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What You Need to Know About The 83rd Golden Globes

Awards season has officially kicked off, and the 83rd Annual Golden Globes are introducing an exciting addition in 2026: Best Podcast, marking a major expansion into audio storytelling. Most award categories will feature six nominees, while the Cinematic and Box Office Achievement category will stand out with eight contenders. Two legendary figures will also be […]

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Awards season has officially kicked off, and the 83rd Annual Golden Globes are introducing an exciting addition in 2026: Best Podcast, marking a major expansion into audio storytelling. Most award categories will feature six nominees, while the Cinematic and Box Office Achievement category will stand out with eight contenders.

Two legendary figures will also be celebrated this year. Helen Mirren, who earned an acting nomination for Mobland, is set to receive the prestigious Cecil B. DeMille Award. Meanwhile, Sarah Jessica Parker will be honored with the Carol Burnett Award, recognizing her lasting impact on television and entertainment.

Netflix leads all distributors with 35 nominations across film and television. Warner Bros. and HBO received 31 nominations between them. Notably, Netflix has an agreement in principle to purchase Warner Bros. and HBO for $82.7 billion.

Paul Thomas Anderson’s One Battle After Another emerges as the frontrunner in the comedy and musical film races, earning an impressive nine nominations. The film is recognized in major categories such as Best Picture and Best Director, while Leonardo DiCaprio also receives a Best Actor nomination for his performance. Meanwhile, in the drama film category, Joachim Trier’s Sentimental Value follows closely behind with a strong showing of eight nominations.

On the television front, HBO’s The White Lotus dominates the Golden Globe nominations, leading all TV contenders with six nods across multiple categories. Adolescence, which previously swept the limited series categories at the September Emmys, continues its awards momentum with five nominations. Only Murders in the Building and Severance also perform well, each securing four nominations.

When are the 2026 Golden Globes?

Nikki Glaser will host the 2026 Golden Globes which will take place Sunday, Jan. 11, at 8 p.m. ET/5 p.m. PT. 

Where are the 2026 Golden Globes?

The ceremony will take place in Los Angeles at The Beverly Hilton in Beverly Hills.

How to watch the Golden Globes?

The Golden Globes will air live on CBS. The awards ceremony will also stream live on Paramount+.

And now, here is the complete list of nominees: 

Best Motion Picture – Drama

  • Frankenstein
  • Hamnet
  • It Was Just An Accident
  • The Secret Agent
  • Sentimental Value
  • Sinners

Best Motion Picture – Musical or Comedy

  • Blue Moon
  • Bugonia
  • Marty Supreme
  • No Other Choice
  • Nouvelle Vague
  • One Battle After Another

Best Motion Picture – Animated

  • Arco
  • Demon Slayer: Kimetsu No Yaiba Infinity Castle
  • Elio
  • Kpop Demon Hunters
  • Little Amélie or the Character Of Rain
  • Zootopia 2

Cinematic and Box Office Achievement

  • Avatar: Fire And Ash
  • F1
  • Kpop Demon Hunters
  • Mission: Impossible – The Final Reckoning
  • Sinners
  • Weapons
  • Wicked: For Good
  • Zootopia 2

Best Motion Picture – Non-English Language

  • It Was Just An Accident
  • No Other Choice
  • The Secret Agent
  • Sentimental Value
  • Sirāt
  • The Voice Of Hind Rajab

Best Performance by a Female Actor in a Motion Picture – Drama

  • Jessie Buckley — Hamnet
  • Jennifer Lawrence — Die My Love
  • Renate Reinsve — Sentimental Value
  • Julia Roberts — After The Hunt
  • Tessa Thompson — Hedda
  • Eva Victor — Sorry, Baby

Best Performance by a Male Actor in a Motion Picture – Drama

  • Joel Edgerton — Train Dreams
  • Oscar Isaac — Frankenstein
  • Dwayne Johnson — The Smashing Machine
  • Michael B. Jordan — Sinners
  • Wagner Moura — The Secret Agent
  • Jeremy Allen White — Springsteen: Deliver Me From Nowhere

Best Performance by a Female Actor in a Motion Picture – Musical or Comedy

  • Rose Byrne — If I Had Legs I’d Kick You
  • Cynthia Erivo — Wicked: For Good
  • Kate Hudson — Song Sung Blue
  • Chase Infiniti — One Battle After Another
  • Amanda Seyfried — The Testament Of Ann Lee
  • Emma Stone — Bugonia

