Connect with us

Entertainment

Film Review: ‘Da Sweet Blood of Jesus’

Published

on

Stephen Tyrone WIlliiams stars in the horror film "Da Sweet Blood of Jesus," directed by Spike Lee.

Stephen Tyrone Williams and Zaraah Abrahams star in the horror film “Da Sweet Blood of Jesus,” directed by Spike Lee.

 

By Dwight Brown
NNPA Film Critic

Spike Lee, the old guard of Black indie filmmaking, gets his mojo back with this classy, urbane vampireish art film that is a beauty to behold. Sophisticated, demented, eerie, erotic – prepare to be shocked and flabbergasted.

The root of the script is Bill Gunn’s 1973 blaxploitation film, Ganja & Hess. Lee takes some liberties, but Gunn’s stable, jaded storytelling holds its own 40 years later. An art-loving anthropologist, Dr. Hess Greene (Stephen Tyrone Williams), is stabbed by his assistant, Dr. Hightower (Elvis Nolasco) with an Ashanti artifact. Mysteriously that event changes his drink of choice to hemoglobin, and he prefers the brand that runs through women’s veins.

Greene, a wealthy erudite man, alternates his time between a swank New York apartment and a tony house in Martha’s Vineyard, where he has a “Man Friday,” Seneschal (Rami Malek, Ain’t Them Bodies Saints). Three is not a crowd when Hightower’s wife, Ganja (Zaraah Abrahams), knocks on his door looking for her man.

Blood for two, anyone?

If you’ve never seen the Gunn original, you are in for a lot of surprises. Some of the astonishing moments you would not expect from a Spike Lee movie include: Female and male nudity. A lesbian sex scene. More nudity. Blood sucking. Characters walking around in designer clothes as if they are headed for a runway. You can’t possibly guess where the film is going, and that, coupled with the erotic overtones and bloody violence, will keep you shocked and awed.

There is a good chance that you will sit through the 123 minutes, wishing someone (editor Randy Wilkins) had done just a little clipping here and there. You won’t, however, question the evocative cinematography (Daniel Patterson, Gunhill Road), the impeccable set decoration (Philippa Culpepper) and production design (Kay Lee, Blue Caprice), the natty costumes (Ruth E. Carter, Lee Daniel’s The Butler) or the entrancing musical score (Bruce Hornsby). Those elements are perfect and lift this film up.

Williams as the reticent, elegant Dr. Greene has a mystery about him. Abrahams brings a bit of fire to her lady-who-gets-turned role. Rami Malek chews up the scenery like it’s a pack of bubble gum. All are perfectly cast, fresh, almost unknown faces that don’t take away from the story. They are pawns, muses.

The footage feels like that of a commercial director mixed with a filmmaker’s sense of drama. The attention to the visuals, the pacing, getting the cast to act in a very even tone throughout is the mark of solid direction. This is a very consistently told film. There are no hiccups. None.

Lee eschewed the usual studio funding and raised the film’s $1.5 million budget by conducting a Kickstarter fundraising campaign. He didn’t have to answer to any studio executives, so it’s safe to say he did what he wanted to do. If his aim was to make a very tense, graphically brutal and sexy film that haunts you long after you leave the theater, he has succeeded.

After two-hours of witnessing this throat-munching movie you will need a stiff glass of something to calm your nerves. Don’t’ order a Bloody Mary. Trust me.

The job of a good horror film is to creep you out. This stylish and very jaded one does that.

A gripping, provocative and twisted film.

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Activism

Oakland Post: Week of October 7 – 13, 2026

Oakland Post: Week of October 7 – 13, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Activism

Oakland Post: Week of September 30 – October 6, 2026

The printed Weekly Edition of the Oakland Post: Week of September 30 – October 6, 2026

Published

on

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Continue Reading

Business

From Historic Memories to New Possibilities: Oakland Celebrates Coliseum 60

More than 75 people gathered at Youth UpRising in East Oakland on Friday, September 18, for Coliseum 60, an event marking six decades of sports, entertainment, employment, and community memories at the Oakland-Alameda County Coliseum Complex. Held 60 years to the day after the Coliseum first opened, the celebration featured cultural performances and a mini-documentary highlighting its history. Speakers reflected on the venue’s significant role in the community and its future possibilities. Read more to learn about the individuals and stories honored during this special event.

