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Film Review: ‘Focus’

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Will Smith and Margot Robbie co-star in the con artist movie Focus. (Courtesy Photo)

Will Smith and Margot Robbie co-star in the con artist movie Focus. (Courtesy Photo)

By Dwight Brown
NNPA Film Critic

After Earth, Men in Black 3, Seven Pounds… It’s been a while since Will Smith lived up to his star status in a film worth having his name above the marquee. As Nicky, a con artist’s con artist in Focus, he redeems himself somewhat in a generic but often entertaining game of who’s fooling who.

Nicky Spurgeon – part con artist and part thief – was trained by his dad and granddad in the fine art of deception: Focus your victim’s attention in one direction, while you steal him blind out of his line of vision. One night in a New York bar, Jess (Margot Robbie, The Wolf of Wall Street), a novice shyster, picks him up and brings him back to her hotel. Her enraged husband barges into the room demanding money from Nicky, or he’ll kill him. Don’t BS a BSer. Nick knows the two are on the con. He schools them. That would have been the end of a strange night, except Jess wants to learn the ropes from a master and Nicky is smitten with the svelte blonde.

Nicky works Jess into his gang of thieves.  In New Orleans, they pickpocket, swipe jewelry and steal money with a nerve and rhythm that is precision. At a football game, Nicky schemes on a wealthy man named Liyuan (BD Wong) who likes to bet on anything. He pulls an unwitting Jess into his ruse.  Once he’s done, he leaves her. Three years later in Buenos Aries, Nicky shows up for a job involving the racecar world and a coveted algorithm. He’s working for a slick dude named Garriga (Rodrigo Santoro).  He’s shocked one night when he finds a beautiful blonde cozying up to his mark. It’s Jess.

The cagey film The Grifters, starring Annette Bening, Anjelica Houston and John Cusack, directed by Stephen Frears, set the bar real high for all con artist movies that followed. This nicely crafted and very slick looking production isn’t as gripping or original as the aforementioned, but that doesn’t stop it from being fun. You won’t be astonished, but you won’t be bored either.

Writer/directors Glenn Ficara and John Requa (Crazy, Stupid, Love) mix in enough hijinks (thieves working a New Orleans crowd), violence (a car crash, punched faces and gun play) and titillation (Smith goes bare chest, Robbie does not, their modest love sex scene lacks chemistry) to keep your interests piqued. The screenplay has a lot of twists and turns, and you can’t quite guess where the story is leading, though you know instinctively that a big con is coming.

Jan Kovac’s (Curb Your Enthusiasm) editing is pretty nimble and well accommodates the film’s four acts, which unfold in 104 minutes. There is a happy marriage between Xavier Grobet’s (Mother and Child) glossy cinematography, Beth Mickle’s (Thanks for Sharing) production design and Kelly Curley’s art direction, which tends to favor teal blue. The musical score by Nick Urata (I Love You Phillip Morris) is reminiscent of 1980s hip nightclub music, like the hit song “Ghost Town” by The Specials.

Margot Robbie, certainly tall and beautiful in a Victoria Secrets kind of way, has a tough interior. Adrian Martinez (American Hustle) as Farhad, one of Nicky’s cronies, brings humor to the gang. As Jess sits in the back seat and Nicky drives the car, Farhad blurts out, “You hitting that?” Gerald McRaney (TV’s House of Cards) plays the perfect henchman. Rodrigo Santoro is fine as the Argentinean playboy, but he was much more electric in 300: Rise of an Empire.

Will Smith carries this film on shoulders. His cool demeanor and devil-may-care attitude are appealing. He has tremendous stage presence and he knows how to work the camera. Physically, for a 47 year-old-man, he’s in great shape and aging like Dorian Grey. What Smith’s career needs now, is a blockbuster that can put him back on top of the heap.

Focus is a bit too slick, but engaging nonetheless.  It doesn’t give up.  It doesn’t stop. Or, as Nicky puts it, “Never drop the con. Die with the lie.”

