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IN MEMORIAM: Legendary Morgan State and New York Knicks Assistant Coach: Nat Frazier Passes Away at 84

NNPA NEWSWIRE — “My dad was a bigger believer in good basketball… basketball was basketball to him, and I think he recognized early the impact that women could make, before a lot of other people did,” said Nathaniel Frazier’s son, Kevin. “He loved and appreciated the contributions that women could make in basketball and even though his particular franchise didn’t exactly work out, he was still so supportive of the WNBA.”

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(Photos provided by the Frazier family)

By Lauren Poteat, NNPA Washington Correspondent

Morgan State University, a historically Black institution located in Baltimore, Maryland, recently celebrated the life of legendary award-winning basketball coach Nathaniel Frazier, who passed away Sept. 22 at Howard County General Hospital at the age of 84.

A former NBA New York Knicks Assistant Coach and an NCAA Division II Championship Coach, “Nat” Frazier was devoted not only to the love of basketball but also to the community, hard work and, most importantly, his family.

“My dad loved the game of basketball, he was a master at it, but it was his love for family that really made him great,” Kevin Frazier, eldest son of Nat Frazier and co-host of CBS’s Entertainment Tonight, said.

“He was an amazing dad. My dad was always in my corner. He never held a grudge and his big thing was ‘people make mistakes, you’re going to make mistakes, but it’s how you bounce back from that mistake the matters.’”

Born in Beaufort, S.C., Nat grew up in the racially segregated south of Savannah, Georgia, where he graduated from Alfred E. Beach High School after leading his team to the Georgia State High School basketball title in 1953 and being named to the All-Tourney team in 1954.

Nat, who attended Tuskegee Institute, and became an All-SIAC pick twice, went on to play semi-pro basketball in the New York State Industrial Basketball League before receiving a Master’s in Health Counseling from City College of New York and completing a post-Master’s studies at New York University and the University of Illinois in Educational Administration.

Dedicated to the importance and strength of education, not only did Nat obtain his own multiple degrees, but he also helped to make sure that all of his siblings attended and graduated from college as well.

When Nat initially began coaching at Morgan State in 1972 (where he remained until 1977), he introduced a style of basketball that would emphasize intricate offenses and hard-nosed defense.

Through these techniques, the Bears would go on to play a form of triangle offenses, popularized by Michael Jordan and the Chicago Bulls in the 1990s.

Those same techniques would go on to secure unprecedented success for Morgan State University, including the team’s 1974 NCAA Division II Championship (which has never been won since) and an Associated Press National “Coach of the Year,” given to the passionate leader for his exceptional coaching.

During his seven seasons with Morgan State, Frazier was the 10th winningest coach in Division II history — a very proud moment for his son.

“I remember Morgan State winning the national championship. I was there with him,” Kevin recounted. “I basically grew up going everywhere with him… I always felt like I was his sidekick… living life with him was always a huge adventure.”

While at Morgan State, Nat took his teams on several overseas trips and traveled to Africa to help spread the game and train coaches in the Western part of the continent.

Nat also spent a decade of summers coaching overseas in the Venezuelan Special Basketball League, where his Carabobo team won the league title in 1973.

Following Frazier’s first tenure at Morgan in 1977, Frazier went to the NBA as an assistant coach for the New York Knicks.

He then became a part of the ownership team and was the general manager in the groundbreaking Women’s Basketball League that would pave the way for what is now known as the “WNBA.”

“My dad was a bigger believer in good basketball… basketball was basketball to him, and I think he recognized early the impact that women could make, before a lot of other people did,” Kevin continued. “He loved and appreciated the contributions that women could make in basketball and even though his particular franchise didn’t exactly work out, he was still so supportive of the WNBA.”

In 1986 Nat returned back to Morgan State where he remained until 1989, where his son Kevin said was home for him.

“He played at college level, the NBA and overseas but Morgan was his home,” Kevin laughed. “And you know, I know people got mad at Jemele Hill for saying this, but I really don’t understand why more Black athletes aren’t going to more Black colleges.”

“I think people have forgotten why these colleges are important and I am old enough to remember when Black colleges were still the powerhouses for so many great players, like Doug Williams from Grambling State University… HBCU’s are an experience where you’re not only in your comfort zone, but you learn about yourself.”

Nat was inducted into the Athletic Halls of Fame for A.E. Beach High School (1996), Tuskegee University (2001), and Morgan State University (2004).

Nathaniel Frazier is survived by his wife of 57 years, Alice Frazier; his eldest son, Kevin, daughter-in-law, Yasmin, and grandsons, Tony, Shane, and Reece; his youngest son, Kenneth, daughter-in-law, Rona, and grandchildren, Kennedy and Ava; two brothers, James (Al) Frazier and Timothy (Neil) Frazier; and a host of nieces, nephews, close friends, and former students and basketball players who became like family to him.

“It was always remarkable to see the impact that he had on so many people. I still meet people today, all over the states, who come up to me and tell me what an impact my father had on their lives,” Kevin said.

“I think it makes you understand the effect that he had on so many lives. He raised a lot of young Black men and women, too. It is beautiful to see that and to talk to everybody.”

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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