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After the Oscars, Diversity Remains a Topic of Discussion

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Common, left, and John Legend pose in the press room with the award for best original song in a feature film for “Glory” from “Selma” at the Oscars on Sunday, Feb. 22, 2015, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Common, left, and John Legend pose in the press room with the award for best original song in a feature film for “Glory” from “Selma” at the Oscars on Sunday, Feb. 22, 2015, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

DAVID BAUDER, AP Television Writer

NEW YORK (AP) — What was missing from the Academy Awards turned out to be the issue that could not be ignored on the night trophies were handed out.

The lack of non-white contenders for major acting awards this year became a focus on the day Oscar nominations were announced. Hollywood’s commitment to reflecting the nation’s diversity, and its sensitivity to how these issues are perceived, could not be missed on Sunday’s show — from the opening joke on.

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BEST AND WHITEST

Host Neil Patrick Harris put it right on the table. “Tonight, we honor Hollywood’s best and whitest — excuse me, brightest,” he said.

It drew a knowing laugh, and no small amount of parsing.

Was Harris tweaking Hollywood for an embarrassing shortcoming? Or was he making fun of the people who have raised it as an issue of concern?

Obviously, the Oscars are an entertainment program and hosts are expected to make jokes, said Eric Haywood, a writer on Fox’s hit drama “Empire.” Yet jokes can also make people feel that their concerns are not being taken seriously, he said.

“As it stands, the joke is likely to be reduced to a meme, which the Academy is in no way obligated to address and can easily dismiss,” said Robert Jones, a Brooklyn writer and creator of the social justice blog, Son of Baldwin. “It is, after all, just a joke, right?”

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“SELMA” STAR

Another knowing line from Harris came when he praised actor David Oyelowo, who played Martin Luther King Jr. in the movie “Selma” but was passed over for an acting nomination. Harris asked Oyelowo to stand and the audience applauded.

“Oh, sure,” Harris said. “Now you like him.”

Oyelowo was arguably involved in the emotional high point of the show. The movie’s anthem, “Glory,” by Common and John Legend, won the Oscar for best song shortly after the two musicians performed it. A camera cut to Oyelowo as the song was being sung and his face was stained with tears.

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BOYCOTT

Haywood saw references to Oscar moments on Twitter Sunday night but had no personal knowledge of them. He wasn’t watching. Being in the entertainment business, he usually tunes in. This year, he participated in a boycott of the Oscars ceremony by some black viewers that was organized through the Twitter hashtag #OscarsSoWhite.

That hashtag appears to have been started by a friend of Haywood’s, Washington lawyer April Reign, according to Twitter, and was the gathering place for a steady stream of commentary on Hollywood’s lack of diversity.

There have been some 140,000 mentions of the hashtag since the day nominations were announced, according to Topsy. The number of mentions peaked that day and the hashtag became popular again Sunday night.

The Sunday night audience of 36.6 million people was down 16 percent from the 43.7 million viewers who watched in 2014, the Nielsen company said. Nielsen had no immediate breakdown of Oscar viewership by ethnicity.

Haywood said he was glad the issue was brought to the fore.

“Change comes very slowly,” he said. “I don’t expect any sort of radical change to the status quo from one year to the next. My hopes are not too high for anything to happen too quickly. By the same token, it doesn’t hurt for people to raise their voices.”

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NON-NOMINATED MINORITIES

To some viewers, the Academy Awards made it a specific point to emphasize diversity during the show, from Harris noting Oyelowo in the audience to making Oprah Winfrey a joke target.

Nowhere was the effort more evident than in the awards presenters, who included Terrence Howard, Kerry Washington, Viola Davis, Winfrey, Oyelowo, Chiwetel Ejiofor, Idris Elba, Kevin Hart, Eddie Murphy, Lupita Nyong’o, Zoe Saldana and Octavia Spencer.

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ARQUETTE BACKLASH

Meryl Streep stood and cheered when Patricia Arquette, in her acceptance speech for best supporting actress award, made a ringing declaration in favor of equal rights and pay for women.

Her elaboration backstage, however, struck some who heard about it as pitting groups against each other.

“It’s time for all the women in America and all the men that love women, and all the gay people, and all the people of color that we’ve fought for to fight for us now,” Arquette said backstage, leading some critics to wonder if her call for wage equality was for white women only.

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LOCK BOX

Harris’ assignment of actress Octavia Spencer to watch the “lock box” of his Oscars prediction struck some people online as demeaning: Even as a joke, assigning a black woman to the task, supervised by two white actors, may have been tone deaf. A spokeswoman for Spencer did not immediately return a request for comment on Monday.

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PENN AND INARRITU

The line, coming from one of Hollywood’s most prominent liberals, seemed shocking.

“Who gave this son of a bitch his green card,” actor Sean Penn said, announcing the win for “Birdman” as best picture, directed by Mexican-born Alejandro Inarritu.

A slur? No, Inarritu said backstage that he and Penn are friends and the reference to the document that confers residency status to immigrants was an example of the rough sense of humor they share. “I found it hilarious,” he said.

All’s good, said Penn’s publicist, Mara Buxbaum, on Monday.

“As Inarritu said, they are indeed great friends,” she said. “Sean Penn is currently in Haiti with President Clinton. He is not available for an interview.”

____

Lynn Elber and Sandra Cohen in Los Angeles contributed to this report.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of January 28, 2025 – February 3, 2026

The printed Weekly Edition of the Oakland Post: Week of January 28, 2025 – February 3, 2026

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Oakland Post: Week of January 21 – 27, 2026

The printed Weekly Edition of the Oakland Post: Week of January 21 – 27, 2026

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
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