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Judge Katanji Brown Jackson Answers Questions About Her Religious Beliefs, Sentencing Habits, and Dark Money During Day 2 of the SCOTUS Confirmation Hearing

NNPA NEWSWIRE — During the afternoon portion of the hearing, Sen. Dianne Feinstein (D-Calif.) attempted to bring decorum, asking Judge Jackson about the significance of her nomination. Judge Jackson offered that her appointment and having diversity on the bench allows the opportunity for role models. “I have received so many notes and letters and photos from little girls around the country who tell me that they are so excited for this opportunity,” Judge Jackson stated. “Because I am a woman, a Black woman, all of those things, people have said, have been really meaningful to them.”
The post Judge Katanji Brown Jackson Answers Questions About Her Religious Beliefs, Sentencing Habits, and Dark Money During Day 2 of the SCOTUS Confirmation Hearing first appeared on BlackPressUSA.

Published

4 years ago

March 24, 2022

Stacy M. Brown

By Stacy M. Brown, NNPA Newswire Senior National Correspondent
@StacyBrownMedia

Religious beliefs, child porn, dark money, and expanding the court were a big part of Day 2 of the historic Senate confirmation hearings of D.C. Circuit Court Judge Ketanji Brown Jackson as she seeks to become the first African American woman on the U.S. Supreme Court.

The political posturing, unorthodox questioning, and even the egregious suggestion that Judge Jackson is soft on crime, reached even lower when Republican Sen. Lindsay Graham of South Carolina interjected about his personal choice, Judge Michelle Childs, before storming out of the hallowed halls of the Hart Senate Building on Capitol Hill.

“In your nomination, did you notice people from the left were pretty much cheering you on?” Sen. Graham asked Judge Jackson.

“A lot of people were cheering me on,” Jackson responded.

Sen. Graham then claimed that progressive groups and others led an effort to disqualify Judge Childs. He claimed individuals in those alleged groups called Judge Childs a “union-busting unreliable Republican in disguise.”

Unnerved, Judge Jackson told the senator that she wasn’t aware of that because, as a sitting judge, she’s remained focused on cases before her.

After an exchange with Democratic Sen. Dick Durbin of Illinois, Sen. Graham stormed out of the room.

Judge Jackson also withstood criticism from Sen. Josh Hawley of Missouri, who accused the judge of letting child porn offenders off the hook.

“As a mother and a judge who has had to deal with these cases, I was thinking that nothing could be further from the truth,” Judge Jackson remarked. “These are some of the most difficult cases that a judge has to deal with because we’re talking about pictures of sex abuse of children.

She continued:

“We’re talking about graphic descriptions that judges have to read and consider when they decide how to sentence in these cases, and there’s a statute that tells judges what they’re supposed to do.”

Perhaps throwing the question back at Sen. Hawley, Judge Jackson reminded everyone that federal sentencing guidelines are established by Congress.

“I’m imposing … constraints because I understand how significant, how damaging, how horrible this crime is,” Judge Jackson demanded.

When Sen. Chuck Grassley (R-Iowa) asked whether Judge Jackson would favor expanding the court from the current nine justices, she demurred.

“Respectfully, senator, other nominees to the Supreme Court have responded as I will, which is that it is a policy question for Congress,” Judge Jackson stated.

“I am so committed to staying in my lane of the system.”

Sen. Grassley persisted, asking if the Supreme Court has been bought and paid for by “dark money.”

“Senator, I don’t have any reason to believe that that’s the case,” Judge Jackson replied.

Earlier, Sen. Graham pressed Judge Jackson about her religious beliefs.

“What faith are you, by the way?” Graham railed. “Could you fairly judge a Catholic?”

“How important is your faith to you?” he continued. “On a scale of one to 10, how faithful would you say you are in terms of religion?”

Judge Jackson asserted that she identifies as a nondenominational Protestant Christian.

She insisted that her faith counts as very important but noted that there’s no religious test to confirmation under the U.S. Constitution.

“I am reluctant to talk about my faith in this way,” Judge Jackson pushed back. “I want to be mindful of the need for the public to have confidence in my ability to separate out my personal views.”

During the afternoon portion of the hearing, Sen. Dianne Feinstein (D-Calif.) attempted to bring decorum, asking Judge Jackson about the significance of her nomination.

Judge Jackson offered that her appointment and having diversity on the bench allows the opportunity for role models.

“I have received so many notes and letters and photos from little girls around the country who tell me that they are so excited for this opportunity,” Judge Jackson stated.

“Because I am a woman, a Black woman, all of those things, people have said, have been really meaningful to them.”

