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Renovated Opera House Pumps New Life into Bay View

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Officials and community members from around San Francisco were on hand at Third and Oakdale streets, to celebrate the ribbon cutting of the Bay View Opera House. 

 

The opera house had been closed for four years, as it was closed for remodeling. But on July 20, the new opera house was unveiled to the public in a celebration of a new beginning.

 

“This is a soft opening,” said Mayor Ed Lee. “But this is a restored gem in the community – $5 million was spent on this center, which is a historic place.”

 

Others attending included District 10 Supervisor Malia Cohen, Congresswoman Nancy Pelosi, Director of Public Works Mohammed Nuru, and project architect Walter Hood.

 

Built in 1888, the opera house has hosted various community plays, poetry readings, dance ensembles, comedy shows and many artists.

 

The history of the building took a turn in September 1966 when Matthew “Peanut” Johnson was shot in the back by a white police officer on Third Street. His death by the police officer set off calls for justice within the Black community, and police came out in droves.

 

This set off a neighborhood riot, which spread throughout San Francisco and lasted for six days.

 

The National Guard was called by Governor Pat Brown and a curfew was put in place in the Bay View. Police officers shot up the opera house, thinking there was a sniper in the building, only to find that no one was there, except children hiding in the corner.

 

The building would have been left to die, if not for the efforts of Ruth Williams, who helped galvanize support to renovate the building. The theater was named in her honor years later.

 

“My mother stepped in a year later, and she along with four other women, the big five, basically stopped the wreaking ball from demolishing the place,” said Kevin Williams, a community activist, who was at the reopening.

 

“My mother helped raise the money to renovate the place, hired the first Black architect in San Francisco, Harry Overstreet, to redesign it, and she helped put the building back together,” he said.

 

 

“Not only is this a cultural center, but the Opera house was a safe after school space for kids and for seniors to come and congregate, and it will remain that way,” said Supervisor Cohen.

 

“I am pleased that the city and the non-profit organization that are running the opera house are there and improving the building,” said Ed Donaldson, a community activist and former opera house board member

 

The current executive director of the Opera House is Barbara Okel and the Opera House will be fully operational towards the end of August. After the ribbon cutting, former San Francisco Mayor Willie Brown stopped by inside to look at the floor and talk about the Opera House and its future.

 

“This new place is fabulous,” said Mayor Brown. “I am pleased to see this grand reopening. There would be no way money would be put into this place, without the city and donors knowing there would be strong programs to match this.”

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Arts and Culture

Faces Around the Bay Dr. Carl Blake, Pianist

Born in Liberty, Missouri, Carl Blake, a virtuoso and respected pianist, made his most recent migration to the East Bay in 1999. One might have seen him performing recently at Noontime Concerts in San Francisco, or at the Piedmont Center for the Arts in Oakland. He is Director of Music at The Church for the Fellowship of All Peoples in San Francisco. He was also co-organizer and collaborative pianist at Herbst Theater for The Majesty of the Spirituals concert in 2022 and has held several church positions in the Bay Area.

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Dr. Carl Blake
Dr. Carl Blake

By Barbara Fluhrer

Born in Liberty, Missouri, Carl Blake, a virtuoso and respected pianist, made his most recent migration to the East Bay in 1999.

One might have seen him performing recently at Noontime Concerts in San Francisco, or at the Piedmont Center for the Arts in Oakland. He is Director of Music at The Church for the Fellowship of All Peoples in San Francisco. He was also co-organizer and collaborative pianist at Herbst Theater for The Majesty of the Spirituals concert in 2022 and has held several church positions in the Bay Area.

Blake obtained a Bachelor of Music from Boston University and continued post-baccalaureate studies in Jamaica before earning a Master of Arts in Music at San Jose State University. He was the recipient of two Fulbright residencies in Honduras and completed a third residency at the University of St. Petersburg in Russia. He has a Doctor of Musical Arts from Cornell University.

At age 19, Blake, then an undergraduate piano major at Boston University, was “discovered” by Impresario Dr. W. Hazaiah Williams, who is the Founder and Director of Today’s Artists/Four Seasons Arts.

Williams honored Blake by awarding him the first Marian Anderson Young Artist Award.  Anderson personally presented the award at the Masonic Auditorium in S.F.  Subsequently, Blake was presented by Dr. Williams in his San Francisco debut at The Herbst Theatre. Williams subsidized a year of study abroad for Blake at the Paris Conservatory of Music. Additionally, Williams sponsored Blake’s New York Weill Hall debut, where he has performed twice since.  Blake performed several times at the Yachats Music Festival in Oregon.