Best Performance by a Male Actor in a Motion Picture – Musical or Comedy

  • Timothée Chalamet — Marty Supreme
  • George Clooney — Jay Kelly
  • Leonardo DiCaprio — One Battle After Another
  • Ethan Hawke — Blue Moon
  • Lee Byung-hun —No Other Choice
  • Jesse Plemons — Bugonia

Best Performance by a Female Actor in Any Supporting Role in Any Motion Picture

  • Emily Blunt — The Smashing Machine
  • Elle Fanning — Sentimental Value
  • Ariana Grande — Wicked: For Good
  • Inga Ibsdotter Lilleaas — Sentimental Value
  • Amy Madigan — Weapons
  • Teyana Taylor — One Battle After Another

Best Performance by a Male Actor in a Supporting Role in Any Motion Picture

  • Benicio Del Toro — One Battle After Another
  • Jacob Elordi — Frankenstein
  • Paul Mescal — Hamnet
  • Sean Penn — One Battle After Another
  • Adam Sandler — Jay Kelly
  • Stellan Skarsgård — Sentimental Value

Best Director – Motion Picture

  • Paul Thomas Anderson — One Battle After Another
  • Ryan Coogler — Sinners
  • Guillermo Del Toro — Frankenstein
  • Jafar Panahi — It Was Just An Accident
  • Joachim Trier — Sentimental Value
  • Chloé Zhao — Hamnet

Best Screenplay – Motion Picture

  • Paul Thomas Anderson — One Battle After Another
  • Ronald Bronstein, Josh Safdie — Marty Supreme
  • Ryan Coogler — Sinners
  • Jafar Panahi — It Was Just An Accident
  • Eskil Vogt, Joachim Trier — Sentimental Value
  • Chloé Zhao, Maggie O’Farrell — Hamnet

Best Original Score – Motion Picture

  • Alexandre Desplat — Frankenstein
  • Ludwig Göransson — Sinners
  • Jonny Greenwood — One Battle After Another
  • Kangding Ray — Sirāt
  • Max Richter — Hamnet
  • Hans Zimmer — F1

Best Original Song – Motion Picture

  • “Dream as One” — Avatar: Fire and Ash
    Music by: Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon Franglen
    Lyrics by: Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon Franglen
  • “Golden” — Kpop Demon Hunters
    Music by: Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo, Park Hong Jun
    Lyrics by: Kim Eun-jae (Ejae), Mark Sonnenblick
  • “I Lied to You” — Sinners
    Music by: Raphael Saadiq, Ludwig Göransson
    Lyrics by: Raphael Saadiq, Ludwig Göransson
  • “No Place Like Home” — Wicked: For Good
    Music by: Stephen Schwartz
    Lyrics by: Stephen Schwartz
  • “The Girl in the Bubble” — Wicked: For Good
    Music by: Stephen Schwartz
    Lyrics by: Stephen Schwartz
  • “Train Dreams” — Train Dreams
    Music by: Nick Cave, Bryce Dessner
    Lyrics by: Nick Cave

Best Television Series – Drama

  • The Diplomat
  • The Pitt
  • Pluribus
  • Severance
  • Slow Horses
  • The White Lotus

Best Television Series – Musical or Comedy

  • Abbott Elementary
  • The Bear
  • Hacks
  • Nobody Wants This
  • Only Murders in The Building
  • The Studio

Best Television Limited Series, Anthology Series or Motion Picture Made for Television

  • Adolescence
  • All Her Fault
  • The Beast In Me
  • Black Mirror
  • Dying for Sex
  • The Girlfriend

Best Performance by a Female Actor in a Television Series – Drama

  • Kathy Bates — Matlock
  • Britt Lower — Severance
  • Helen Mirren — Mobland
  • Bella Ramsey — The Last of Us
  • Keri Russell — The Diplomat
  • Rhea Seehorn — Pluribus

Best Performance by a Male Actor in a Television Series – Drama

  • Sterling K. Brown — Paradise
  • Diego Luna — Andor
  • Gary Oldman — Slow Horses
  • Mark Ruffalo — Task
  • Adam Scott — Severance
  • Noah Wyle — The Pitt

Best Performance by a Female Actor in a Television Series – Musical or Comedy

  • Kristen Bell — Nobody Wants This
  • Ayo Edebiri — The Bear
  • Selena Gomez — Only Murders In The Building
  • Natasha Lyonne — Poker Face
  • Jenna Ortega — Wednesday
  • Jean Smart — Hacks