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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Alameda County

Black History Events in the East Bay

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event

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The Oakland Black Cowboys Association will hold an event to teach children the love of riding at Fairyland on Feb. 14. Here, a member of the OBCA high-fives a young rider at an event in 2021. Facebook photo.
The Oakland Black Cowboys Association will hold an event to teach children the love of riding at Fairyland on Feb. 14. Here, a member of the OBCA high-fives a young rider at an event in 2021. Facebook photo.

By Post Staff

What began as Negro History Week in 1926 by author and journalist Carter G. Woodson as a way to celebrate the achievements of African Americans, the observance is now a month-long event, and nearly every day in the Bay Area, there is somewhere to honor the ancestors, our living thought leaders, artists, and activists, and prepare children for the future. Below are just a few places to go.

Lunar New Year X Black History Month 2026: Celebrating Asian & African American Solidarity

Now in its fourth year, the Oakland Asian Cultural Center rolls out its biggest event, featuring lion dancers, drummers, performers, arts & crafts, a Kids + Teens Zone curated by Storyland Collective, a marketplace of local artisans, and free admission for all ages! This event is part of OACC’s ongoing Open E.A.R.S. for Change initiative, launched in 2020 to build stronger relationships between local APIA and Black communities. SambaFunk closes out the day at 3:15 and the Bantaba Drum Call and Comrade Lover Lion Dancers perform shortly after story time for young children at noon. Register for free tickets. https://oacc.liveimpact.org/li/8737/sevent/evt/home/294475/69

Oakland Asian Cultural Center
388 Ninth St. Suite 290
Oakland, CA
Feb. 7, 11 a.m.- 4 p.m.

DIY: Black Culture Bookmark Making

Go to the Golden Gate Branch of the Oakland Public Library for small-scale collaging at this Black-themed make-your-own-bookmarks session.

Bring: Your vision, creativity, and, if you like, wallet-sized photos or images of your favorite Black heroes or family members.

We’ll supply the cardstock paper, African diaspora designs, artwork, images, lettering, glue, scissors, and laminating. This session is suitable for adults and seniors.

Golden Gate Library
5609 San Pablo Ave.
Oakland, CA,
Feb. 11, 5:30-7 p.m.

Oakland Black Cowboy Association Shares Love of the Ride

Celebrate the history, culture, and living legacy of Black cowboys at the Black Cowboy Academy. It will be an interactive day of lasso lessons, pony grooming with real live ponies, and meet and greets with actual cowboys! Fairyland joins hands and hearts with the Oakland Black Cowboy Association and the Metropolitan Horsemen’s Association this Valentine’s Day for an immersive event of learning and love. Included with general admission.

Children’s Fairyland
699 Bellevue Ave.
Sat., Feb. 14, 10 a.m.- 1 p.m.

Love Stories for Black History Month

At the Berkeley Public Library, a children’s book fair “Valentine to Black Stories” will feature some of your favorite Black authors of children’s books!

Come celebrate love, Black authors, and Black stories at this special children’s book fair. They will have free books, crafts and special presentations from Bay Area Black authors.Festivities will feature a collage workshop led by Oakland artist  Chanel London of Hella Artsy. Participants will be invited to make collage portraits inspired by artist Derrick Barnes.

Berkeley Central Public Library
2090 Kittredge St. Berkeley, CA
Sat. Feb. 14, 1- 4 p.m.

The Black Child Book Fair (BCBF) from Chicago to Oakland, CA- Book Signing Event

BCBF began in Chicago in 2009 through the vision and experience of author and poet Darryl Harvey. Harvey’s vision brings extraordinary children’s book authors together to close the great need for black representation in children’s books. Engage with authors, participate in story time and fun activities.

Oakland African American Museum and Library
859 14th St., Oakland CA
Sat. Feb. 21, 12-5 p.m.

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