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Big U.S. Cities Fail to Provide Data for New FBI Hate Crimes Report

“The Justice Department is committed to prioritizing prevention, investigation, and prosecution of hate crimes,” Associate U.S. Attorney General Vanita Gupta stated. “The FBI’s 2021 Hate Crimes Statistics are a reminder of the need to continue our vigorous efforts to address this pervasive issue in America.”

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According to the report, more than 7,000 single-bias incidents were recorded involving more than 8,700 victims.

By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Critics immediately threw cold water on a new FBI 2021 Hate Crime Statistics Act Report released by U.S. Department of Justice officials on Monday, Dec. 12.

Margaret Huang, the president, and CEO of the Southern Poverty Law Center, said while underreporting of hate crimes to the FBI remains an ongoing problem, the failure of state and local jurisdictions to report data makes the new report worse.

Over one-third of the nation’s 18,000 federal, state, local, and tribal law enforcement agencies failed to report data to the FBI.

In 2020, the number of agencies reporting was 3,300 fewer than in 2021.

The latest reporting year counted as the first in which the FBI required every agency to report all crimes, including hate crimes, through its National Incident-Based Reporting System (NIBRS).

Huang said that even though the FBI provided technical assistance and funding for its new requirement, many jurisdictions were unable or unwilling to report through the new system.

She said the result is dramatically incomplete.

It needs more data from major population centers, including New York City, Los Angeles, Chicago, Phoenix, and the entire states of Florida and California.

“While the FBI’s annual Hate Crime report has been the nation’s best available snapshot of hate violence in America, this year’s data is woefully incomplete, inaccurate, and simply cannot be trusted – certainly not to compare to previous years. Victims and communities affected by hate crimes deserve better,” Huang asserted.

“The failure of thousands of police agencies across the country to participate in this report is devastating for the individuals and communities harmed by these crimes and our ability to understand and prevent them,” she said.

Huang added that accurate, comprehensive national data is integral to addressing the root causes, designing prevention strategies, and providing support to victims and communities.

“There may be a temptation to draw conclusions from this woefully incomplete and flawed report about the rate of reported hate crimes, especially those targeting Black and AAPI communities, Sikhs, and LGBTQ people,” Huang continued.

“But comparing this piecemeal national data to previous years would be wrong. This first NIBRS reporting year data is simply too unreliable.

“We cannot outlaw hate, but we can do more to support victims of hate violence by ensuring they are heard and to confront the problem by measuring it accurately.

“As the transition to NIBRS continues, SPLC and our coalition partners will be urging the Justice Department and FBI to focus attention and resources on community-based prevention and response strategies.

“And, until legislation requiring hate crime reporting can be enacted, federal funds to law enforcement agencies should be conditioned on credible HCSA reporting, or meaningful community hate crime prevention and awareness initiatives. We can and must do better.”

The latest report found more than 7,000 hate crimes committed in 2021.

The FBI defines a hate crime as a “committed criminal offense which is motivated, in whole or in part, by the offender’s bias(es) against a race, religion, disability, sexual orientation, ethnicity, gender, or gender identity.”

Ted Deutch, CEO of the American Jewish Committee, called the report “woefully inadequate.”

He said 35 major U.S. cities failed to report hate crimes in 2021, while the country’s two largest cities, New York, and Los Angeles, did not provide data.

The third-largest, Chicago, reported zero, according to the FBI’s report.

According to the report, more than 7,000 single-bias incidents were recorded involving more than 8,700 victims.

Sixty-five percent of victims were targeted because of the offender’s race, ethnicity, or ancestry bias; 16% occurred because of prejudice against the individual’s sexual orientation; 13% was religious bias; 4% gender identity; 2% disability; 1% gender bias.

The report further found 188 multiple-bias hate crime incidents involving 271 victims, and more than 5,700 hate offenses were classified as against persons, with 44% intimation, 36% simple assault, and 18% aggravated assault.

Officials classified nine murders and 13 rapes as hate crimes.

The statistics revealed that nearly 56% of the offenders were white, and about 21% were African American.

Since January 2021, the United States Department of Justice said it had taken several actions in response to a rise in hate crimes and incidents.

Some of these actions include aggressively investigating and prosecuting hate crimes as the department charged more than 60 defendants in over 55 different cases and secured more than 55 convictions.

DOJ also designated a Deputy Associate Attorney General as the first-ever Anti-Hate Crimes Resources Coordinator, and announced that all 94 U.S. Attorneys’ Offices would host a United Against Hate program over the next year to help improve the reporting of hate crimes by teaching community members how to identify, report and help prevent hate crimes, and to provide an opportunity for trust-building between law enforcement and communities.

“The Justice Department is committed to prioritizing prevention, investigation, and prosecution of hate crimes,” Associate U.S. Attorney General Vanita Gupta stated.

“The FBI’s 2021 Hate Crimes Statistics are a reminder of the need to continue our vigorous efforts to address this pervasive issue in America.”

Gupta added that the Justice Department continues to work with the nation’s law enforcement agencies to increase the reporting of hate crime statistics to the FBI to ensure they have the data to help accurately identify and prevent hate crimes.

“No one in this country should be forced to live their life in fear of being attacked because of what they look like, whom they love, or where they worship,” Gupta insisted.

“The department will continue using all the tools and resources at our disposal to stand up to bias-motivated violence in our communities.”

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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