Published

on

Quixote Atkins of VillageGIVE moderates a panel discussion at the Coliseum 60 celebration at Youth UpRising featuring Keith Brown, a member of IATSE Local 107; author, historian and former Black Panther Party member Tareka Lewis; and African American Sports and Entertainment Group President Ray Bobbitt.

More than 75 people gathered at Youth UpRising in East Oakland on Friday, Sept. 18, for Coliseum 60, a celebration honoring six decades of sports, entertainment, employment and community memories connected to the Oakland-Alameda County Coliseum Complex.

Held 60 years to the day after the Coliseum opened, the event carried the theme, “One Community. One Legacy. One Future. Forward Together.”

The celebration opened with the national anthem performed by sisters Anese Jade, Amina Benjamin and Zaza Benjamin. Diamano Coura West African Dance Company contributed African dance and drumming, bringing movement, rhythm and cultural expression to the program.

A mini documentary highlighted the Coliseum’s sports history and its broader role as an entertainment destination. Archival material recalled performances by Prince and Tina Turner, along with memorable games featuring the Warriors, Oakland A’s and Raiders.

“The Coliseum 60 is about much more than celebrating a building or looking back at 60 years of history,” said event organizer Quixote Atkins of VillageGIVE.

“It’s about the people who made that history possible: the families, workers, athletes, artists, community leaders, fans and generations who gathered there and created memories together.”

A panel exploring that history featured author, historian and former Black Panther Party member Tareka Lewis; stagehand and union representative Keith Brown; and Ray Bobbitt, president of the African American Sports and Entertainment Group AASEG. Lewis described her family as fourth-generation Bay Area pioneers.

“My family and Black families who arrived even earlier helped build the Bay Area, grew businesses and established culture here,” Lewis said. “This should be taught in the public schools.”

Lewis recalled Oakland’s influence on sports, music and literature, from the Raiders’ beginnings at Laney College to stars such as The Pointer Sisters and Rickey Henderson who attended Oakland public schools. She also advocated for school museums, historical timelines, entrepreneurship training and investments benefiting corridors such as Bancroft Avenue and High Street.

Keith Brown, a member of Local 107 of the International Alliance of Theater and Stage Employees (IATSE) who began working at the Coliseum in 2011, remembered the Ringling Bros. and Barnum & Bailey Circus, the Ice Capades, baseball bat giveaways and Nelson Mandela’s 1990 appearance.

“The special events are amazing, but it’s the workers that make the memories real for everyone,” Brown said. “They make the magic happen at the Coliseum.”

The program recognized longtime workers, including beer-stand manager Robert Preston, who served for 40 years, and Kenyatta Gentry, who worked as a vendor for 24 years and used her earnings to purchase her first apartment. Union workers Jose Gonzales and Carmen Sandoval were also honored. Speakers emphasized that Coliseum employment provided generations of residents with union wages and benefits.

Dr. Denise Saddler, the superintendent of the Oakland Unified School District (OUSD) was also honored. Saddler shared her family’s history of working at the Coliseum. 

District 7 Oakland City Councilmember Ken Houston discussed the complex ownership arrangements involving the city, county and private interests.

“This was the most complex deal of its kind in the country,” Houston said.

Prior to moving from the East Coast, Alameda County Supervisor and Coliseum Joint Powers Authority Chair Nate Miley recalled learning about Oakland through its three professional sports teams. As an elected official and public servant, Miley fought hard to keep the Golden State Warriors, Oakland As, and the Raiders, but he is hopeful for the future.

“The story is not over for the Coliseum,” Miley said. “We’re entering a new chapter.”

Bobbitt said the departure of three teams had once seemed unimaginable, but he maintained that Oakland’s future remains bright.

“Oakland is a cultural superpower worldwide,” Bobbitt said. “We’re going to write the future where we participate and drive the redevelopment.”

Bobbitt highlighted AASEG’s four-year partnership with Castlemont High School’s architecture program, which engages students in reimagining and creating redevelopment concepts for the Coliseum property. “The youth will always move us forward. They are the future.”

In closing, Atkins said, “September 18 is the celebration, but what we build together afterward is the legacy.”

Continue Reading

Subscribe to receive news and updates from the Oakland Post

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.