Arts and Culture

KOLA: An Afro Diasporic Remix of the Nutcracker

Published

6 years ago

December 19, 2019

In “KOLA: An Afro Diasporic Remix of the Nutcracker” — we meet Nzingha, an orphan, who lives with her grandparents. Actor Makeda Booker’s character doesn’t remember her mother and resents her abandonment. Though she knows her grandparents — actors Dame Drummer and Jennifer Jones, love her, the child feels a sense of isolation at the family holiday party and spends time playing games on her phone. While everyone mingles, then dances, Nzingha moves awkwardly when her Uncle Victor (James “Banks” Davis), whom she hasn’t seen in a while asks her to join him. The next day, he seeks his niece out as she does her chores, and shares with her stories of his sister, her mother.

And so begins the journey where Nzingha, guided by Uncle Victor, transformed into Esu (the Orisha of the Crossroads) takes her on a Sankofa journey so she can grasp her historic past to better understand her present.

Set to music by lead composer Kev Choice and others, KOLA is a wonderful opportunity to celebrate African resilience and fortitude. How many orphans like Nzingha were nurtured by adults in the journey across the water? How many were adopted when parents were killed or died or were sold off?

The cast is superb as the lead choreographer Rozz Nash sets work for this gifted ensemble. The battle between the Raccoon King and Capoeira King, is a highlight as the masked raccoons square off against the Capoiera posse. This dance is followed by the Resurrection where Nzingha meets tiny mythical snow angels, concluding in a grand finale: The Pantheon. End Act 1.

After a brief intermission where many in the audience go out to purchase KOLA bling, T-shirts and other swag, we see Nzingha on the shore where she meets fishermen and fisherwomen.

Crossing bridges made from bones, Nzingah dances through Bahia where she meets Yemanja—goddess of the salt waters, then into Cuba where she meets Oshun, goddess of love, and Ayiti where she dances Yanvolou, for Ogou and the ancestors known as Gede. It is a dance used to reinforce community and solidarity.

As Nzingha grows in self-confidence, she earns her elekes, or ritual beads, after she dances through each divine portal. The next stop is Southern Spain where Nzingha, also named for a warrior, meets Oya, the goddess of change and transformation. This stop is the beginning of the “great (re)turn,” this time accompanied by the deities Mamiwata, Obatala, and Esu. The child carries her nkisi, or charm, with her. She is wrapped in literal rainbows as she alights in New York at the African Burial Grounds (now Wall Street), dances into Congo Square in New Orleans then heads back to Oakland where the enchantment continues in Oscar Grant Plaza, where Nzingha meets her young grandparents. Home again, she meets her mother again in the mirror and embraces her as she embraces this episode of her journey, now complete.

For each leg of the literal journey master percussionists and other choreographers join lead choreographer, Rozz Nash and co-writer, theatre director, Ryan Nicole Austin – who was running the sound, opening night. 500+ students from more than a dozen Oakland and other East Bay schools are involved as performers, composers and costume/set designers, including OSA, Anna Yates, Northern Light, Pear Tree Community School, West Oakland Middle School, Envision Academy Middle Grades, Park Day, Head Royce, and Latitude High School.

Jennifer Johns is a co-writer and composer and also portrays both the grandmother and Mamiwata. Ultimately, it is through African divinity the orphaned Nzingha finds what she believes she lost. Once she steps into the chasm holding Esu’s hand or cane, it is trust that ultimately rewards Nzingha with the answers she seeks. Once she commits to the trip, she doesn’t let go until she reaches home, sweet home.

It is a beautiful story, one of hope and love. KOLA continues at Castlemont High School, Thursday, Dec. 19-22, 7 p.m. Sunday at 2 p.m. It is a family friendly production. For tickets visit www.thepeoplesconservatory.org

There is free parking on the side of the school campus by the fence near the childcare center signage. Keep driving all the way to the back.

