Connect with us

National

San Francisco Police Under Fire for Racist Texts

Published

on

In this Feb. 27, 2014 file photo, San Francisco Police Chief Greg Suhr speaks during a news conference at the Hall of Justice in San Francisco. The original charges were shocking enough: six San Francisco police officers were accused of stealing from suspects living in seedy residential hotels. Then federal prosecutors released racist, homophobic and ethnically insensitive email and text messages exchanged among more than a dozen officers, prompting the San Francisco district attorney to launch a wide-ranging investigation of the police department while considering dismissing up to 3,000 criminal cases involving the officers. (AP Photo/Jeff Chiu, File)

In this Feb. 27, 2014 file photo, San Francisco Police Chief Greg Suhr speaks during a news conference at the Hall of Justice in San Francisco.  (AP Photo/Jeff Chiu, File)

Paul Elias, ASSOCIATED PRESS

 
SAN FRANCISCO (AP) — Just the original charges were shocking: Six San Francisco police officers were accused of stealing from drug dealers. Then federal prosecutors released racist and homophobic text messages.

Those texts have now turned a small-time police corruption case into a racially charged scandal, thrusting a diverse and liberal city into the national debate over policing in minority communities.

“We now know this can happen in San Francisco,” San Francisco District Attorney George Gascon said. “We’re certainly not immune to the problems that we have seen in Baltimore, Staten Island, South Carolina.”

The San Francisco turmoil comes amid growing tensions between police departments and communities of color. Large, sometimes violent protests over police treatment of black suspects have occurred in several cities over the last two years.

That has put police under a microscope. Three Fort Lauderdale, Florida, police officers were fired last month and a fourth resigned after they were found to have exchanged racist messages about colleagues and the predominantly black neighborhood they patrolled.

In San Francisco, Police Chief Greg Suhr has moved to fire eight officers, two of whom have since retired. Six others also are facing some kind of discipline.

The district attorney, meanwhile, is looking into whether the department’s racial problems run deeper than the officers implicated.

“In the process of looking at the text messages, increasingly I became uneasy that this may not be localized to the 14 officers that were being reported, but that we may have some systemic issues,” Gascon said.

San Francisco Police spokesman Albie Esparza says the department supports the district attorney’s examination, but disputes any suggestion that the police force of 2,100 sworn officers may suffer from systemic racism.

“This was an isolated incident,” Esparza said. “To say it’s systemic is unfounded.”

The San Francisco police department hasn’t faced widespread allegations of discrimination since Officers for Justice, a group of minority officers, sued the department in 1973. After the Department of Justice joined the lawsuit, the department settled the case in 1979 and agreed to hire more minorities and women. Nearly half of the sworn officers are minorities today.

News of the racist texts prompted outrage among community leaders. The Rev. Amos Brown, president of the NAACP’s San Francisco chapter and minister at Third Baptist Church, said he wasn’t surprised.

“We have seen this. We have lived this. We have breathed this discrimination,” he said.

Lawyers for several implicated officers characterized the text messages as “banter” and failed attempts at humor. In one, Sgt. Yulanda Williams was called racist and sexist names by one of the texting officers when she was promoted to sergeant in 2011.

“We really have not moved as forward as we thought,” she said. “I’m not prepared to say this was an isolated incident. This is just the tip of the iceberg.”

At least one of the accused officers, Michael Robinson, is white and openly gay. Another, Sgt. Ian Furminger, is white. Police officials have so far declined to release the racial composition of the other implicated officers.

Officer Rain Daugherty said in a lawsuit filed Monday to halt his termination that he is “deeply ashamed” of the texts he wrote and that they are “unreflective of his strong commitment to exemplary community policing of all San Francisco’s diverse citizens.” Daugherty argues that he and the other officers shouldn’t be fired because the department obtained the inflammatory texts in December 2012 but didn’t start the disciplinary process until two years later.

The department says the texts were part of the corruption investigation and couldn’t be disclosed to administrators until the criminal cases concluded.

It all started at the Henry Hotel in San Francisco’s gritty Tenderloin neighborhood.

Hotel residents arrested in police raids began complaining in late 2010 to their public defenders that officers had entered their rooms without warrants and, on occasion, stole their valuables.

Public defender Jeff Adachi and his staff then obtained and sifted through 18 months of video surveillance captured by the hotel’s security cameras. The videos showed officers entering the building then leaving with bags and other items that were never accounted for in evidence logs or court proceedings. The video also appeared to show officers entering rooms without warrants or permission from the residents.

The public defenders used the videos to confront and contradict officers’ testimony, leading to several criminal cases being dismissed. Adachi also called a news conference to announce his findings, releasing the incriminating videos.

Taking note, federal authorities launched an investigation and charged six police officers with corruption and related charges. Investigators twice searched Furminger’s cellphone, unearthing numerous offensive and racist texts with fellow officers. They included slurs against blacks, Mexicans, Filipinos and gays, and feature officers repeatedly using the phrase “white power.”

Furminger is currently serving a 41-month prison sentence in a Colorado prison. He is appealing his conviction, and his attorney Mark Goldrosen declined comment.

In a court filing, Furminger denied that he was “a virulent racist and homophobe.” The court filing said Furminger’s “close friends include many persons of different races and different sexual orientation.”

___

AP writer Terence Chea contributed to this report from San Francisco.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

###

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Activism

Oakland Post: Week of April 8 – 14, 2026

The printed Weekly Edition of the Oakland Post: Week of April 8 – 14, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Activism

Oakland Post: Week of April 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of April 1 – 7, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

#NNPA BlackPress

Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit. 

Published

on

By

By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM).  “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.