Best Performance by a Male Actor in a Television Series – Musical or Comedy

  • Adam Brody — Nobody Wants This
  • Steve Martin — Only Murders In The Building
  • Glen Powell — Chad Powers
  • Seth Rogen — The Studio
  • Martin Short — Only Murders In The Building
  • Jeremy Allen White — The Bear

Best Performance by a Female Actor in a Limited Series, Anthology Series, or a Motion Picture Made for Television

  • Claire Danes — The Beast in Me
  • Rashida Jones — Black Mirror
  • Amanda Seyfried — Long Bright River
  • Sarah Snook — All Her Fault
  • Michelle Williams — Dying for Sex
  • Robin Wright — The Girlfriend

Best Performance by a Male Actor in Limited Series, Anthology Series, or a Motion Picture Made for Television

  • Jacob Elordi — The Narrow Road to the Deep North
  • Paul Giamatti — Black Mirror
  • Stephen Graham — Adolescence
  • Charlie Hunnam — Monster: The Ed Gein Story
  • Jude Law — Black Rabbit
  • Matthew Rhys — The Beast In Me

Best Performance by a Female Actor in a Supporting Role on Television

  • Carrie Coon — The White Lotus
  • Erin Doherty — Adolescence
  • Hannah Einbinder — Hacks
  • Catherine O’Hara — The Studio
  • Parker Posey — The White Lotus
  • Aimee Lou Wood — The White Lotus

Best Performance by a Male Actor in a Supporting Role on Television

  • Owen Cooper — Adolescence
  • Billy Crudup — The Morning Show
  • Walton Goggins — The White Lotus
  • Jason Isaacs — The White Lotus
  • Tramell Tillman — Severance
  • Ashley Walters — Adolescence

Best Performance in Stand-up Comedy on Television

  • Bill Maher — Bill Maher: Is Anyone Else Seeing This?
  • Brett Goldstein — Brett Goldstein: The Second Best Night of Your Life
  • Kevin Hart — Kevin Hart: Acting My Age
  • Kumail Nanjiani — Kumail Nanjiani: Night Thoughts
  • Ricky Gervais — Ricky Gervais: Mortality
  • Sarah Silverman — Sarah Silverman: Postmortem

Best Podcast

  • Armchair Expert With Dax Shepard
  • Call Her Daddy
  • Good Hang With Amy Poehler
  • The Mel Robbins Podcast
  • Smartless
  • Up First

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#NNPA BlackPress

OP-ED: The Dream Cannot be Realized Without Financial Freedom

NNPA NEWSWIRE — Dr. King spent the final chapter of his life pushing the country to face economic injustice. The day before he was tragically assassinated, Dr. King stood with sanitation workers in Memphis to call for economic equality. He helped launch the Poor People’s Campaign because he knew freedom hollowed out by poverty is not freedom at all. Dr. King kept pushing America to match its promises with practical pathways.

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By Ben Crump

We honor Dr. Martin Luther King Jr. each January with speeches, service projects, and by reciting powerful quotes we know by heart.

But too many Black families will spend much of MLK Day the same way they spend most Mondays.

With the gas tank hovering near empty, hoping the car can go until the next paycheck arrives. With a prescription waiting at the pharmacy counter because they cannot afford the cost.

With a paycheck that has to stretch further than what seems possible.

Dr. King understood that true dignity means being able to afford and build a good life. In one of his clearest reminders, he asked what it means to “eat at an integrated lunch counter” if you cannot “buy a hamburger and a cup of coffee.”

That question still carries weight for many. Personal freedom will not be achieved without financial freedom.

Dr. King spent the final chapter of his life pushing the country to face economic injustice. The day before he was tragically assassinated, Dr. King stood with sanitation workers in Memphis to call for economic equality. He helped launch the Poor People’s Campaign because he knew freedom hollowed out by poverty is not freedom at all. Dr. King kept pushing America to match its promises with practical pathways.

That is the part of his legacy we should sit with this MLK Day.

This work has never been more important or needed. The cost of groceries, rent, and childcare have become an increased burden. And many families go from stable to scrambling with just one unexpected expense.

These realities are on display in a recent national survey commissioned by DreamFi, echoing what so many families already feel so deeply. More than one in four respondents told us they used check-cashing services in the past year. This finding makes it clear that too many households still need simpler and more accessible options for moving money.

The survey also shows how unexpected expenses impact families. Only 41% of Black respondents said they could cover a $1,000 emergency, compared with 56% of white respondents. When a tire blows out, when a child gets sick, when hours get cut, the question is not theoretical. The question is immediate and the impact is real.

