Connect with us

National

Preventing Student ‘Summer Slide’

Published

on

School

By Jazelle Hunt
NNPA Washington Correspondent

WASHINGTON (NNPA) – As students slip into their summer vacations, it’s up to families to make sure they don’t slip into academic amnesia. Usually, in what is called the summer slide, students forget up to six months of math and reading instruction when they’re not engaged in academic activities between school years.

Matthew Mugo Fields thinks he has the solution to halting that slide. He hopes to bridge the gap with Rocket Group, an education company he founded. His suite of programs for schools and parents blend technology, face-to-face instruction, and specialized curricula based on groundbreaking yet obscure research from Stanford University.

“[Summer slide] is a huge problem. And it’s exacerbated for low-income and minority students,” says Fields, a Morehouse University alumnus who holds a double-masters in business and education from Harvard University. “The research I’ve seen says that nearly half of the achievement gap can be explained by the difference in summer learning between low-income students and their counterparts.

Tammy Drayton is an early childhood teacher in Newark, N.J. Even kindergarten students are expected to know a few things at the start of school, such as counting to 10, colors, shapes, and the days of the week. When such lessons are new or lost to them, the impact is clear.

“We might have to do more one-on-one work with [that student],” she said. “But it may affect their social skills. Because if they realize they’re not on the level of other kids, they tend to pull away and shut down. They feel different, in a sense.”

Summer slide affects older students, too, and the stakes are much higher. In high school, there are fewer interventions and opportunities to relearn lost information, and students can become discouraged with their performance – internally and through the actions of teachers and administrators. In this way, summer slide can lead to dropping out.

It also manifests as poor preparation for post-graduation. Another term, “summer melt,” happens when college-eligible high school seniors do not successfully transition to post-secondary education. The Department of Education estimates that up to 20 percent of high school graduates are lost this way, most of them of color.

“Preparation is a factor, but not the guiding factor of whether a student will be college-bound,” says David Johns, executive director of the White House Initiative on Educational Excellence for African Americans. “The belief…if they can even go to college diminishes, if they are not supported over time.”

The White House Initiative on Educational Excellence for African Americans is currently working on combatting these summer losses. Although it is still gathering data, it’s clear that parental involvement is one of the most important factors in academic achievement across years, for students of all ages.

“It’s important to acknowledge that the first and most important educator in a child’s life is his or her parents. One of the challenges is engaging parents to supplement learning for their scholars,” says Johns.

“Often the way we think of learning is that it’s for school only, it happens in the classroom within the school day. But educational development…happens throughout the calendar year.”

Drayton says that in her kindergarten classroom, parents’ efforts are more important than the personalized schoolwork packets her school sends home with students.

“My students left me today, and I gave them a list of books along with a summer packet. I don’t necessarily rely on the packets [to determine if slide has occurred],” she says. “It affects [students] based on if they worked with a parent, and it all depends on if they had practice or continuing education in the summer.”

Johns explains that income is the strongest predictor of summer slide. More affluent families have the money, job flexibility, and connections to keep their children engaged with programs, gadgets, and enriching experiences throughout the year.

Other families, who may lack time, money, and access, have to get resourceful in supplementing their child’s education.

“Go to the library – it’s free. Dollar stores sell books, and places like the Salvation Army sometimes gives away books,” Drayton recommends. “Read something with your child every day. It’s essential to build literacy skills over the summer.”

For parents and guardians, Fields offers GiftedandTalented.com, which provides personalized academic supplements and one-on-one tutoring via video chat. The supplements are designed to give all students access to the high-quality resources found in traditional gifted and talented classes, regardless of the student’s placement in school. There are free activities on the site, but income-based scholarships and financial assistance is also available to take advantage of the site’s complete offerings.

“I aspire to get many more students to embrace the idea that ‘gifted and talented’ is a destination, it’s something you can become, not just something you’re born as,” Fields says, also recommending the library and recreation centers to prevent summer slide.

“We are in the golden age of technology and education – there are things people can access with any kind of device to keep students engaged. Use the summer to get ahead.”

Johns suggests singing, reading, and playing with younger students to keep their minds sharp, and planning in advance and setting achievable goals for more independent kids. The Department of Education also recommends helping high school students create post-graduation prep checklists, and allowing them to job shadow a parent or relative, or encouraging them to volunteer if they cannot find a job for themselves.

“Create a summer intervention plan. Ensure every day they can preserve their knowledge,” he says. “Sometimes we make this more complicated than it has to be. There’s a role every person can play to make these learning connections, whether grandma reads to them, or dad takes them to the museum, or someone counts money with them. Everyone can be an important part of learning for our scholars.”

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Activism

Oakland Post: Week of April 8 – 14, 2026

The printed Weekly Edition of the Oakland Post: Week of April 8 – 14, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Activism

Oakland Post: Week of April 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of April 1 – 7, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

#NNPA BlackPress

Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit. 

Published

on

By

By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM).  “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.