Commentary

Whitewashing History and Suppressing Voters Go Hand in Hand

There’s been a lot of news about the Democratic legislators in Texas who fled the state to prevent Republicans from pushing through sweeping new voter suppression laws. Gov. Greg Abbott has threatened to have them arrested to force them to attend a special session of the state Legislature.

Published

5 years ago

July 31, 2021

Christy Price

Element5 Digital on Unsplash

Now it turns out that voter suppression is not the only “special” project Abbott has in mind. He and his fellow Republicans are pushing a far-reaching “memory law” that would limit teaching about racism and civil rights.

Abbott already signed a bill last month restricting how racism can be taught in Texas schools. But he and other Republicans in the state don’t think it went far enough. The Republican-dominated state-Senate has voted to strip a requirement that white supremacy be taught as morally wrong. Also on the chopping block: requirements that students learn about civil rights activists Frederick Douglass, Susan B. Anthony, Martin Luther King Jr., Cesar Chavez and Dolores Huerta.

It’s not just Texas. Just as Republicans are pushing a wave of voter registration laws around the country, they are also pushing laws to restrict teaching about racism in our history, culture, and institutions. CNN’s Julian Zelizer recently noted that such laws downplay injustices in our history and lead to teaching “propaganda rather than history.”

Here’s a good example: Texas Lt. Gov. Dan Patrick said the new legislation is meant to keep students from being “indoctrinated” by the “ridiculous leftist narrative that America and our Constitution are rooted in racism.” If Patrick really believes it is a “ridiculous” idea that racism was embedded in our Constitution from the start, he has already put on his own ideological blinders. And he wants to force them onto teachers and students.

Some of these state memory laws specifically ban teaching that causes “discomfort, guilt, anguish or any other form of psychological distress on account of the individual’s race or sex.” As educators have noted, that’s a recipe for erasing and whitewashing history.

“Teachers in high schools cannot exclude the possibility that the history of slavery, lynchings and voter suppression will make some non-Black students uncomfortable,” history professor Timothy Snyder wrote in the New York Times Magazine. Those laws give power to white students and parents to censor honest teaching of history. “It is not exactly unusual for white people in America to express the view that they are being treated unfairly; now such an opinion could bring history classes to a halt.”

Snyder also explained how new state “memory laws” are connected to voter suppression. “In most cases, the new American memory laws have been passed by state legislatures that, in the same session, have passed laws designed to make voting more difficult,” he wrote. “The memory management enables the voter suppression.”

“The history of denying Black people the vote is shameful,” he explained. “This means that it is less likely to be taught where teachers are mandated to protect young people from feeling shame. The history of denying Black people the vote involves law and society. This means that it is less likely to be taught where teachers are mandated to tell students that racism is only personal prejudice.”

As I wrote in The Nation, far-right attempts to suppress honest teaching about racism is meant to “convince a segment of white voters that they should fear and fight our emerging multiracial and multiethnic democratic society” and to “help far-right politicians take and hold power, no matter the cost to our democracy.”

That’s also what voter suppression bills are designed to do. We cannot tolerate either of these assaults on democracy.

Christy Price

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Arts and Culture

COMMENTARY: Black Music is the Sound of Black Freedom: Let Us Reclaim Both This Juneteenth

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

Published

15 hours ago

June 9, 2026

Oakland Post

Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.

By Wanda Ravernell

Black Music Month and Juneteenth are inextricably linked – Black music is the sound of our freedom.

From the plaintive moans of the enslaved Africans’ ‘sorrow songs,’ to the fields of Civil War battle where Black soldiers picked up abandoned bugles, to the upright piano played in juke joints on Saturday night and churches come Sunday morning, our ancestors’ innovation in the face of want, fear, degradation, and hopelessness has yielded genres of music imitated ’round the world.

In 2000, Congress made it official. In 2009, Pres. Barack Obama changed the name to African American Music Heritage Month and in 2023, Pres. Joe Biden changed it back to Black Music Month, two years after he declared Juneteenth a national holiday, the result of a movement led by Opal Lee.

Our ancestors battle for freedom over these last 400 years and the music that allowed them expression of their humanity deserved to be honored.

But we may be losing sight of the value of their sacrifices.

‘Sing a Song Full of the Faith That the Dark past Has Taught Us…’

Along with the long-known exploitation of Black musicians whose recordings were stolen by record companies, the commercialization of Juneteenth feels like another kind of theft.

I had never heard of Juneteenth until I moved to the Bay Area from my hometown of Philadelphia. I didn’t know it was one of many freedom festivals celebrated by descendants of enslaved people in the United States.

Emancipation Day was Jan. 1 in Pennsylvania, April 16 in Wash., D.C., May 20 in Florida, and Aug. 8 in Kentucky. But Juneteenth, June 19, has the most renown, known in Texas as the ‘colored peoples’ Fourth of July.’

It was marked by parades, beauty pageants, rodeos, backyard barbecues and church picnics.

Yes, church.

The formerly enslaved began the day praying in thanks for their freedom just as they had prayed for Jubilee – the day of freedom – when they had chains on their feet and hands. They ‘testified’ about their past suffering and how they had managed to overcome.

And they sang.

Although, we will not hold it this year, Omnira Institute’s Juneteenth Ritual of Remembrance recalled this part of Juneteenth with prayers in the languages of the African captives. In the middle of the ceremony, a soloist would lead us in singing “Many Thousand Gone” while we took turns reciting portions of the Emancipation Proclamation, the news of freedom that took more than two years to reach Texas – two months after the Civil War ended.

“Many Thousand Gone” was famously recorded by Black luminary Paul Robeson in 1947:

“No more auction block for me,

No more, no more

No more auction black for me

Many thousand gone.”

Other verses refer to the ‘pint of salt’ and the ‘driver’s lash,’ the realities of enslavement that they had survived.

‘Sing a Song Full of the Hope That the Present has Brought Us’

All of the genres of African American music have at their root songs like that, the essence being, as Stevie Wonder, wrote, “the joy inside our pain.” So Black music is not just music. It is our story, our history, our very strength.

During the Civil Rights Movement, which peaked 100 years after slavery ended, the people testified that it was the freedom songs – based on spirituals – that gave them the heart to march, face attack dogs, fire hoses, beatings, and shootouts with vigilantes.

The music reminded them that power was in the people. That music, our music, can do so again. We don’t have to accept the commodification of the products of our culture.

The power of those songs is showing a resurgence across the South as we battle again for the right to self-determination through the ballot box.

Those songs are the voices of our ancestors, voices forged in their blood, their sweat, their tears, joy and, above all, faith. Those songs, those prayers live in our blood and our very breath.

This Juneteenth, let us reclaim those holy voices expressed in Black music for ourselves. It is our birthright. It can neither be bought nor sold. No more. Never again.

Wanda Ravernell is the executive director of Omnira Institute, sponsor for 18 years of the Juneteenth Ritual of Remembrance and Oakland’s 11^th Annual Black-Eyed Pea Festival, which will take place on Sept. 12.