Wanda Sabir

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Activism

Essay: Intentional Self Care and Community Connections Can Improve Our Wellbeing

At the deepest and also most expansive level of reality, we are all part of the same being, our bodies made from the minerals of the earth, our spirits infused by the spiritual breath that animates the universe. Willingness to move more deeply into fear and pain is the first step toward moving into a larger consciousness. Willingness to move beyond the delusion of our separateness can show us new ways of working and living together.

Published

1 month ago

October 27, 2025

Oakland Post

Lorraine Bonner is a retired physician. She is also a sculptor who works in clay, exploring issues of trust, trustworthiness and exploitation, as well as visions of a better world.

By Dr. Lorraine Bonner, Special to California Black Media Partners

I went to a medical school that was steeped in the principles of classical Western medicine. However, I also learned mindfulness meditation during that time, which opened me to the multifaceted relationship between illnesses and the interconnecting environmental, mental and emotional realities that can impact an individual’s health.

Therefore, when I began to practice medicine, I also pursued training in hypnosis, relaxation techniques, meditation, and guided imagery, to bring a mind-body focus to my work in medical care and prevention.

The people I saw in my practice had a mix of problems, including high blood pressure, diabetes, and a variety of pain issues. I taught almost everyone relaxation breathing and made some general relaxation tapes. To anyone willing, I offered guided imagery.

“My work embraced an approach to wellness I call “Liberatory Health” — one that not only addresses the treatment and management of disease symptoms but also seeks to dismantle the conditions that make people sick in the first place.”

From my perspective, illness is only the outermost manifestation of our efforts to cope, often fueled by addictions such as sugar, tobacco, or alcohol, shackled by an individualistic cult belief that we have only ourselves to blame for our suffering.

To put these ideas into practical form, I would quote the immortal Mr. Rogers: “Find the helpers.” There are already people in every community working for liberation. Some of them are running for office, others are giving food to those who need it. Some are volunteering in schools, libraries or hospitals. Some are studying liberation movements, or are working in urban or community gardens, or learning to practice restorative and transformative justice, or creating liberation art, music, dance, theater or writing. Some are mentoring high schoolers or apprenticing young people in a trade. There are many places where compassionate humans are finding other humans and working together for a better world.

A more compassionate world is possible, one in which we will all enjoy better health. Creating it will make us healthier, too.

In community, we are strong. Recognizing denial and overcoming the fragmenting effects of spiritual disorder offer us a path to liberation and true health.

Good health and well-being are the collective rights of all people!

About the Author

Dr. Lorraine Bonner is a retired physician. She is also a sculptor who works in clay, exploring issues of trust, trustworthiness and exploitation, as well as visions of a better world.

Oakland Post

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Activism

A Call to Save Liberty Hall: Oakland’s Beacon of Black Heritage Faces an Uncertain Future

For generations, Liberty Hall has been more than bricks and wood — it has been a spiritual and cultural sanctuary for Black Oakland. The building once served as a hub for Marcus Garvey’s Universal Negro Improvement Association (UNIA), where Garvey’s call for economic independence and Pan-African unity resonated through the hearts of a people newly migrating to the West in search of freedom and dignity.

Published

1 month ago

October 27, 2025

Oakland Post

Liberty Hall at 1483-1485 8th St., in Oakland was built in 1877 as a store and residence. Wikimedia photo.

Special to The Post

On a quiet corner near the West Oakland BART Station stands a weathered but proud monument to African American history — the Universal Negro Improvement Association’s Liberty Hall, also known as the Marcus Garvey Building. Built in 1877, this two-story Italianate landmark has witnessed more than a century of struggle, self-determination, and community empowerment. Now, its survival hangs in the balance.

Local 188 of UNIA was the largest chapter in Northern California when the organization bought the building in 1925, but a fire burned the roof in 1931, and the chapter sold the building in 1933. The International Peace Movement, founded by Father Divine, used the building through the 1950s.

