Black History

COMMENTARY: Judiciary Committee Hearings Enough; Ketanji Brown Jackson Should Be on Supreme Court

“I do consider myself having been born in 1970 to be the first generation to benefit from the Civil Rights Movement,” said Judge Ketanji Brown Jackson. “From the legacy of all of the work of so many people that went into changing the laws of this country so that people like me could have an opportunity to be sitting here before you today.”

Published

4 years ago

April 4, 2022

Oakland Post

When Democratic Sen. Cory Booker took his turn on Day 3, he provided reassuring comfort.

By Emil Guillermo

Watching four days of the Judiciary Committee Hearings on Ketanji Brown Jackson, I discovered we shared a few things. We were both debaters in high school. And we both did OO (Original Oratory) in the NFL. Football? No, National Forensics League. We both went to Harvard, too, though I was there 15 years earlier.

On the first day of the hearings, I was struck by the introduction given by one of her college roommates, Lisa Fairfax, now a law professor at the University of Pennsylvania. Fairfax talked about meeting Jackson in her freshman year. “Those first moments when you wonder if you belong,” Fairfax said. “She’s the friend that made sure we all did.”

Fairfax went on: “She was the role model who makes you believe in what she said, ‘You can do it and here’s how.’ And she showed us how, by the power of her example of hard work, preparation and excellence that transforms the seemingly impossible into the achievable.”

I wish I had that kind of college friend in my time in Cambridge. When I needed a pep talk, the best I got was, “Come on, Emil, let’s get a pizza.”

On Day 3 of the hearings, Jackson called herself, “a Black woman [and]lucky inheritor of the civil rights dream.”

With humility, she sounded like she understood the journey all people of color are on.

“I do consider myself having been born in 1970 to be the first generation to benefit from the Civil Rights Movement,” Jackson said. “From the legacy of all of the work of so many people that went into changing the laws of this country so that people like me could have an opportunity to be sitting here before you today.”

That was said before more of the onslaught from Senators Lindsey Graham, Ted Cruz, and Josh Hawley, Republicans all.

And if you watched it all like I did, you felt the impact of each attack.

So, when Democratic Sen. Cory Booker took his turn on Day 3, he provided reassuring comfort.

“You have earned this spot,” he said to Jackson, perhaps to help to ward off any self-doubt or a sense of “imposter syndrome” thoughts that may be lurking. “You are worthy. You are a great American.”

Booker was just warming up. As one of the last five senators to question Jackson, he was bringing it home. And it worked. Because I found I could totally relate to Jackson.

If you have experienced even the most minor transgression because of race in America, you know. Did you see yourself as she sat in the committee chamber? I did.

“There is a love in this country that is extraordinary,” Booker said to Jackson. Booker then referenced the racial segregation laws affecting Jackson’s family, as well as the laws that would have prevented her own marriage to a white man. The same anti-miscegenation laws that kept Asians like my Filipino father from marrying whites. “But [people] didn’t stop loving this country, even though this country didn’t love them back.”

That hit me.

It’s the reason Jackson was before the committee, Booker said. It was about all the people who came here and said, “I’m going to show this country that I can be free here, that I can make this country love me as much as I love it.”

And then Booker mentioned Asian Americans, specifically.

“Chinese Americans first forced into near slave labor building our railroads connecting our country saw the ugliest of America, but they were going to build their home here [and say] ‘America, you may not love me yet, but I’m going to make this nation live up to its promise and hope.’”

That statement infused a much-needed sense of diversity and inclusion and love, yes, that word, in a room that had been stripped of it by the preening Republicans.

“And so, you faced insults here that were shocking to me,” Booker said to Jackson. “But you are here because of that kind of love.”

People of color know the struggle of getting to where Jackson sits.

She’s in that seat for us.

As Booker talked, Jackson wiped her eyes.

And that’s all we really needed to know about the judge.

It’s good to know a nominee’s judicial philosophy. But we want to know they are human, too. That they have a heart. And that given individual circumstances, they can break the cookie-cutter and responsibly balance punishment with a sense of public forgiveness, a constructive empathy. If I had a vote, I would cast it in a second for Ketanji Brown Jackson. A vote for history.

Emil Guillermo is a journalist and commentator. His web talk show is on Facebook.com/emilguillermo.media; YouTube; and Twitter@emilamok

Oakland Post

Posts by Oakland Post

Up Next

Oakland Seeks More Community Chaplains; New Classes to Start in June

Don't Miss

12 Groups Fighting Youth Homelessness Win Grants Totaling $38 Million

Oakland Post

Click to comment

Activism

Oakland Post: Week of September 2 – 8, 2026

The printed Weekly Edition of the Oakland Post: Week of September 2 – 8, 2026

Published

1 day ago

September 7, 2026

Oakland Post

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Oakland Post

Posts by Oakland Post

Black History

Jackie Wright Champions Bay Area Stories, Filmmakers and Cultural Institutions

As an award-winning communications professional, Wright has worked with corporations, nonprofits, government agencies, educational institutions, artists, and community organizations. In 2026, she expanded that work by launching an introductory public relations class for small businesses and nonprofits, offering practical tools for gaining visibility, shaping messages and building productive relationships with the media.