The post Judge Katanji Brown Jackson Answers Questions About Her Religious Beliefs, Sentencing Habits, and Dark Money During Day 2 of the SCOTUS Confirmation Hearing first appeared on BlackPressUSA.

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Venus Williams Calls a Sabalenka Exit a Tragedy

ROLLING OUT — Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport.
The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

Published

1 day ago

June 7, 2026

Oakland Post

The seven-time major champion read frustration, not a real goodbye, in the world No. 1’s words

By David Kesiena | Rolling Out

When the world’s top-ranked player said she wanted to walk away from the sport, Venus Williams chose empathy over alarm.

Aryna Sabalenka’s blunt remark after her French Open quarterfinal collapse rattled plenty of fans, but Williams heard something different in it. The seven-time Grand Slam champion treated the comment as the raw reaction of a hurting athlete rather than a serious signal about her future.

The collapse that triggered the comment

Sabalenka looked headed for a routine win over Diana Shnaider. She took the opening set 6-3 and built a commanding lead in the second, climbing to 4-1 and later serving for the match at 5-4 while sitting just two points from victory.

Then everything unraveled. Shnaider stormed back to steal the second set 7-5 and bageled the world No. 1 in the third, with Sabalenka dropping 12 of the final 13 games in gusty conditions that reached around 26 mph. The 3-6, 7-5, 6-0 result sent Shnaider into her first Grand Slam semifinal and extended Sabalenka’s long wait for a maiden Roland Garros title.

In the aftermath, Sabalenka did not soften her feelings. She told reporters she had no thoughts and no emotions left and felt like quitting on the spot. She described being stuck in a deep, dark mental hole during the match, unable to find her way back.

What Venus Williams said about Sabalenka

Williams reacted with understanding. She admitted the moment made her sad and said she had been swept up in Sabalenka’s emotions, feeling a surge of empathy for her. She praised the Belarusian for laying everything bare on court, where every feeling shows.

Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport. Rather than scold her, Williams offered a gentle observation about the rhythm of professional tennis. She suggested players might benefit from a little more time to gather themselves before stepping in front of the cameras, a quiet acknowledgment that athletes are routinely asked to dissect painful defeats before the sting has faded.

Sabalenka walks it back

The story did not end on that bleak note. Within days, Sabalenka signaled she was not actually quitting, framing the press-conference outburst as heat-of-the-moment honesty rather than a plan. At the time of the loss she had also left the door open, saying she would see how she felt in a few days and hoped to get back on track mentally. The walk-back lined up with how Williams had read the situation from the start.

It is not the first time a Paris quarterfinal has pushed Sabalenka to her limit. In 2024 she exited at the same stage and skipped her press conference entirely because of illness, with the tour later releasing her quotes on her behalf. The pattern underscores how heavily this particular tournament has weighed on her despite deep runs in recent years.

For now, attention shifts to the grass. Wimbledon offers Sabalenka a quick chance to reset, and a strong showing there would turn this French Open meltdown into a footnote rather than a turning point.

Originally published by Rolling Out — https://rollingout.com.

The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue

THE CAROLINIAN — Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

Published

1 day ago

June 7, 2026

Oakland Post

By Judaea Ingram | Special to The Carolinian

RALEIGH, N.C. – Music filled the air as families danced through the crowd, children gathered around activity stations, and community members explored wellness resources from local organizations. Black-owned businesses lined the streets while people stopped for chair massages, conversations, and moments of connection inside the wellness suite.

At the center of the event stood a simple but powerful reminder:

“You Matter.”

For Darkness RISING, those words represent far more than a slogan. They reflect the organization’s mission to break the stigma surrounding mental health in the Black community while creating spaces centered on healing, honesty, and hope.

Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.

The organization hosts a variety of programs and events throughout the year, including block parties, wellness workshops, mixers, kickoff events, community classes, and Darkness RISING: Live — a free annual arts and wellness festival now celebrating its ninth year.

The festival combines entertainment with healing-centered resources, featuring live music, dancing, singing, food trucks, Black vendors, children’s activities, mental health resources, wellness spaces, and opportunities for open conversations about mental health.

While the events may feel celebratory on the surface, organizers say the deeper purpose is creating safe spaces where people can feel comfortable discussing mental health without fear of judgment.

Darkness RISING also provides free nationwide resources, including a Black Mental Health Resource Packet, a Black Mental Health Provider Database, and its “Find Me a Therapist” initiative, which helps connect individuals with culturally competent care.

The organization’s work is rooted in addressing longstanding inequities that continue impacting mental health access within Black communities.

