#NNPA BlackPress
BLERDBINDER: Black Nerds — Changing the World and Owning Their Inner Geek!
NNPA NEWSWIRE — Black Nerdom is on the rise. Shows like Netflix’s Astronomy Club have proven that there is a demand for it. And in the 21st century, there’s a long list of artists and creators whose contributions serve to dispel the old stereotypes.
The Paradigm of the Black Nerd
By Noah Washington, blerdbinder.com, NNPA Newswire Contributor
The BlerdBinder covers nerdy news for the Black Nerds of the world. We welcome all as we talk about subjects ranging from Movies to Music and Tech to Toys.
When people think about a trendsetter (defined as “one who starts a trend”), their thoughts are usually associated with a certain stereotype that almost never includes Black Nerds.
However, Black Nerdom is on the rise. Shows like Netflix’s Astronomy Club have proven that there is a demand for it. And in the 21st century, there’s a long list of artists and creators whose contributions serve to dispel the old stereotypes.
Unfortunately, even those that acknowledge the power and reality of the new Black Nerd too often still cling to the stereotype of the nappy-headed Black kid wearing graphic t-shirts, drinking Blue Raspberry Mountain Dew and wrestling with horrible acne. (For the record, the BlerdBinder will never disparage anyone with acne.)
That stereotype has been challenged in the battle over misplaced perceptions that is currently being won by Black Nerds.
Black Nerds like Donald Glover, Issa Rae and Jordan Peele (that’s right, we’re claiming them!) have made some of the most significant advancements in pop culture and — in the same vein — history.
Glover’s breakout role in Community started him down a path that led to international stardom, establishing his personal brand as a man of class and dignity in Gucci loafers and cool jackets while casually channeling a groovy 70s era Black James Dean vibe. But he didn’t start there. He started his journey making YouTube videos with the sketch comedy group, Derrick Comedy. Those videos eventually led to his role as co-writer and co-star as “Master of Disguise” Jason Rogers in 2009’s indie film, Mystery Team. While the film may have showcased Glover’s immense talents, the role itself was far far away from the intergalactic “coolest guy in the galaxy” that would eventually be Glover’s take on Star Wars: A Solo Story’s young Lando Calirrisan.
Much like Glover, the Pam Grier-esque Issae Rae is an excellent example of someone who comes from nerdy and awkward beginnings. Literally! Her breakout claim to fame is her online web series, Awkward Black Girl. Rae successfully parlayed the online video shorts about awkward girl Blackness into celebrity, creating an international sensation that is featured in magazines around the world while disturbing the status quo in Hollywood.
Jordan Peele’s break out opportunity came in 2003 when he was hired as part of the cast of Fox’s Mad TV. He followed that success with Comedy Central’s Key & Peele, where he and fellow Mad TV alumnus, Keegan-Michael Key, American Culture.
The 41-year old Peele’s achievements are vast and diverse and include film credits as director, co-writer, producer and/or star (with Key in Keanu (2016); Spike Lee’s BlackkKlanman (2018), which he produced, receiving a Best Picture nomination from the Academy Awards; TBS’ The Last O.G.; YouTube Platinum’s Weird City (2019); and CBS All Access’ revival of the The Twilight Zone.
While Peele has deservedly received numerous awards and recognition for his contributions, perhaps the most significant is his Academy Award for Best Original Screenplay for his 2017 directorial debut, the horror film Get Out. Peeele also received nominations for Best Picture and Best Director for the film.
In 2019, Peele wrote, produced and directed Us. He is also producing Amazon Prime TV’s Hunters, a series set in 1977 about a group of Nazi hunters who discover that a group of Nazi war criminals are conspiring to create a Fourth Reich in America.
Shows like Blackish and Mixedish also include references to Black Nerdom. This is especially apparent in Blackish’s annual Halloween episodes, where the entire family takes the liberties bestowed by the October holiday to get their Super Geek on. However, even the non-holiday episodes feature a certain level of geekdom and references that would make the developers of Black Trivial Pursuit proud. You can tell that the series’ writers and other creatives working behind the scenes are geeking out at the opportunity to include the show’s many meta-references.
The most recent addition to tasteful Black Nerdom is Sherman’s Showcase, created by Diallo Riddle and Bashir Salahuddin. The show gets super meta in its storytelling, going as far as to parody the 1970s Fredrick Douglas Afro Sheen ads. Sherman’s Showcase also showcases the nerdiness of cool talented musicians while doing it in style. John Legend, Ne-Yo, Common and Mary J. Blige have all appeared on the show.
Set design and production values transform Sherman’s Showcase’s the skits and ideas (which come from some truly geeked-out minds in the show’s writer’s room) into undeniable visual and audio spectacles.

Netflix’s Astronomy Club, Season 1
The combination of culture and intelligence establishes the unique perspective that allows creative Black Nerds to develop original stories and visuals. Netflix’s The Astronomy Club offers a diverse and creative group of Black Nerds to develop sketch comedy that has been met with critical acclaim. Insightful sketches like “Dignity and Ambition for Magical Negroes (or the acronym, D.A.M.N. — rehab for character’s like The Help‘s Aibileen Clarke)” or “Weave Surgery Room” are funny on the surface but underscore critical aspects of Black Culture that the show’s group of Nerds magically transform into something funny and special.
