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Solange Curates Powerful Performances of Black Joy and Pain at Brooklyn Academy of Music for the “Eldorado Ballroom” Performance Series

ABOVE: Archie Shepp, center, performs at “The Cry of My People,” backed by a nine-piece ensemble. (Photo By Jeenah Moon) When alto saxophonist Angélla Christie strode onstage on Friday night (Apr. 7) at the Brooklyn Academy of Music, she was joined only by a piano player. But Christie, one of the more prominent instrumentalists in […]
The post Solange Curates Powerful Performances of Black Joy and Pain at Brooklyn Academy of Music for the “Eldorado Ballroom” Performance Series first appeared on BlackPressUSA.

Published

3 years ago

April 12, 2023

Forward Times Staff

ABOVE: Archie Shepp, center, performs at “The Cry of My People,” backed by a nine-piece ensemble. (Photo By Jeenah Moon)

When alto saxophonist Angélla Christie strode onstage on Friday night (Apr. 7) at the Brooklyn Academy of Music, she was joined only by a piano player. But Christie, one of the more prominent instrumentalists in contemporary gospel, was at full throttle from the very first note — playing in high-gloss, reverb-drenched ostinatos — and within moments, the crowd had become her rhythm section, clapping along on every off-beat.

Eldorado Ballroom in the heart of Third Ward Houston, Texas

An usher got swept up while walking a couple to their seats, and on her way back up the aisle she shimmied a bit, her right hand flying into the air in a testifying motion. A woman sitting at the end of Row H reached out for a high five, and their palms gripped each other for a moment.

It was just a few minutes into “Glory to Glory (A Revival for Devotional Art)” — part of BAM’s multidimensional “Eldorado Ballroom” series, brilliantly curated by Solange via her Saint Heron agency — and already something was hitting different.

After Christie, the concert continued with two more sets: selections from Mary Lou Williams’s religious suites, delivered by the 14-person Voices of Harlem choir and a pair of virtuoso pianists, Artina McCain and Cyrus Chestnut; and a roof-raising show from the indomitable Clark Sisters, the best-selling band in gospel history and a fixture of Black radio since the 1980s.

That’s a lot already: a stylistic tour of Black American religious music, mostly in the hands of women, going back more than 50 years. But “Eldorado Ballroom” was aiming for even more. Rarely does a single series pull together so many strands — not just of Black music, but of Black creativity writ large — into an open-ended statement, speaking to what might be possible as well as making a comment on how Black creative histories ought to be remembered.

Angélla Christie, right, performs at “Glory to Glory (A Revival for Devotional Art)” at BAM on Friday night. (Photo By Jeenah Moon)

“Eldorado Ballroom” is an extension of the work Solange has been doing for the past 10 years under the auspices of Saint Heron. As she told New York Times magazine’s Craig Jenkins recently, her aim with Saint Heron — whether you call it an agency, a studio, a brand or simply a creative clearinghouse — is “to centralize and build a really strong archive that in 20 years or 30 years can be accessible by future generations to be a guiding light in the same way that so many of my blueprints guided me.”

Thanks to Saint Heron, Solange has managed to put her cultural capital to use while keeping her own celebrity mostly out of view. On Friday, the singer and songwriter sat beaming from an opera box near the stage while the Clark Sisters motored through a 40-plus-year catalog of danceable gospel hits, but she never took a bow.

Saint Heron surfaced in 2013 with the release of a mixtape that helped set the standard for a new wave of outsider R&B. Some of its contributors, like Kelela and Sampha, became stars. Since then, Saint Heron has served as a flexible play space for Solange and her creative community, crossing lines between fashion and design, visual art, publishing, music and dance. Mid-pandemic, Saint Heron released a free digital library of books by Black writers and artists.

Linda Sharrock sang as part of “The Cry of My People” on Saturday night at BAM. Her last show in New York City before this past weekend was in 1979; she has suffered health setbacks including a stroke. (Photo By Jeenah Moon)

And clearly, Solange has gained the attention of a broad, young, literary community of color. The capacity crowd at “Glory to Glory” on Friday was — unlike at most events in such spaces — about 90 percent Black, and as diverse in age and attire as Flatbush Avenue on any spring afternoon. Twenty-somethings in custom streetwear stood cheering next to older women in their Sunday’s best.

On Saturday, the crowd again skewed under 50 and majority Black for “The Cry of My People,” a night devoted to poetry and experimental jazz. If “Glory to Glory” was a celebration of how “triumphant and safe” gospel music can make a person feel, as Solange put it to Jenkins — a night devoted to joy, basically — then “The Cry of My People” was a confrontation of pain.