Historically, segregation, redlining, racial discrimination, incarceration, poverty, and unequal healthcare access have contributed to higher rates of behavioral health challenges while simultaneously limiting access to proper treatment and support. Darkness RISING approaches those issues through what organizers describe as a transformative justice lens, focusing on healing rather than punishment and creating equitable wellness opportunities for marginalized communities.

Its REBUILD program specifically supports justice-involved and formerly incarcerated people of color through free therapy and wellness support, while the REBUILD Youth program focuses on young people impacted by Adverse Childhood Experiences, also known as ACEs.

For Rudolph, therapy became life-changing after decades of incarceration and years of rejection after returning home.

“Came home in 2015, started my own computer company, investing in real estate, did the normal thing and got some jobs here and there and was met with rejection after rejection and people telling me I am not a good person,” Rudolph shared. “Even had a rejection in church.”

He said one of the hardest battles became overcoming the mental barriers created during incarceration.

“I got in touch with a couple of friends, and they explained to me how I had to get over the mental hurdles and get rid of the way my prison mindset was in order to survive and become successful,” he said.

Rudolph later moved to North Carolina hoping for a fresh start, but the struggle continued.

“Things were looking bad,” he said. “Could not get a job. The struggle was real.”

Eventually, therapy and support through organizations like Darkness RISING helped begin his healing process. He said working alongside other justice-involved men through therapy gave him the ability to rebuild mentally while finding community with people who understood his experiences.

Stories like Rudolph’s reflect the foundation behind Darkness RISING’s mission: ensuring people feel seen, supported, and worthy of healing regardless of their background or circumstances.

Community members who attend the organization’s events often describe them as emotionally transformative.

Some participants say Darkness RISING encouraged them to seek therapy for the first time, while others say the organization gave them a safe space to openly discuss struggles they previously kept hidden.

“I have been encouraged by the beautiful, generous, brave and open individuals who come together and use their talents to create art, share personal experiences and provide hope to those who may be struggling with mental health,” one participant shared.

By combining art, wellness, education, and community outreach, Darkness RISING continues changing how mental health conversations happen within the Black community.

Not through silence.

But through healing, honesty, connection, and joy.

Originally published by The Carolinian — https://caro.news.

The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

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Uptown Music Theatre Summer Camp Returns to Inspire the Next Generation of Performers

LA DATA NEWS WEEKLY — The 2026 UMT Summer Camp runs from June 1st through July 10th and is open to young people ages 8 to 18. Camp activities will take place Monday through Friday from 9 a.m. to 3 p.m. at the Contemporary Arts Center.
The post Uptown Music Theatre Summer Camp Returns to Inspire the Next Generation of Performers appeared first on BlackPressUSA.

Published

1 day ago

June 7, 2026

Oakland Post

By Edwin Buggage, Editor-in-Chief | New Orleans Data News Weekly

For 25 years, Uptown Music Theatre (UMT) has helped young people across New Orleans discover their talents, build confidence, and develop a love for the performing arts. This summer, the organization will once again open its doors to aspiring performers through its Annual Summer Camp Program.

Founded by renowned New Orleans Jazz Musician and Educator Delfeayo Marsalis, Uptown Music Theatre has become a cornerstone of arts education in the city. The program provides youth with professional-level training in musical theater while creating a supportive environment where creativity, teamwork, and self-expression can flourish.

The 2026 UMT Summer Camp runs from June 1st through July 10th and is open to young people ages 8 to 18. Camp activities will take place Monday through Friday from 9 a.m. to 3 p.m. at the Contemporary Arts Center.

Participants will receive instruction in acting, singing, dancing, stage movement, and performance techniques from experienced theater professionals and educators. Throughout the Six-Week Program, students will work together to develop their skills and prepare for a culminating stage production that showcases what they have learned.

Marsalis founded Uptown Music Theatre with a vision of providing young people with opportunities that extend beyond the classroom. Over the years, the organization has helped hundreds of students develop discipline, leadership skills, and confidence while exposing them to the transformative power of the arts.

The Summer Camp continues that mission by offering youth a chance to spend part of their summer immersed in a creative environment that encourages artistic growth and personal development.

As New Orleans continues to celebrate its rich cultural heritage, programs like Uptown Music Theatre play an important role in ensuring that the next generation of performers, artists, and community leaders have the opportunity to learn, grow, and shine on stage.

Originally published by Data News Weekly — https://www.ladatanews.com.

The post Uptown Music Theatre Summer Camp Returns to Inspire the Next Generation of Performers appeared first on BlackPressUSA.