By Emil Guillermo

I grew up in the Bay Area and attended “Days on the Green” at the Coliseum. But I started going to rock concerts in earnest when I was a teenager in Houston. I had taken a gap year from college and was the all-night DJ on the biggest rock station in town. Whenever I saw “festival seating” on a ticket, I knew it was more than just a warning, but an invitation to disaster.

Festival seating is when the entire venue becomes a mosh pit. It’s a concert where there are no assigned seats, making it a Darwinian every-person-for-himself, go-at-your-own-risk event. The nightmarish, mad rush that occurred at NRG Park at Travis Scott’s hip-hop Astroworld on November 5 was a foreseen possibility, especially since the artist’s encouraging a crowd surge is part of his act.

In Houston, the crowd was so packed, witnesses described how they couldn’t move. Then someone would fall, and the domino pile would begin.

For some, it became an “I can’t breathe moment.”

Eight people were killed including Danish Baig, 27, born near Dallas, an Asian American Pakistani and a district manager for AT&T, who went with his fiancé to the show.

He didn’t expect to die in the crush of people as he tried to save his fiancé from being trampled.

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“She was stomped on, hit, punched, horrendous things were happening to her that I don’t want to mention,” said Basil Mirza Baig, Baig’s brother, who was also at the concert. “My brother was trying to save her, and he did, he saved her, and it cost him his life.”

At this time no precise cause of death is given. But the family said it was from cardiac arrest suffered from the crush of people.

The fiancé survived. But Mirza, speaking at Baig’s funeral on Sunday wants answers.

“My brother was laying on the ground. They were chanting to stop the event. Nobody stopped the event,” Mirza said in an interview with Dallas news station WFAA. “In this horrendous event, people that were in it (who) took part in this event, Travis Scott’s team, the NRG team, everybody who was associated with this should be held accountable for the lives that were lost today. We’re grieving. We’re in pain.”

Mirza wants answers, not a Tweet, but real answers from Scott.

“He could stop a show for his shoe, but he couldn’t stop the show for people?” Mirza asked. Reports say Scott performed for at least another 30 minutes after an emergency had been declared. “It was upsetting and sad seeing people thrown left and right, stop, girls, guys, everybody, little kids,” Mirza described the scene. “This is not how you do it. You go to a concert to have fun. You don’t go to a concert to die.”

Already more than a dozen civil suits have been filed against the concert promoters, which includes Live Nation and Scott himself. This is not the first time for Scott, who has faced criminal charges related to inciting concert crowds in Arkansas in 2018 (guilty, disorderly conduct), and Chicago in 2015 (guilty, misdemeanor reckless conduct).

Live Nation, too, should have known better. When the word “festival” is on the ticket, there are no seats, forcing crowds to compete for a stage view, and then a fun night becomes Darwinian, the survival of the fittest.

That’s not entertainment.

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