Entertainment

Film Review: ‘Focus’

Published

10 years ago

March 3, 2015

Oakland Post

Will Smith and Margot Robbie co-star in the con artist movie Focus. (Courtesy Photo)

By Dwight Brown
NNPA Film Critic

After Earth, Men in Black 3, Seven Pounds… It’s been a while since Will Smith lived up to his star status in a film worth having his name above the marquee. As Nicky, a con artist’s con artist in Focus, he redeems himself somewhat in a generic but often entertaining game of who’s fooling who.

Nicky Spurgeon – part con artist and part thief – was trained by his dad and granddad in the fine art of deception: Focus your victim’s attention in one direction, while you steal him blind out of his line of vision. One night in a New York bar, Jess (Margot Robbie, The Wolf of Wall Street), a novice shyster, picks him up and brings him back to her hotel. Her enraged husband barges into the room demanding money from Nicky, or he’ll kill him. Don’t BS a BSer. Nick knows the two are on the con. He schools them. That would have been the end of a strange night, except Jess wants to learn the ropes from a master and Nicky is smitten with the svelte blonde.

Nicky works Jess into his gang of thieves. In New Orleans, they pickpocket, swipe jewelry and steal money with a nerve and rhythm that is precision. At a football game, Nicky schemes on a wealthy man named Liyuan (BD Wong) who likes to bet on anything. He pulls an unwitting Jess into his ruse. Once he’s done, he leaves her. Three years later in Buenos Aries, Nicky shows up for a job involving the racecar world and a coveted algorithm. He’s working for a slick dude named Garriga (Rodrigo Santoro). He’s shocked one night when he finds a beautiful blonde cozying up to his mark. It’s Jess.

The cagey film The Grifters, starring Annette Bening, Anjelica Houston and John Cusack, directed by Stephen Frears, set the bar real high for all con artist movies that followed. This nicely crafted and very slick looking production isn’t as gripping or original as the aforementioned, but that doesn’t stop it from being fun. You won’t be astonished, but you won’t be bored either.

Writer/directors Glenn Ficara and John Requa (Crazy, Stupid, Love) mix in enough hijinks (thieves working a New Orleans crowd), violence (a car crash, punched faces and gun play) and titillation (Smith goes bare chest, Robbie does not, their modest love sex scene lacks chemistry) to keep your interests piqued. The screenplay has a lot of twists and turns, and you can’t quite guess where the story is leading, though you know instinctively that a big con is coming.

Jan Kovac’s (Curb Your Enthusiasm) editing is pretty nimble and well accommodates the film’s four acts, which unfold in 104 minutes. There is a happy marriage between Xavier Grobet’s (Mother and Child) glossy cinematography, Beth Mickle’s (Thanks for Sharing) production design and Kelly Curley’s art direction, which tends to favor teal blue. The musical score by Nick Urata (I Love You Phillip Morris) is reminiscent of 1980s hip nightclub music, like the hit song “Ghost Town” by The Specials.

Margot Robbie, certainly tall and beautiful in a Victoria Secrets kind of way, has a tough interior. Adrian Martinez (American Hustle) as Farhad, one of Nicky’s cronies, brings humor to the gang. As Jess sits in the back seat and Nicky drives the car, Farhad blurts out, “You hitting that?” Gerald McRaney (TV’s House of Cards) plays the perfect henchman. Rodrigo Santoro is fine as the Argentinean playboy, but he was much more electric in 300: Rise of an Empire.

Will Smith carries this film on shoulders. His cool demeanor and devil-may-care attitude are appealing. He has tremendous stage presence and he knows how to work the camera. Physically, for a 47 year-old-man, he’s in great shape and aging like Dorian Grey. What Smith’s career needs now, is a blockbuster that can put him back on top of the heap.

Focus is a bit too slick, but engaging nonetheless. It doesn’t give up. It doesn’t stop. Or, as Nicky puts it, “Never drop the con. Die with the lie.”

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

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Arts and Culture

San Jose Jazz Fest ‘24: Fun, Food and an Unforgettable Frankie Beverly Farewell

SAN JOSE — The sounds of summer echoed through the heart of town during the 3-day-long San Jose Jazz Summer Fest 2024, held Aug. 9 – 11. Multiple stages hosted a variety of iconic performers such as Incognito; local favorites like Tia Carroll; and trailblazers such as Herbie Hancock. Guests enjoyed dozens of vendors featuring art, gifts, and clothing. Tasty bites included flame-grilled barbeque, seafood and a variety of desserts

Published

14 hours ago

September 16, 2024

Oakland Post

Frankie Beverly performing at the San Jose Jazz Summer Fest 2024. Photo Courtesy of Frankie Beverly.

By Carla Thomas

SAN JOSE — The sounds of summer echoed through the heart of town during the 3-day-long San Jose Jazz Summer Fest 2024, held Aug. 9 – 11.

Multiple stages hosted a variety of iconic performers such as Incognito; local favorites like Tia Carroll; and trailblazers such as Herbie Hancock.

Guests enjoyed dozens of vendors featuring art, gifts, and clothing. Tasty bites included flame-grilled barbeque, seafood and a variety of desserts.

Oakland entrepreneur Ava Carrie and several friends said it was great to get out, enjoy the sun and hear great music. “This is a wonderful festival and just a great time with friends,” said Carrie.

