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In Trump’s New Confederacy, Slavery Wasn’t Sin

BLACKPRESSUSA NEWSWIRE — In Donald Trump’s America, they are no longer whispering their love for slavery; they are preaching it from the pulpit.

Published

8 months ago

October 22, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

In Donald Trump’s America, they are no longer whispering their love for slavery; they are preaching it from the pulpit. Far-right Christian nationalist Joshua Haymes, a self-anointed prophet of white supremacy, declared in a recent video that slavery “is not inherently evil,” demanding that every Christian “affirm and defend” the right to own another human being. His words vividly remind many of the crack of the overseer’s whip, the theology of the lash, and the perverted gospel that baptized centuries of Black pain in the name of God. Haymes, who hosts a podcast with Pastor Brooks Potteiger of Pilgrim Hill Reformed Fellowship near Nashville, is no internet outcast shouting into the void. The church aligns with Douglas Wilson, the father of modern Christian nationalism, and counts Secretary of Defense Pete Hegseth among its members. This isn’t fringe, it’s the foundation of a rising white Christian theocracy that sees slavery as “biblically justified” and domination as divine will.

In his rant, Haymes insisted, “The institution of slavery is not inherently evil. It is not inherently evil to own another human being.” He demanded that “every Christian affirm what I just said,” claiming America’s Founding Fathers weren’t “living in grave sin” for enslaving people. He called it “chronological snobbery” to condemn them. That is how far they have sunk, defending the whip as righteousness, calling the chains holy. This ideology is not confined to Tennessee pews or online podcasts. It has a home in Washington, in the halls of power, where Trump and his disciples are rewriting history—literally—by government order. As previously reported, the Trump administration has directed the National Park Service and the Smithsonian Institution to remove exhibits that “disparage” America’s founders by mentioning slavery. They’ve ordered the deletion of a photo of a man’s scourged back. Yes, the scarred flesh of a freed Black man who endured the lash, because it made America “look bad.”

At Fort Pulaski in Georgia, the order came down to strip away the image that defined the brutality of the Civil War era. The image that showed what the Confederacy did to the human body has now been banned by the new Confederates in suits. Trump called the Smithsonian “OUT OF CONTROL” for “talking about how horrible slavery was,” and promised to send lawyers to “go through the museums” and cleanse the content. “This country cannot be WOKE,” he declared. Translation: America cannot be honest. At historic sites like the President’s House in Philadelphia, where George Washington enslaved nine men and women and rotated them out of state to avoid Pennsylvania’s gradual emancipation law, Trump’s order has demanded that panels describing those crimes be “reviewed” or removed. A panel describing Washington’s actions as “profoundly disturbing” has been flagged for revision. Another that said slavery “mocked the nation’s pretense to liberty” is on the chopping block. They want to make the father of the country look clean again by erasing the blood on his hands. “This is truth; it’s American history,” said retired Philadelphia attorney Michelle Flamer, who helped create the original exhibit. “There’s good and there’s bad, and it’s just like life itself.”

But Trump’s America wants only the “good.” A fantasy built on denial. The administration’s censorship is a campaign of amnesia, designed to blind a generation to the crimes that built this nation. Historian Michael Coard, who helped lead the effort to memorialize the enslaved at the President’s House, said, “If George Washington got all that attention, then we need to get some attention now.” Trump’s order calls this honesty “unpatriotic.” His followers call it “anti-American.” What it really turns out to be is fear. Fear of the truth, fear of the record, fear of the descendants of the enslaved demanding to be seen and heard. And this is not happening in isolation. Across the far-right ecosystem, white Christian nationalists are rising to defend the indefensible. Haymes and his co-conspirators are not simply talking about theology; they are providing moral cover for tyranny. They are laying the groundwork for a new Confederacy, one that cloaks its racism in scripture and its hatred in hymns. Even as the administration censors history, young Republicans in private Telegram chats have been caught calling Black people “monkeys” and “watermelon people,” joking about gas chambers, and celebrating rape and torture as political tactics. The Kansas Young Republicans’ vice chair used the N-word repeatedly. Leaders of the New York State Young Republicans laughed about “epic rape” and fantasized about “physiological torture.” This is not political discourse; it is the language of fascism.

When the President of the United States orders museums to stop teaching the truth, when his followers call slavery “biblical,” and when young white conservatives talk about gas chambers like punchlines, it is not a coincidence. It is a movement, a coordinated, cultural counterrevolution against truth, equality, and the very notion of freedom for Black people. The evidence is clear that this government is engaged in historical sterilization. It is erasing the crimes of slavery, suppressing the truth of genocide, and criminalizing those who dare to remember. This is the same spirit that banned books in the Jim Crow South, that burned Black schools in the Reconstruction era, and that murdered truth-tellers from Mississippi to Minnesota.They want to make America forget so they can do it again. But history has a way of fighting back. The scars remain. The names remain. Oney Judge, Hercules, and the countless others who refused to stay in chains, even when the first president of this country was their master. Their stories are our inheritance, our resistance, our unbreakable testament. If Trump and his prophets of whiteness believe they can sanitize the past, they underestimate the people who live its consequences. They forget that truth has a pulse, and that it beats strongest in the descendants of the enslaved. As Alan Spears of the National Parks Conservation Association said, “We can handle the truth.” And most believe America will. Because the truth is not Trump and his new Confederacy to rewrite. It was written in blood, and it will be remembered in fire.

Stacy M. Brown

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

1 month ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

1 month ago

May 3, 2026

admin

Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

Published

1 month ago

May 3, 2026

admin

A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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