

By Godfrey Lee

After a long absence, Marin City will once again hold its flea market. The market will have its grand opening on Saturday, May 23, from 8 a.m. to 2 p.m. at the St. Andrew Presbyterian Church parking lot on 101 Donahue St. It will be held every fourth Saturday of the month

The market will be free to the public

There will be arts, crafts, vintage, collectibles, and other items on sale at the market. Interested vendors can contact info@marincityflea.org or text (415) 484-2984 for more information.

“The Marin City Flea Market’s mission is to uplift local vendors, celebrate cultural diversity, and provide an accessible community space where creativity, entrepreneurship, and connection can thrive,” says their website, marincityflea.org.

The flea market is sponsored and run by the Rotary Club of Marin City.

For more information, contact info@marincityflea.org. Or text to (415) 484-2984

Oakland Post

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Alameda County

Mayor Barbara Lee Declares ‘Delroy Lindo Day,’ Presents Acclaimed Actor with Key to the City

Oakland Mayor Barbara Lee honored acclaimed actor Delroy Lindo with the Key to the City and declared “Delroy Lindo Day” to celebrate his contributions to film, television, and theater.

Published

4 days ago

May 15, 2026

Oakland Post

Oakland Mayor Barbara Lee presents Oakland actor Delroy Lindo the key to the cCity Council chambers of Oakland City Hall in downtown Oakland. Photo by Carla Thomas.

By Carla Thomas

Oakland honored one of its most distinguished residents on May 6 as Mayor Barbara Lee presented acclaimed actor Delroy Lindo with the Key to the City and an official proclamation declaring “Delroy Lindo Day.”

The event, titled “Rooted in Legacy: Honoring Delroy Lindo,” took place at Oakland City Hall and brought together community leaders, artists, and young people for an evening centered on storytelling, cultural pride, and intergenerational connection.

Lindo, a critically acclaimed artist who lives in Oakland, was recognized for his extensive contributions to film, television, and theater, as well as his impact on the global African diaspora. Most recently the Oscar-nominated artist was recognized for his phenomenal role as a bluesman in Ryan Coogler’s “Sinners,” a winner both critically and at the box office.

His celebrated body of work included roles in “Unprisoned,” “Malcolm X”, “Clockers,” “Get Shorty,” and ”Da 5 Bloods,” among others.

“He’s brought depth, inspiration, and authenticity to the screen,” said Lee.

The program highlighted both Lindo’s artistic legacy and his influence as a mentor. A centerpiece of the evening was an intimate fireside conversation between MLee and Lindo.

“I am a living, breathing example of somebody who has achieved the American Dream,” said Lindo. “The other side of that is I walk through the world as a Black man of African descent.”

At 5 years of age, Lindo played King Balthazar in a Nativity play. And years later on Easter of 1973 in New York the Negro Ensemble Company’s play, “The River Niger” left a great impact on him.

“Seeing that production and so many Blacks in the audience, gave me an understanding that maybe I could have a career as an actor,” said Lindo.

Students from the Oakland School for the Arts delivered powerful monologues, adding a dynamic and emotional layer to the program. The students’ instructor, Tavia Percia, chairman of the school’s theatre department, watched the performance proudly. Their performances emphasized the importance of arts education and demonstrated the next generation of talent inspired by figures like Lindo.

Five young men from All Tied Up Academy had the honor of presenting the “Rooted in Legacy” plaque to Lindo with Lee.

The evening also featured a cinematic showcase of Lindo’s work, offering a retrospective glimpse into his decades-long career.

The Golden State Warriors presented Lindo with a custom jersey, symbolizing the city’s appreciation for his contributions both on and off the screen.

The highlight of the evening came as Lee formally presented Lindo with the Key to the City and read the proclamation establishing “Delroy Lindo Day.” The recognition marked not only his artistic achievements but also his enduring connection to Oakland and his commitment to community engagement.

Celebrities, including filmmaker Ryan Coogler, congratulated Lindo via a video presentation. Lindo did not hold back the tears of gratitude. “I carry Oakland with me wherever I go,” said. Lindo, who is Jamaican via the UK, said he chose the Bay Area to call home with his wife and raise his son.

When young men who grew up with his son entered the council chambers, Lindo welcomed them to the stage for a hug and acknowledgement. “These young men are all honorable. I’ve watched them grow up, and they are the future,” he said. “These are three people that give me hope for this country.”

Addressing the audience, Lindo said, “You are part of the infrastructure of my life. My life would not be as it is without you. You give me more than I give you. Wherever I go, I bring Oakland with me.”

advised everyone to push past negativity of the world.

“Hold onto your dreams, particularly now in this country being fed the constant narrative that ‘we are less than,’ because we know we are more than. And kudos to Mayor Lee at the forefront for decades repping us for Oakland and America.”

“Everyone, hold fast to your purpose and charge as a human being and to the young; go for yours!”

Lindo thanked his many fans, friends, and family in the audience. Attendees included broadcaster Dave Clark, attorney John Burris, former Alameda County Supervisor Keith Carson, Dr. Albert Brooks who delivered his son, and First African Methodist Episcopal Church Rev. Rodney Smith. Screenwriter David Webb Peoples, who gave him his first film role in Australia, “The Blood of Heroes, was also in attendance.