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Film Review: ‘Wild Tales’

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'Til Death Do Us Part is one of six vignettes in the comedy/thriller Wild Tales. (Courtesy Photo)

‘Til Death Do Us Part is one of six vignettes in the comedy/thriller Wild Tales. (Courtesy Photo)

 

By Dwight Brown
NNPA Film Critic

Back in the day, The Twilight Zone did it right. Each episode started with an everyday routine, then it added a couple of wicked twists, and before you could say, “Rod Serling” things went completely askew. Argentinean writer/director Damian Szifron has that same knack, which he exhibits masterfully in six wicked vignettes. Themes of injustice, outrage, vengeance and reprisals are neatly woven together in a way that that boggles the mind and raises a smirk.

Sit through all six, and you’ll have a hard time distinguishing the one you liked best: Pasternak finds a plane full of passengers, who, upon starting haphazard conversations, realize they are all connected to one man, whom they’ve wronged. Once the plane leaves the ground, it’s clear none are safe. The Rats shows a waitress in a dive diner serving a loan shark who pushed her father to kill himself. Revenge is a dish best served cold and poisonous. Road to Hell pits a dapper sports car driver against a man in a far less luxurious vehicle. It starts with someone flipping the bird and ends with a case of road rage that turns into road kill.

A demolition engineer, who blows up unwanted buildings for a profession, finds a way to get even when his car is towed and the DMV gives him the run-around in BombitaThe Bill is a tad darker than the other stories, but as engaging. A rich young man kills someone in a hit-and-run, and his dad gets their gardener to take the blame. Everybody pays the price. ‘Til Death Do Us Part closes the movie. On their wedding day, a bride and groom struggle to come to terms with his infidelity. She, while still swathed in her Vera Wang wedding dress, one-ups him in front of the guests.

Slivers of life gone awry take you in funny or perverted directions and they’ll make you reconsider your rash actions and ponder Karma. Credit Szifron for the brilliant storytelling and astute direction: The actors move along like checkers on a checkerboard, headed to the other side and not knowing which ones will make it. Some deserve their fate; others are destined no matter what they do. As an audience, through their performances, you rid yourself of pent-up anger. You tell off your antagonists. You get sweet revenge on dehumanizing institutions. You stick it to the lovers who wronged you. This may be one of the most cathartic films ever made. And it is a sick puppy.

Some vignettes move at a breakneck speed, others languish and make you wait. If you find yourself getting restless at points, be patient, a reward is coming. Overall, Pablo Barbieri Carrera and Szifron’s editing is sharp as a butcher knife. Javier Julia’s cinematography consists of perfect lighting and a great sense for color that highlights Maria Clara Notari’s production design. It’s rare that a casting director’s genius is so obvious, but Javier Braier pulls together a huge, disparate cast that is dopey, baiting, mean or gloriously evil at the right times.

If a past transgression has been eating your soul alive, this twisted film could be your remedy. Group therapy in a theater. Wild Tales is like an Argentinean Twilight Zone for the repressed, and it was nominated for a 2014 Academy Award for Best Foreign Language Film. It’s that good.

 

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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