Black Nerdom is a force that is taking the world by storm, eliminating the notion that narrowly defined Black Creativity. Gone are the days when a Black creator’s crazy ideas and impossible dreams were deemed “unrelatable” to the majority of the public. This extends to changes in Black Culture as well, where black kids were labeled as “white” just because their interests, intelligence and mode of creativity didn’t align with preconceived notions of Black Culture.
Today, Black Nerds are the trendsetters that are leading an all-encompassing (Black) Culture revolution. So, the next time you make fun of the Black Nerd at school, work or the barbecue, remember that one day she might be your boss.
#NNPA BlackPress
Mother and Son, United in Purpose: How Regina and Judah Are Changing the Future of Early Childhood Education—Together
BLACKPRESSUSA NEWSWIRE — This Mother’s Day, we honor not just the love between a mother and her child, but the shared dreams, grit, and determination that can make those dreams a reality.

By Stacey Finkel
This Mother’s Day, we honor not just the love between a mother and her child, but the shared dreams, grit, and determination that can make those dreams a reality. Regina, 44, and her son Judah, 18, are proof that purpose has no age limit—and that it’s never too late or too early to answer a calling. Regina knows what perseverance looks like. It took her ten years to earn her first college degree, an Associate Degree in Early Childhood from Ashworth College. Life, as it so often does, had other plans—plans that called her away from school and into the real world. But she never let go of her goals or her belief in the power of education. That steadfast commitment planted a seed not only for herself but for her son. Now, Regina and Judah are both enrolled in a scholarship program at the Early Childhood Innovation Center (ECIC), housed at Delaware State University (DSU) in Wilmington, Delaware’s only Historically Black College and University. This program allows them to study in any early childhood education-related degree program across the entire state of Delaware. Regina attends Wilmington University, where she is pursuing her bachelor’s degree in Education Studies with a concentration in Early Childhood Education. Judah attends DSU and is pursuing his bachelor’s degree in Early Childhood Education. They are shoulder to shoulder, heart to heart—committed to equity, access, and the transformational power of teaching.
There’s something uniquely beautiful about a mother and son learning at the same time, not just in life, but in the classroom. They study together, encourage each other, and even bring their academic lessons to life while working at Chosen Children’s Child Care in Wilmington, where they support the development of the next generation of learners. Their shared experiences, both as students and as educators, deepen their bond and strengthen their shared commitment to the children they serve. But what truly sets their story apart is the community surrounding them. The Early Childhood Innovation Center is more than a scholarship program. It’s a lifeline, a launchpad, and a promise: You can do this. The faculty and staff meet students where they are—whether they’re returning to school after a decade or stepping into college for the first time. Regina and Judah both credit ECIC with giving them the resources, mentorship, and belief they need to succeed. For Black families, and especially Black mothers, the road to higher education can be long and often filled with obstacles. But what Regina and Judah show us is that when one person refuses to give up, they can inspire an entire legacy. Education becomes not just a goal, but a family value passed down. “I used to feel like I was falling behind because it took me so long to finish,” Regina says. “But now I see that every step was preparing me for this moment—alongside my son, showing him and others that no matter how long it takes, you can finish. You just can’t give up.” This Mother’s Day, let’s celebrate mothers like Regina, who never stop striving, and sons like Judah, who walk beside them with pride. Let’s celebrate the power of Black institutions like DSU and innovative spaces like the Early Childhood Innovation Center that don’t just educate—they uplift.
#NNPA BlackPress
Trump Abruptly Fires First Carla Hayden: The First Black Woman to Serve as Librarian of Congress
BLACKPRESSUSA NEWSWIRE — Hayden made history in 2016 as the first woman and first African American to run the Library of Congress. Her firing arrived in the form of an abrupt email in the evening hours.

By Lauren Burke
President Donald Trump abruptly fired the Librarian of Congress Carla Hayden on May 8. Hayden made history in 2016 as the first woman and first African American to run the Library of Congress. Her firing arrived in the form of an abrupt email in the evening hours. There are fears that President Trump may also target a second prominent Black federal official, Smithsonian Chief Lonnie Bunch, for no other reason than the perceived political bias in a position not known for partisan activity. “Carla, on behalf of President Donald J. Trump, I am writing to inform you that your position as the Librarian of Congress is terminated effective immediately. Thank you for your service,” the terse communication to Hayden read. The Library of Congress confirmed that Hayden had been informed she was fired by The White House. According to the Associated Press, Hayden “recently faced criticism from a conservative advocacy group aligned with Trump’s political allies. The group, the American Accountability Foundation, accused her and other library officials of promoting children’s books with what it called “radical” themes.”