Blake continues to perform nationally and abroad. His hobbies are reading, baking and travel. He says, “I’m still pumping ivories, as Belgian pianist Jeanne Stark described the disciplined practice of concert piano.”

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Arts and Culture

Oakland Jazz Great Offers Master Class as City Declares “John Handy Day”

World-renowned jazz master saxophonist John Handy, a McClymond’s High School graduate, was presented with a Mayor of Oakland Proclamation declaring Feb. 12, as John Handy Day in the city. Handy is most notably known as the featured saxophonist for Charles Mingus on “Goodbye Pork Pie Hat” from the album “Mingus Ah Um” (1959) and on “Hard Work” from his own album “Hard Work” (1976).

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(L-R) Del Handy, John Handy, Roger Glenn, and Joe Warner celebrate John Handy Day at Geoffrey’s Inner Circle, Oakland. Photo by Lady Bianca.
(L-R) Del Handy, John Handy, Roger Glenn, and Joe Warner celebrate John Handy Day at Geoffrey’s Inner Circle, Oakland. Photo by Lady Bianca.

By Conway Jones

World-renowned jazz master saxophonist John Handy, a McClymond’s High School graduate, was presented with a Mayor of Oakland Proclamation declaring Feb. 12, as John Handy Day in the city.

Handy is most notably known as the featured saxophonist for Charles Mingus on “Goodbye Pork Pie Hat” from the album “Mingus Ah Um” (1959) and on “Hard Work” from his own album “Hard Work” (1976).

“John Handy is a jazz icon and an inspiration to musicians everywhere,” said Ayo Brame, a 16-year-old Oakland tenor saxophone player who is enrolled at the Oakland School for the Arts.

In celebration of this day, the reception in downtown Oakland at Geoffrey’s Inner Circle was a gathering of artists, young and old, coming together in his honor and celebrating his 91st birthday.

Handy presented a Saxophone Colossus free masterclass for musicians. This class afforded a rare opportunity to learn about the saxophone from an aficionado. The class was free and open to all – saxophonists, vocalists, aficionados, students, and casual listeners.

“As a longtime friend for over 60 years, and fellow musician who has had numerous opportunities to share the stage with John, it has always been a pleasure performing with him and hearing his creative interpretations of the music and his gift of ease inspiring the next generation of jazz musicians,” said Roger Glenn, a multi-instrumentalist.

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Arts and Culture

Musical Chronicling Life of Betty Reid Soskin Set for Bay Area Debut

Betty Reid Soskin’s storied 102 years includes time spent as a WWII defense worker, activist, business owner, songwriter, National Park Service park ranger and so much more. Now the Richmond icon is the subject of a musical based on her incredible life.

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Betty Reid Soskin. Photo courtesy of Rosie the Riveter/WWII Home Front National Historical Park in Richmond.
Betty Reid Soskin. Photo courtesy of Rosie the Riveter/WWII Home Front National Historical Park in Richmond.

The Richmond Standard

Betty Reid Soskin’s storied 102 years includes time spent as a WWII defense worker, activist, business owner, songwriter, National Park Service park ranger and so much more. Now the Richmond icon is the subject of a musical based on her incredible life.

Sign My Name to Freedom,” a San Francisco Bay Area Theatre Company (SFBATCO) production which will focus on the life, music and writing of Ms. Soskin, will premiere at San Francisco’s Z Space Friday, March 29 and continue through Saturday, April 13. Tickets range from $15–$65 and can be purchased online at https://www.sfbatco.org/smntf

The musical is directed by Elizabeth Carter, while playwright Michael Gene Sullivan integrates Ms. Soskin’s own music throughout dialogue between what SFBATCO calls “The Four Bettys” as they progress through a century of experiences of this awe-inspiring American woman.

The cast of “Sign My Name to Freedom” features Tierra Allen as Little Betty, Aidaa Peerzada as Married Betty, Lucca Troutman as Revolutionary Betty and Cathleen Riddley as Present Betty Reid Soskin, according to Artistic Director Rodney Earl Jackson Jr. and Managing Director Adam Maggio. Other casting will be announced in the future.

Jackson said that having Soskin’s blessing to steward her life’s story is an honor and career highlight for him and that her journey stands as “a beacon for Black Americans, women and people of color all across the world [and] is a testament to the strength of the human spirit.”

San Francisco’s Z Space is located at 450 Florida St. in San Francisco. Check out the trailer here at https://www.youtube.com/watch?v=B-ap9N2XBB0

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