Since then, the building has been a meeting ground for civil rights organizers, artists, and educators like Overcomers With Hope who have carried that same flame of liberation through Oakland’s turbulent decades.

Today, local cultural organizer and artist Douglas “Pharoah” Stewart has stepped forward to lead the charge to save Liberty Hall. Stewart is already facing “Cultural Eviction” at the Oakland Cannery, and through his organization, Indigenous House, Stewart has rallied a coalition of artists, educators, historians, and community leaders to preserve and restore the site as a community-owned cooperative center — a place where arts, wellness, and economic empowerment can thrive for future generations.

“Liberty Hall is not just a building — it’s a living ancestor,” Stewart says. “This space gave birth to movements that shaped who we are as a people. If we lose this, we lose a piece of our soul.”

Stewart envisions transforming the historic landmark into a multi-purpose cooperative hub — complete with a cultural museum, community performance space, youth tech labs, and creative studios for local entrepreneurs. His vision echoes Garvey’s own: “A place where we can rise together, economically, spiritually, and culturally.”

But the fight is urgent. The aging building faces structural challenges, and time is running short to secure preservation funding. Stewart and his team are now calling on city officials, foundations, athletes, and celebrities to join forces with the community to raise the necessary capital for acquisition and restoration.

“We’re inviting everyone — from the Oakland A’s to local artists, from Golden State Warriors players to Black-owned businesses — to stand with us,” Stewart urges. “Let’s make Liberty Hall a model for what preservation can look like when the people lead.”

The Liberty Hall Project aligns with Oakland’s growing movement to protect historic Black cultural sites — places like Esther’s Orbit Room, Marcus Bookstore, and the California Hotel. For Stewart, Liberty Hall represents a chance to bridge the city’s past with its future, transforming preservation into a living, breathing act of justice.

“This is not nostalgia,” Stewart says. “This is nation-building. It’s about creating sustainable, community-owned spaces that honor our ancestors and empower our youth.”

As development pressures mount across West Oakland, Liberty Hall stands as a powerful reminder of resilience, resistance, and rebirth. The question now is whether the community — and those with the power to help — will answer the call.

For donations, partnerships, or information about the Liberty Hall Cooperative Development Project, contact Indigenous House at www.indigenoushouse.org Douglas Stewart dstewart.wealth@gmail.com

Oakland Post

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Activism

MLK Way at 57th Street in Oakland Renamed Bobby Seale Way for Black Panther Co-Founder

In 1962, Bobby Seale and Virtual Murrell cofounded the first known Black student organization called the Soul Students Advisory Council at Oakland City College located at 57th and Grove streets, now MLK. Jr. Way.

Published

1 month ago

October 27, 2025

Oakland Post

Promotional flyer for the renaming event. Courtesy photo.

By Zac Unger

We are so proud to honor the legacy of the great Bobby Seale by commemoratively renaming 57^th Street and Martin Luther King Jr. Way to Bobby Seale Way in North Oakland. Seale, 88, has dedicated his life to advancing social justice, racial equality, and community self-determination. He played an essential part in the history of our country by co-founding the Black Panther Party for Self Defense in Oakland in 1966 with the late Huey Newton.

Our City has a tremendous history of activism, and it is a legacy we are proud of and strive to continue as our community and country face so many incredible challenges right now.

In 1962, Bobby Seale and Virtual Murrell cofounded the first known Black student organization called the Soul Students Advisory Council at Oakland City College, located at 57th and Grove streets, now MLK. Jr. Way.

Later, they cofounded the first Negro history class, which led to the establishment of the first Black Studies program in college curricula in the country. Murrell is scheduled to introduce Seale at the street dedication.

The author of “Seize the Time,” Seale ran for mayor of Oakland in 1973, coming in second in a field of nine. We are proud to memorialize his legacy by renaming this street so that we do not forget the legacy and change he has made.