Since his return to office Trump’s Administration has been focused on removing anyone who may disagree with their policy agenda. Many of the removals have introduced a sense of partisanship that Washington hasn’t seen in certain sectors such as the Library of Congress. “This is yet another example in the disturbing pattern of the President removing dedicated public servants without cause—likely to fill the position with one of his ‘friends’ who is not qualified and does not care about protecting America’s legacy,” wrote House Democrat Rosa DeLauro in a statement on Hayden’s firing. “President Trump’s unjustified decision to fire Dr. Carla Hayden as the Librarian of Congress is deeply troubling and just the latest example of Trump’s assault on the legislative branch of government. It’s also the latest demonstration of his blatant disregard for public servants who dedicate their lives to serving the American people,” wrote U.S. Senator Alex Padilla of California in a statement late on May 8.
#NNPA BlackPress
Black America Celebrates African Descent Heritage of Pope Leo XIV
BLACKPRESSUSA NEWSWIRE — The Pope’s factual anthropological roots are not just symbolic. According to genealogist Jari Honora, his maternal lineage traces directly to the Black community of New Orleans’ 7th Ward, with family ties to Haiti, and census records identifying his ancestors as “Black” or “Mulatto.”

By Stacy M. Brown
Black Press USA Senior National Correspondent
Black America is taking pride in a truth shaking up the Vatican and resonating through the streets of New Orleans: Pope Leo XIV—formerly Cardinal Robert Prevost of Chicago—has Black and Creole roots. The Pope’s factual anthropological roots are not just symbolic. According to genealogist Jari Honora, his maternal lineage traces directly to the Black community of New Orleans’ 7th Ward, with family ties to Haiti, and census records identifying his ancestors as “Black” or “Mulatto.” “By the Europeans’ own ‘1/8th’ rules, we have a Black Pope,” noted author Elie Mystal declared. “Anyway, Pope’s grandfather is Haitian. We kind of got a Black Pope. ‘End Woke’ is not gonna be happy about this.” Further, New Orleans historian Jari Christopher Honora also speaking to the National Catholic Reporter and Black Catholic Messenger, detailed how the pope’s grandparents married in 1887 at Our Lady of the Sacred Heart Church on Annette Street in New Orleans before migrating north. His mother, Mildred Martínez, was the first child in the family born in Chicago. “The Holy Father’s ancestors are identified as either Black or Mulatto,” Honora said.
The Chicago Tribune and New York Times also reported on Pope Leo’s mixed-race background and Creole lineage, noting that his election marks a defining moment in the Church’s evolving identity. “As a Black man, a proud son of New Orleans, and the U.S. Congressman representing the very 7th Ward neighborhood where our new Pope’s family hails from, I am bursting with pride today,” said Rep. Troy Carter. “This is history! The first American Pope, with Creole and Haitian roots, rising from the streets of New Orleans to the Vatican. As a Xavier University alum, I know how deeply faith and resilience run in our community. We celebrate this moment—with joy, with prayers, and with pride.” Former New Orleans Mayor Marc Morial called Leo XIV’s background “universal,” saying, “Here’s an American whose ministry was in Peru, who has roots in the American South and also ancestry in the American Black community.” Leo XIV is a member of the Augustinian Order, named after the African theologian St. Augustine of Hippo. His election came from a conclave in which two other leading contenders—Cardinal Peter Turkson of Ghana and Cardinal Fridolin Ambongo Besungu of the Democratic Republic of Congo—were also men of African descent.
But Leo XIV stood apart—not just as the first pope from the U.S. but as one known for his outspokenness on racial justice, immigrant rights, gun reform, and the abolition of the death penalty. TIME Magazine reported that his selection represented a Vatican rebuke of efforts by wealthy Americans and political operatives aligned with Donald Trump to influence the papal outcome. Known in Rome as “The Latin Yankee,” Leo XIV used his verified X account (@drprevost) to amplify criticism of Trump-era immigration policies, often reposting commentary from respected Catholic figures. The New York Post reported that his last post before his election was a retweet of Catholic journalist Rocco Palmo slamming Trump’s alliance with El Salvador’s President Nayib Bukele over migrant deportations. Back in 2017, the Roman Catholic leader also reposted a message quoting Chicago Archbishop Blase Cupich, calling Trump’s refugee bans “a dark hour of US history.”
Though Trump offered lukewarm congratulations from the White House driveway, his far-right allies were quick to lash out. Laura Loomer tweeted, “WOKE MARXIST POPE,” calling Pope Leo “just another Marxist puppet in the Vatican.”But outside the MAGA echo chamber, in Black communities across the globe, the emotion is pride. “The pope is Black,” journalist Clarence Hill Jr. said bluntly. And that means something in the Black neighborhoods of Chicago and the Creole corridors of New Orleans. Many said it means representation, resilience, and the reshaping of history at the highest level of the Catholic Church. “We celebrate this moment—not because it erases the struggles of our past, but because it affirms that our faith, our heritage, and our presence matter,” Rep. Carter said. “This is history, and it belongs to all of us.” The. Reverend Dr. Benjamin F. Chavis, Jr. affirmed, “On behalf of the Black Press of America as the authentic voice of 50 million African Americans and millions more throughout the African diaspora, we join to celebrate Pope Leo XVI, a world leader of African descent who speaks truth to power with courage and grace.”
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