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COMMENTARY: Environmental Racism is Real, Destructive and Deadly

NNPA NEWSWIRE — “The problem with racism and society’s response to it is that we have failed to see this most basic thing: that in order to do that much damage to a community, one must so thoroughly objectify and dehumanize the people in it that they become things that can be discarded and forgotten about,” said Dr. Deborah J. Cohan, an associate professor of Sociology in the Department of Social Sciences at the University of South Carolina Beaufort.

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By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

For many, Earth Day stands as a reminder of everyone’s role as stewards of the planet.

It’s a time to reflect and to plan ahead for a cleaner and healthier environment.

Still, for many others, it’s also a stark reminder about how African Americans and other minorities are often forgotten when it comes to the protection of their communities.

A March 2019 study published in the Proceedings of the National Academy of Sciences (PNAS) found that whites experience 17 percent less pollution caused by their consumption of goods and services.

On the other hand, Blacks and Hispanics experience 56 percent and 63 percent, respectively, more pollution than their consumption would generate.

Whites experience a “pollution advantage” while Blacks and Hispanics experience a “pollution burden.”

On his global issues blog, Dr. Robert Bullard said the study builds on a growing body of environmental justice literature showing racial and ethnic disparities in air pollution exposure.

It shows that particulate matter exposure in the U.S. is disproportionately caused by consumption patterns of whites and inhaled by people of color minority, said Bullard, the former dean of the Barbara Jordan-Mickey Leland School of Public Affairs at Texas Southern University and the founding director of the Environmental Justice Resource Center at Clark Atlanta University.

Known as the father of Environmental Justice, Dr. Bullard currently serves as a Distinguished Professor of Urban Planning and Environmental Policy at Texas Southern University.

“Our Environmental Justice movement has been trying to change this and related environmental inequities for the past four decades,” Bullard said.

While the study takes a somewhat different approach in examining disparities in air pollution exposure by examining consumption of goods and services, “its findings once again reveal blacks and Hispanics bear a disproportionate ‘pollution burden’ or costs, while whites experience ‘pollution advantage’ or benefits,” Dr. Bullard said.

“There is a clear disparity between the pollution white people cause and the pollution to which they are exposed,” he said.

The study concludes that “pollution inequity is driven by differences among racial-ethnic groups in both exposure and the consumption that leads to the exposure.”

There’s a name for this inequity, Dr. Bullard said. “It’s called environmental racism,” he said, noting a term coined by NNPA President and CEO Dr. Benjamin F. Chavis, Jr.

Chavis, whose also known as the “Godfather of the Environmental Justice Movement,” first coined and defined the term environmental racism in his 1983 work, “Toxic Wastes and Race in the United States.”

Chavis said environmental racism is racial discrimination in the deliberate targeting of communities of color for toxic waste facilities, the official sanctioning of the presence of life threatening poisons and pollutants near communities of color and the history of excluding people of color from leadership of the environmental movement.

The civil rights leader also noted that there are different forms of racism, “yet environmental racism is a particularly insidious and intentional form of racism that negatively affects millions of Black, Native Americans, Hispanics and Asian Americans, as well as people of color around the world.”

“Environmental justice is the corrective antidote to the reality and prevalence of environmental racism,” Chavis said.

While studies like the one performed by PNAS continue to reveal that race is a major predictor of exposure to goods and services to air pollution, conditions aren’t helped when politics come into play.

A recent press release from the nonprofit Earth Justice said President Donald Trump’s policies continue to “chip away at the shield against environmental racism.”

Particularly, the NEPA Act has come into the cross hairs of the president.

The NEPA ACT requires review of federal projects before they proceed – among other things to assess environmental, human health and socioeconomic impacts on communities.

Properly implemented, it gives every person a voice in decisions affecting the wellbeing of their local community, from providing comments on project design to pointing out how a project could harm clean air and water, according to Earth Justice.

It’s far more than an obscure environmental statute: The Standing Rock Sioux Tribe made use of the law to fight back against the Dakota Access Pipeline project in 2017.

And today, advocates are charging that the Trump administration is violating core NEPA protections in its quest to build its border wall.

Simply put, NEPA is one of the most effective tools in the fight against environmental racism.

It is essential to ensuring that communities of color, who so often bear a disproportionate pollution burden, get a say in the decision-making processes that are most likely to affect their health, resiliency, and vitality, environmental experts said.

And without robust NEPA requirements, policymakers are left to make decisions that will have real impacts without a full understanding of the consequences.

“The underlying message of environmentally racist tactics and strategies is that certain neighborhoods and certain people matter less than others, and that geographical vulnerability is inevitable when in fact it is socially constructed to be this way,” said Dr. Deborah J. Cohan, an associate professor of Sociology in the Department of Social Sciences at the University of South Carolina Beaufort.

“The problem with racism and society’s response to it is that we have failed to see this most basic thing: that in order to do that much damage to a community, one must so thoroughly objectify and dehumanize the people in it that they become things that can be discarded and forgotten about,” Cohan said.

“People’s ability to thrive under these hostile conditions is greatly compromised,” she said.

Extensive data show that low-income communities of color still breathe the worst air and have excessive rates of pollution-related illnesses like asthma and other respiratory problems, Bruce Mirken a spokesman for The Greenlining Institute, said in an earlier interview.

“As we move away from oil, coal and gas to fight climate change, we must consciously bring clean energy resources and investment into communities that were for too long used as toxic dumping grounds,” Mirken said.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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