The show began with a reading from the poet Claudia Rankine, who stood at center stage as the curtain came up, then read two poems: “Quotidian (1),” about inner turmoil, and “What If,” about a kind of exhausted rage. The second included the line: “in the clarity of consciousness, what if nothing changes?”

Rankine had put words to something that the next performer, vocalist Linda Sharrock, would express without them. Sharrock has been heavily respected in jazz circles since the 1960s for her raw and riveting use of extended vocal techniques: Moans, breaths and cries have been her musical units. But like so many women in jazz, she spent the peak years of her career in the shadow of a more famous husband, guitarist Sonny Sharrock, and ultimately quit the scene. Before Saturday, her last show in New York City had been in 1979. In more recent years she has suffered health setbacks including a stroke that left her aphasic, and has performed only rarely.

The Clark Sisters onstage at BAM on Friday night, as part of a bill celebrating Black American religious music. (Photo By Jeenah Moon)

At BAM, backed by a signal-scrambling, free-improvising, eight-piece band, Sharrock sat in a wheelchair beside an upright piano (that she often touched but hardly played) and sang in big, open vowel sounds. They felt confounding, yet clear. Most of the time, the sounds came in wide, billowing arcs; when she held a single, steady note — sometimes spiked with a growl — it brought the urgency to an almost unbearable level. Often there were hints at a secondary feeling (surprise? anger? wonder? all possible) but the main message was consistent: pain.

The backstage crew seemed to have difficulty following the band’s cues, and after the curtain had been down for a solid three minutes following Sharrock’s set, it came back up. The band was still playing. Sharrock performed another mini-set before a long wait for the curtain to come down once again. Maybe a clean ending wouldn’t have fit. The crowd — dazed, moved — gave Sharrock a warm response, but there was little that felt “triumphant and safe” about this night.

It concluded with a set from Archie Shepp, the luminary tenor saxophonist, composer, vocalist and writer. A disciple of John Coane and Cecil Taylor, Shepp became a leading advocate for Black musicians’ right to self-determination in the 1960s and has hardly quieted his voice ever since. At 85, his saxophone chops have faded, and he needed help from other band members to bring the instrument into playing position, but the whispered notes he did get out of the horn carried fabulous amounts of weight.

Solange, middle, attends “Glory to Glory (A Revival for Devotional Art)” at BAM on Friday night. The singer and her Saint Heron agency curated the series, “Eldorado Ballroom.” (Photo By Jeenah Moon)

Backed by a nine-piece ensemble featuring three excellent vocalists (Amina Claudine Myers, Sarah Elizabeth Charles and Pyeng Threadgill) and a pithy, three-man horn section, Shepp pulled from across his broad repertoire. He revisited his classic cover of Calvin Massey’s stout, dirgelike “Cry of My People,” and the swiveling rock beat of “Blues for Brother George Jackson” from the “Attica Blues” LP. On Duke Ellington’s gospel standard “Come Sunday,” Shepp sang in an earnest baritone while Myers, who briefly took over the piano chair from Jason Moran, splashed him with generous harmonies. As Shepp sang the line, “God of love, please look down and see my people through,” the house erupted in a wave of support.

His set, like his six-decade-long career, was a reminder that the walls that divide spiritual music, popular music and art music can often be arbitrary. “Where did they come from, anyway?” he seemed to ask. This, you could say, was the message of “Eldorado Ballroom” writ large.

The series takes its name from a once-legendary venue in Houston’s Third Ward neighborhood, where Solange grew up. At the ’Rado, as it was known, jazz, gospel and soul — art, spiritual and popular — all appeared on the same stage, until an economic downturn and a pattern of police repression forced the venue to close in 1972.

The night that Solange’s series kicked off — March 30, with a show featuring the outsider-R&B trifecta of Kelela, keiyaA and Res — the actual Eldorado Ballroom was celebrating its grand reopening in Houston, after a nearly $10 million restoration project. With a little luck, Houston may have its own “Eldorado Ballroom” series soon, too.

Solange pictured with artists Kelela (middle) and KeiyaA (right) at BAM

Solange Knowles at the Brooklyn Academy of Music on March 30, 2023 (Photo By Bre Johnson)

Opening Night of Solange and Saint Heron’s Eldorado Ballroom at BAM (Photo By Bre Johnson)

The post Solange Curates Powerful Performances of Black Joy and Pain at Brooklyn Academy of Music for the “Eldorado Ballroom” Performance Series appeared first on Houston Forward Times.

The post Solange Curates Powerful Performances of Black Joy and Pain at Brooklyn Academy of Music for the “Eldorado Ballroom” Performance Series first appeared on BlackPressUSA.

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Poll Shows Support for Policies That Help Families Afford Child Care

BLACKPRESSUSA NEWSWIRE — New national polling shows persistent voter concern about the affordability and availability of child care for working parents, alongside broad support across key demographic groups for federal child care policies that help families afford care.