We must shine a light on this struggle and work to equip families with tools to build better futures. We must recognize Dr. King’s wisdom and acknowledge that financial stability is a civil rights issue, because financial instability limits the ability to have choices.

The survey also found hope that can guide how we move forward.

Black families are not turning away from the idea of building stability. In fact, they are reaching for it. In the survey, 79% of Black respondents said they sought out financial education in the past six months. Ours is a community hungry for tools and a fair shot at creating a better tomorrow.

So, what does it mean to honor Dr. King right now?

It means we get practical.

It means we expand access to clear, trustworthy financial education that respects people’s time and speaks to real solutions. It means we support savings pathways that help families prepare for emergencies before emergencies arrive. It means we encourage options that make routine transactions easier and less costly, so a family is not paying extra simply to manage their own money.

Most of all, it means we stop treating financial instability as normal. Because normal is not the same as acceptable.

Dr. King asked America to make its promises real. The best way to honor him now is to provide opportunities for everyone to achieve Dr. King’s dream.

Ben Crump is a nationally renowned civil rights attorney and founder of Ben Crump Law. Known as “Black America’s attorney general,” he has represented families in some of the most high-profile civil rights cases of our time, including those of George Floyd, Breonna Taylor, Tyre Nichols, and Ahmaud Arbery. He is also co-founder of DreamFi, a financial empowerment platform focused on helping everyday people build stability through practical resources.

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#NNPA BlackPress

Four Stolen Futures: Will H-E-B Do The Right Thing?

BLACKPRESSUSA – An 18-wheeler carrying H-E-B merchandise struck a disabled car on US 87 near Dalhart, resulting in the deaths of four young Texas women. Dashcam footage shows their hazard lights flashing before impact. As H-E-B points to subsidiary distance, families wait for accountability.

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By TotallyRandie
Social Media Correspondent, BlackPressUSA

Eighty thousand pounds of steel doesn’t just collide—it obliterates. While corporate lawyers hide behind the sterile jargon of liability and subsidiaries, four Houston families are left haunted by viral footage of a tragedy that should never have happened. On November 5, 2025, a stretch of US 87 became a crime scene of corporate negligence, claiming four vibrant Texan futures in a heartbeat.

The dashcam footage is a nightmare in real-time. A black Nissan Altima, hazards blinking in a desperate plea for space, crawls along the right lane near Dalhart. The four young women inside did exactly what we are taught to do during an emergency: slowed down and put on hazards. They were then met by an 18-wheeler hauling H-E-B merchandise. The truck plowed into them at full speed—no brakes, no swerve, no mercy.

The lives of Breanna Brantley, Taylor White, Myunique Johnson, and Lakeisha Brown were not just lost; they were stolen. To understand the gravity of this loss, you have to realize these women were just starting their lives.

  • Breanna Brantley (30): A woman entering the prime of her life, a new chapter of wisdom and growth.

  • Taylor White (27): A wanderlust traveler and the “glue” for her younger siblings; she was their primary mother figure.

  • Myunique Johnson (20): Affectionately known as Mimi. Her life was just starting to bloom

  • Lakeisha Brown (19): A basketball standout set for Blinn College this spring—the beacon of hope meant to rewrite her family’s financial history.

In Texas, political math often attempts to cap the value of a human life, but the $250,000 ceiling suggested by current tort reform is an insult to these families. Breanna, Taylor, Myunique, and Lakeisha were more than just Black women; they were daughters, sisters, and athletes whose lives were abruptly taken away. They deserved milestones—graduations, weddings, and the simple right to grow old—not to be reduced to an apology for a “tragic loss.”

While the dashcam footage suggests an open-and-shut case, Attorney Rodney Jones of Rodney Jones Law Group P.C. revealed in our exclusive interview that reality is far more tangled. The road to justice could be a long, drawn-out process depending on how HEB decides to handle the case.

“This is a senseless accident that could have easily been prevented,” Jones says. “They had the right to possess that lane, and that truck driver had the responsibility to pay attention”. H-E-B is a Texas institution, but its response has triggered deep public outcry. While issuing an apology, the company quickly distanced itself, claiming the carrier wasn’t a “direct” H-E-B truck—despite hauling H-E-B products and being operated by Parkway, a known H-E-B subsidiary.

The driver, Guadalupe Villarreal, reportedly has a history of speeding and prior rear-end accidents. Jones is firm: “I’m looking strictly at his ability to be behind that 18-wheeler. This is a simple matter of a grossly negligent driver and the companies that put him on the road being held accountable.”