Published

1 week ago

August 30, 2026

Post News Group

Jackie Wright of Wright Enterprises. Photo courtesy of Wright Enterprises.

By Carla Thomas

Jackie Wright has spent more than two decades helping people, organizations and communities understand the power of a well-told story.

As founder and president of Wright Enterprises, a San Francisco-based strategic communications and public affairs firm, Wright has built a career spanning journalism, public relations, media relations, crisis communications, community engagement and multimedia storytelling.

Wright’s commitment to storytelling is also deeply personal. She wrote and co-directed the 15-minute documentary, “Love Separated in Life…Love Reunited in Honor,” which chronicles the story of her parents, Specialist Five (S5 Wyley Wright Jr. and Ouida Fay McClendon Wright. Her father, a U.S. Army helicopter crew chief, died in Vietnam in 1964 while serving as an honor guard during a visit by then-Secretary of Defense Robert McNamara. Decades later, Wright and her siblings had their father exhumed from a segregated cemetery in Jacksonville, Florida, and their mother moved from her burial place in Georgia so the couple could be reunited at Arlington National Cemetery in 2014.

The family journey later took Wright and her sister to Vietnam, where they discovered the former military compound that had been named in honor of their father and another fallen soldier. The documentary, centered on love, war, family, racial understanding, and remembrance, earned festival recognition at screenings.

“It was quite an honor to learn about my family’s history and share it on film,” said Wright.

That filmmaking experience complements Wright’s longstanding advocacy for independent cinema. She has served as a media partner and brand ambassador for Bay Area film festivals, including the San Francisco Black Film Festival, Oakland International Film Festival, and the Durban International Film Festival in South Africa.

“It’s important to help filmmakers and underrepresented stories reach broader audiences,” said Wright.

Whether promoting a neighborhood organization, championing an independent filmmaker or preserving her own family history, Wright has remained consistent. Through Wright Enterprises, she has turned communications into both a profession and a form of community service, telling stories that might otherwise go unheard.

“Our stories are an integral part of our history, and our history is not only American history, but worldwide,” she said.

Post News Group

Posts by Post News Group

Black History

BOOK REVIEW: Every Inch of a Lady

“Born, bred, toasted, buttered, jellied, and honeyed in Harlem” in 1937, Audrey Smaltz was a force to be reckoned with almost from the time she could walk. Her parents imbued confidence in her; they nurtured her creativity and sent her to charm school, but they never allowed her to create a stir.

Published

1 week ago

August 30, 2026

Post News Group

Audrey Smaltz' latest book "Every Inch a Lady" with Alina Mitchell, is a colorful autobiographical story following a young Black model's pursuit to become a fashion designer in New York City during the pre-Civil Rights era.

By Terri Schlichenmeyer

Author: Audrey Smaltz with Alina Mitchell, foreword by Michael Kors, Copyright: c.2026, Publisher: Amistad, SRP: $27.99, Page Count: 256 Pages, Snaps, zippers, buttons, ties.

Toss that garment on, pull it up, wrap it around; you know what you like and how to wear it. The color is perfect for your skin tone, and the fabric enhances your figure. Yep, you always look your best and, as in the new book “Every Inch a Lady” by Audrey Smaltz (with Alina Mitchell), that best is fabulous.

“That,” says Smaltz, “is not what ladies did.”

By the time she was a teenager, Smaltz was modeling for New York City designers. Shortly thereafter, she started working for a married man with whom she had an affair, and whom she loved very much. She broke up with him, attended college, and worked a series of jobs that taught her about fashion and jobs that didn’t seem to fit her. An ill-fated marriage took her to Chicago, where she ultimately landed a position that sent her to work in Ebony magazine’s New York office.

Working at Ebony was a career-changer, in a way. Smaltz traveled the world and learned more about fashion, but she didn’t exactly get along with her boss.

Finally, seizing an opportunity, Smaltz decided to launch her own company, Audrey Smaltz, Inc., a “fashion production business,” but she couldn’t get any designers to take a chance on her. Undaunted, she reorganized, re-branded, hit the streets, and knocked on doors until she finally found one client, which led to many others.

Through it all, her personal life was a whirlwind. She dated “more men than you can shake a book at,” settling down occasionally, briefly. Fashion had always been her first love, but she accidentally found real love, “the love of a woman,” at a leadership course…

There’s an old saying that writers need to add lots of “color” into their stories. Read a little of “Every Inch a Lady,” and you’ll notice immediately that author Audrey Smaltz (with Alina Mitchell) quite literally takes that to heart by mentioning nearly every color of the spectrum here. Hmm.

That oddity aside, Smaltz is a wonderfully lively storyteller, speaking with the energy of a woman much younger to the heart of anyone who loves fashion. That glee extends to collectors of vintage clothing, who will be delighted to read about the industry long ago and the way things worked then. Smaltz says she experienced racism, which is not unusual for pre-Civil Rights America, but doors were surprisingly closed for other reasons that will astound anyone who’s savvy about the fashion industry, even today.

There’s quite a bit of name-dropping in this book, but most of it belongs in the anecdotes, so you likely won’t mind. If you’re a fashionista, too, find “Every Inch a Lady,” and snap it up.