Published

5 days ago

March 2, 2026

Oakland Post

By First Five Years Fund

New national polling shows persistent voter concern about the affordability and availability of child care for working parents, alongside broad support across key demographic groups for federal child care policies that help families afford care.

The national survey was conducted by UpOne Insight on behalf of the First Five Years Fund from January 13–18, 2026.

Key findings include:

• Parents need help: 80% of voters say the ability of working parents to find and afford child care is either in a state of crisis or a major problem.

• This is an affordability issue: 82% believe federal child care funding will help lower costs for working families — including 69% of Republicans, 84% of Independents, and 94% of Democrats.

• And there continues to be strong support (62%) for the Child Care and Development Block Grant (CCDBG), a federal program that makes it possible for hundreds of thousands of families to afford safe, quality care for their children while parents work or go to school, including a majority of Republicans, 63% of Independents and 72% of Democrats.

• Support for funding child care programs remains strong: 75% believe child care funding should be increased or kept at current levels — including 75% of Republicans, 85% of Independents, and 97% of Democrats.

• 74% say funding for child care is an important and good use of tax dollars, including a majority of Republicans, three-quarters of Independents, and nine in ten Democrats.

FFYF Executive Director Sarah Rittling said, “Voters across the country are sending a clear message: federal child care and early learning programs work. These investments help parents stay in the workforce, strengthen families, and support healthy child development. They have also long had strong bipartisan support in Congress. At a time when affordability is top of mind for families, continued federal funding is essential to ensure child care remains accessible and within reach.”

First Five Years Fund works to protect, prioritize, and build bipartisan support for quality child care and early learning programs at the federal level. Reliable, affordable, and high-quality early learning and child care can be transformative, not only enhancing a child’s prospects for a brighter future but also bolstering working parents and fostering economic stability nationwide.

We work with Congress and the Administration to identify federal solutions that work for families with young children, as well as states and communities. We work with policymakers to identify ways to increase access to affordable, high-quality child care and early learning programs for children. And we collaborate with advocacy groups to help align best practices with the best possible policies. http://www.ffyf.org

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Trump’s MAGA Allies are Creating Executive Order Plan to Steal the 2026 Midterms

NNPA NEWSWIRE — The document that could lead to an executive order proposes using the claim that China interfered with the 2020 elections as grounds to “declare a national emergency.” The move would be an unprecedented step that would grant Trump new authority over the voting systems in the U.S.

Published

1 week ago

February 27, 2026

Oakland Post

By Lauren Victoria Burke, NNPA Newswire Correspondent

A group of MAGA pro-Trump activists, who say they are working in coordination with the White House, are circulating a 17-page draft executive order that would claim without evidence that China interfered with the 2020 presidential election. Donald Trump lost the 2020 presidential to President Joe Biden by over 7 million votes. Since Trump lost to Biden in 2020, he has repeatedly claimed that the election was “stolen” without evidence. The report of a group of “Trump allies” preparing an executive order to give Trump power over elections was first reported by The Washington Post.

The lies around the right-wing campaign that pushed falsehoods that the 2020 election was stolen was trafficked through right-wing media, particularly Fox News. Fox News was then sued for defamation for the claims by Dominion Voting Systems. Fox lost the case and had to settle for the largest defamation amount on record of $787.5 million in April 2023.

The document that could lead to an executive order proposes using the claim that China interfered with the 2020 elections as grounds to “declare a national emergency.” The move would be an unprecedented step that would grant Trump new authority over the voting systems in the U.S.

The story in The Washington Post arrives as Trump increasingly signals that he may take actions that would alter the result of the 2026 midterms. The Republicans are widely expected to lose as their approval ratings plummet as a result of a failing economy under Trump. Over 50 members of Congress have announced they will retire this year and not return in 2027.

The Trump Department of Justice, which now has a large image of Trump on the side of it, “sued five new states Thursday [Feb. 26, 2026] demanding access to their unredacted voter rolls — escalating a campaign that has been rejected by multiple federal courts and faces resistance from Republican-led states as well,” according to Democracy Docket, a group that works to protect voting rights.

Trump claimed back in late 2020, the last year of his first term, that he had the authority to issue an executive order related to mail-in voting for the 2020 elections — which he would then lose. But the Constitution states that control of elections lies with the states. As the GOP works to place hurdles in front of voting, Democrats worked to make voting easier.

In March 2021, President Biden signed an executive order calling on federal agencies to expand voting access as part of the Biden Administration’s effort “to promote and defend the right to vote for all Americans who are legally entitled to participate in elections.”