“H-E-B can’t bring them back, but they can make sure this never happens again,” Jones argues. “There is no price for a life, but there must be a price for negligence. It’s time for H-E-B to stop pointing fingers and start vetting their drivers properly to protect the public.”

While the public demands criminal charges, Jones notes that the legal wheel turns slowly. However, in the civil arena, H-E-B’s silence is deafening; the company has yet to contact the families directly.

“We desire a speedy resolution so we don’t have to drag this out,” Jones concluded. “H-E-B is a beloved chain here in Texas. Hopefully, they come to the table to resolve this fast. I feel like the longer they make these families wait for closure, the more it should cost.”

The ball is in H-E-B’s court. Will they live up to the Texas-strong values they advertise, or will they let a legal loophole define their legacy?




Bell @TotallyRandie
Multimedia Correspondent & Digital Creator
BlackPressUsa.Com/TotallyRandie.com /Stylemagazine.com

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Travis Scott Teaches Us How to Give Forward

BLACKPRESSUSA NEWSWIRE It’s not just about the gift under the tree in December; it’s about the skills, the confidence, and the opportunities provided in the months leading up to it.

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By TotallyRandie

The fourth quarter of the year is often dubbed “giving season,” and for good reason. As October fades into November, the cultural zeitgeist shifts toward gratitude and the spirit of the holidays. For most, this means making a yearly donation to a local food bank or participating in a toy drive for the less fortunate. But for Houston’s own Travis Scott, “giving season” isn’t a seasonal trend—it’s a sophisticated, year-round blueprint for community empowerment.

Since launching the Cactus Jack Foundation in November 2020 alongside his sister, Jordan Webster, Scott has moved beyond the traditional celebrity check-writing model. While the world watches his every move on global stages, his foundation has been quietly and consistently pouring into the soil that raised him. Whether it’s supporting SWAC baseball athletes or funding the Waymon Webster Scholarship Fund for HBCU students, the mission is clear: provide the resources for the next generation to not just survive, but to lead.

From the Streets to the Stars

This past fall, the foundation took its most ambitious leap yet. In October 2025, Cactus Jack partnered with Space Center Houston—the official visitor center of NASA Johnson Space Center—to launch a first-of-its-kind STEM incubator.

The program was specifically designed for students within the Houston Independent School District (HISD), many of whom come from underserved communities where a career in aerospace often feels like a light-year away. For eight weeks, these middle schoolers weren’t just reading about science; they were living it.

Through a mix of virtual workshops and hands-on sessions at the Cact.Us Design Center and TXRX Labs, students were paired with actual NASA engineers. They weren’t tasked with busywork; they were challenged to solve real-world problems of space habitation, including:

  • Lunar Water Filtration: Designing systems to purify water on the moon.
  • Space Habitats: Creating structures designed for food preservation in extreme environments.
  • Robotics: Developing rovers capable of navigating uneven lunar terrain.

The Power of Being Present

The program culminated in a private showcase at Space Center Houston this past December. Standing alongside retired NASA astronaut and Chief Science Officer Megan McArthur, Scott watched as HISD students presented high-fidelity prototypes. In that room, the disparity usually associated with these neighborhoods vanished, replaced by the technical language of CAD modeling and systems thinking.

But the work didn’t stop at the laboratory. The 6th Annual “Winter Wonderland Toy Drive” at Texas Southern University took place the very next day, showcasing the foundation’s dual-threat approach to philanthropy. While the STEM program looked toward the future, the toy drive took care of the present, putting smiles on the faces of thousands of Houston families with toys, groceries, and essential goods.

“Opportunities like this are being offered to help enrich our students’ lives and inspire them to pursue careers in fields where they can not only thrive but also bring back solutions to their communities.” — Travis Scott

More Than a Headline

Critics and social media skeptics often tweet that “Travis Scott is everywhere but Houston.” The data and the faces of the students at Space Center Houston suggest otherwise. While his music may be a global export, his legacy is being built brick by brick (and circuit by circuit) in HISD classrooms.

By bridging the gap between hip-hop culture and NASA’s high-tech corridors, the Cactus Jack Foundation is teaching us a vital lesson in giving forward. It’s not just about the gift under the tree in December; it’s about the skills, the confidence, and the “out of this world” opportunities provided in the months leading up to it.

Travis Scott may be a global icon, but in Houston, he’s becoming something much more important: a catalyst for the next generation of innovators.

Bell @TotallyRandie
Multi-Media Correspondent & Digital Creator
BlackPressUsa.Com/TotallyRandie.com /Stylemagazine.com

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