Festival goer Cin-Dee said she flew in from Virginia to celebrate her birthday in the Bay Area. She was saddened that she missed Frankie Beverly’s farewell tour that kicked off in March when he performed in her area on the east coast, capping a 50-year career. When Cin-Dee noticed Maze would feature Beverly in the line up at the San Jose Jazz Festival, in a tribute to him, she made sure to cut short her touring of Santa Cruz to not miss the performance on Sunday evening. “I am so happy to be here and have this opportunity to see Frankie with Maze,” she said, dancing to the music. “This is really special and it’s great to see Frankie on stage and hear my favorite songs.”

Maze performed favorites in tribute to Beverly while introducing their new lead singer, Tony Lindsay. During the last stretch of the concert, Beverly performed, “Happy Feelings,” and “I Wanna Thank You.” The performance was emotional for Beverly as the audience stood up and danced during the entire performance, capturing the historic moment on their cell phones.

Maze was founded by Beverly in 1970 in Philadelphia and was recognized by Marvin Gaye when they relocated to the Bay Area in 1971. The group went on to earn nine gold albums between 1977 and 1993 with mega hits such as “Happy Feelin’s” and “Before I Let Go.” Beverly, known for his soulful baritone voice, wrote hit after hit during his five-decade career. Beverly said he was initially inspired by the pacesetting R&B doo-wop group Frankie Lymon and the Teenagers.

Performances at the San Jose Jazz Summer Fest also included the John Santos Sextet, the San Jose Jazz High School All Stars, Faye Carol, Delfaeyo Marsalis and the Uptown Jazz Orchestra, David Benoit Quartet, Andre Thierry Accordion Soul, Ayo Brame, The Family Stone, and the Spanish Harlem Orchestra.

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Oakland Post: Week of September 11 -17, 2024

The printed Weekly Edition of the Oakland Post: Week of September 11 – 17, 2024

Published

4 days ago

September 13, 2024

Oakland Post

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Activism

Jaylen Brown and Jason Kidd’s $5 Billion Plans

On Aug. 9, in downtown Oakland at Oakstop, a co-working and event space, dozens of journalists and broadcasters convened to hear an historic announcement from NBA icon Jason Kidd and NBA All Star and Finals MVP Jaylen Brown. The duo told the world that they have joined forces to raise an ambitious $5 billion dollars to empower underserved and marginalized communities. The week prior, Brown set the goal in motion by creating the Boston XChange in preparation to do the same in the Bay Area as the Oakland XChange.

Published

5 days ago

September 12, 2024

Oakland Post

NBA All Star and 2024 Finals MVP Jaylen Brown, Oakland XChange's founder Trevor Parham, Boston XChange board member Riz Shah, and NBA icon Jason Kidd at Oakstop in Oakland announcing the creation of XChange Oakland and a commitment to raise $5 billion dollars to empower marginalized communities across the nation. Courtesy of Oakland Xchange.

By Carla Thomas

The duo told the world that they have joined forces to raise an ambitious $5 billion dollars to empower underserved and marginalized communities. The week prior, Brown set the goal in motion by creating the Boston XChange in preparation to do the same in the Bay Area as the Oakland XChange.

“True systemic change requires collaboration, shared vision, and collective impact. By working with community partners, thought leaders, and cultural influencers, our goal is to cultivate a powerful network of support and innovation,” shared Brown.

Through the new nonprofit XChange enterprises in Boston and Oakland and his sphere of influence, Brown has set his intentions in motion jumpstarting a path toward generational wealth and cultivating cultural innovation in underserved and underrepresented communities. Designed to provide opportunities at the intersection of business and culture, Brown says the XChange will use a place-based strategy to drive solutions for better cities, integrating real estate development, business education, technology, and cultural competency to foster economic growth.

Chapters in Boston (BXC) and Oakland (OXC) will serve as organizing hubs, utilizing commercial real estate to empower underserved communities.

Kidd says he was inspired by Brown’s concept and the two have committed millions of dollars from their own fortunes to kick off the venture. Kidd and Brown, both Oakland natives, see a bright future for their hometown.

“We welcome anyone that is willing to make a commitment to the future and health of the community and put it on a path toward generational sustainability,” said Kidd, during the press conference.

“The racial wealth gap is not limited to Boston — It’s a national issue, affecting Oakland and cities throughout the country, revealing how some groups are better positioned to make critical investments in their futures that benefit their families and communities,” said Kidd.

Kidd has also made significant philanthropic contributions to his hometown, such as funding the Willie Keyes Recreation Center in West Oakland.

The XChange will create and showcase scalable and repeatable models for shared real estate ownership and impact investments to facilitate asset building for sidelined community members that can be adopted across the country. They will engage professional athletes, business leaders, philanthropists, and influencers who are passionate about solving wealth inequality in the cities they love, using a replicable model that maximizes impact while uplifting existing organizations working to bridge the wealth gap.

“Using this strategy, The XChange presents an opportunity for individual cities to tailor the model to the unique needs and strengths of their communities, replicating and refining it for optimal impact,” said the Oakland XChange’s founder Trevor Parham.

“Place based strategies are important for unifying and revitalizing underserved communities and our lived experiences inform market insights and social solutions that help foster sustainable economic development. I’m proud of Oakstop’s track record for community-led social impact and our synergy with the Boston XChange.”

Boston XChange board member Riz Shah was also on hand along with local politicians, Caroll Fife, Rep. Barbara Lee (D-CA-12), and Lateefah Simon, candidate for U.S Congress. They all shared their excitement for the new venture.

For more information visit: www.oaklandxchange.org