Trump’s focus is clearly on altering the November 2026 midterm elections. Trump’s polling numbers and the elections and special elections that have taken place around the U.S. over the last year clearly indicate that Republicans are about to be hit by a blue wave of Democratic victories.

Lauren Victoria Burke is an independent investigative journalist and the founder of Black Virginia News. She is a political analyst who appears on #RolandMartinUnfiltered and hosts the show LAUREN LIVE on YouTube @LaurenVictoriaBurke. She can be contacted at LBurke007@gmail.com and on twitter at @LVBurke

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PRESS ROOM: NBA Hall of Fame Nominee Terry Cummings Joins 100 Black Men of DeKalb County to Launch Victory & Values Initiative

NNPA NEWSWIRE — NBA Hall of Fame nominee and Basketball Legend Terry Cummings was administered the official member’s oath and ceremonially pinned during a special induction ceremony held on Friday, February 20th.

Published

1 week ago

February 27, 2026

admin

Cummings becomes an honorary member, joining other role model sports stars

NBA Hall of Fame nominee and Basketball Legend Terry Cummings has officially become an honorary member of the 100 Black Men of DeKalb County, marking a powerful new chapter for the 100 Black Men and youth development across the region.

Cummings was administered the official member’s oath and ceremonially pinned during a special induction ceremony held on Friday, February 20th. The moment signified more than membership — it marked the launch of the organization’s transformative new platform, the Victory & Values Initiative.

The Victory & Values Initiative is a groundbreaking youth development program designed to empower elementary and middle school students through a dynamic blend of sports, mentorship, and STEM exposure. The initiative focuses on building health, discipline, character, leadership, and access to opportunity — creating pathways for long-term academic and personal success.

“This is about more than sports,” said Cummings during the ceremony. “It’s about using the platform of athletics to teach life lessons, create access, and build the next generation of leaders.”

The induction ceremony also featured notable guests including NASCAR’s newest Star Driver, Lavar Scott and NASCAR Director of Athletic Performance, Phil Horton, who joined Cummings for a powerful Victory & Values Town Hall discussion. The Town Hall was moderated by renowned Sports Emcee John Hollins and focused on leadership, resilience, discipline, and the importance of mentorship in shaping young lives.

A “Day at NASCAR” for 75+ Youth

Cummings wasted no time getting to work. On his first full day as an honorary member, he joined his new brothers of the 100 Black Men of DeKalb County to host a “Day at NASCAR,” escorting more than 75 youth to a once-in-a-lifetime experience at EchoPark Motor Speedway (formerly Atlanta Motor Speedway).

The youth participants received behind-the-scenes access including: an exclusive tour of Pit Row, access to the Garage Area and exploration of the interactive Fan Zone.

The experience culminated with a surprise meet-and-greet and Q&A session with NASCAR Superstar Bubba Wallace, who shared insights on perseverance, preparation, and breaking barriers in professional sports.

The day served as a living example of the ‘Victory & Values’ Initiative in action — exposing youth to new industries, expanding their vision for the future, and connecting them directly with high- level mentors and role models.

Building Leaders Through Access and Mentorship

The 100 Black Men of DeKalb County – a chapter of the largest, national mentoring organization in the county – continues to expand its footprint with programs focused on academic excellence, economic empowerment, leadership development, and health & wellness.

The launch of ‘Victory & Values’ represents a strategic expansion of the organization’s impact

intentionally integrating athletics and STEM to engage youth at an early age while reinforcing core principles such as integrity, accountability, teamwork, and perseverance.

“Our mission has always been to mentor the next generation,” said Vaughn Irons, President-Elect of the 100 Black Men of DeKalb County. “With Terry Cummings joining the brotherhood, along with partners in NASCAR and professional sports, we are creating unprecedented access and exposure for our youth. Victory & Values is about turning inspiration into structured opportunity.”

By connecting elementary and middle school students to professional athletes, executives, STEM professionals, and community leaders, the initiative aims to:

Increase youth exposure to careers in sports business, engineering, and performance science
Strengthen mentorship pipelines
Promote physical wellness and mental resilience
Build character-driven leadership at an early age

Open Invitation to Youth and Families

All youth are invited to participate in the Victory & Values Initiative, along with the other countless, impactful programs offered by the 100 Black Men of DeKalb County.

Parents and guardians seeking mentorship, leadership development, academic enrichment, and transformative exposure opportunities for their children are encouraged to connect with the organization.

As NBA Legend Terry Cummings’ induction demonstrates, Victory & Values is more than a program — it is a movement designed to build champions in life, not just in sports.

For more information about the Victory & Values Initiative or to enroll a student, contact: 100 Black Men of DeKalb County at Phone at 404.241.1338, info@100bmod.org or Tee Foxx at 404.791.6525,