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COLUMN: Juxtaposition: Kamala Harris’s ‘Everytown’ Speech and the Racial Dynamics of Gun Violence

CHICAGO DEFENDER — Gun violence overwhelmingly hurts communities of color due to a lack of investment coupled with weak gun laws. To combat this issue, U.S. policymakers should pair common-sense gun legislation with investments in community-based violence intervention and policies addressing the root causes of gun violence.
The post COLUMN: Juxtaposition: Kamala Harris’s ‘Everytown’ Speech and the Racial Dynamics of Gun Violence first appeared on BlackPressUSA.

Published

3 years ago

August 26, 2023

Chicago Defender Staff

Columnist A. Toussaint Werner weighs in on the Vice President’s recent appearance at the “Everytown for Gun Safety” conference in Chicago

Last Friday, Vice President Kamala Harris made her way to Chicago, taking the stage at McCormick Place to address the “Everytown for Gun Safety” conference. This event brought together a sea of predominantly white women wearing red “Everytown moms against gun violence” T-shirts, creating a stark visual contrast that left me pondering the meaning of juxtaposition.

Everytown for Gun Safety, as described on its website, boasts nearly 10 million members dedicated to ending gun violence. It’s a noble cause I was largely ignorant of until that moment. As I entered the convention center, I couldn’t help but notice the palpable energy in the crowd, akin to an all-girls first-year class awaiting a pep rally. Vendors lined the back wall, focusing on various aspects of gun safety and violence prevention, but the absence of diversity was conspicuous.

This stark lack of racial representation led me to reflect on the term “juxtaposition.” While gun violence is pervasive in America, it disproportionately plagues Black communities.

Chicago, where the conference took place, has often been portrayed in the media as ground zero for gun violence, and these issues have frequently been framed along racial lines. Yet, inside McCormick Place, the attendees did not mirror the grim realities just beyond its doors, where victims and perpetrators of gun crimes reside.

As Grey’s Anatomy actor Jason Winston George and an Everytown executive introduced Vice President Harris to an enthusiastic crowd, it became evident that this event was as much about optics as it was about substance. The first order of business was orchestrating a photo opportunity with the Vice President and the crowd.

It’s hard to recall a recent local or national election that didn’t exploit the narrative of Chicago’s violence to signal what should be done for or against gun safety. Depending on your political alignment, Chicago becomes a poster child to advocate for more significant gun restrictions or assert the need for personal firearm ownership. Both arguments are valid, but only within the context of the racial biases that shape gun legislation.

Vice President Harris, unsurprisingly, leaned toward advocating for stricter gun control. Softball questions from George set her up to deliver the expected response: “Just vote for us.”

The Racial Disparities of the Gun Violence Issue

The event’s pageantry and showmanship were impressive, but my disappointment stemmed from the need for more substantive discourse.

It appears that depth of thought has become antiquated in American politics. Politicians understand that nuanced ideas rarely win elections. Instead, they appeal to our primitive instincts, making emotional appeals to elicit responses. The juxtaposition of a crowd of white women advocating for stricter gun laws while the issue disproportionately affects Black and Brown communities was thought-provoking.

Gun violence overwhelmingly hurts communities of color due to a lack of investment coupled with weak gun laws. To combat this issue, U.S. policymakers should pair common-sense gun legislation with investments in community-based violence intervention and policies addressing the root causes of gun violence.

The statistics are telling:

Young Black Americans experience the highest rates of gun homicides.
Black Americans are ten times more likely than white Americans to die by gun homicide, with Black men being eighteen times more at risk.
In 2020, 61 percent of all gun homicides were of Black Americans, who comprise just 12.5 percent of the population.

These facts illustrate the stark racial disparities at the heart of the gun violence problem.

What often remains unspoken is the profit-driven nature of a racist system. Policymakers should confront discriminatory policies in policing, housing, education and employment to tackle the root causes of gun violence.

However, this is unlikely to happen because many profit from the status quo. Prisons, funeral homes and even the police benefit from the current state of affairs.

A quick glance at Everytown’s annual budget of $14 million and its 300 employees reveals that even organizations ostensibly dedicated to addressing gun violence can become part of a system perpetuating racial disparities.

As the 2024 presidential election draws nearer, I’m acutely aware of the pervasive impact of gun violence, particularly within my community. I attended this event hoping to hear concrete solutions.

My expectations were modest: I wanted an honest evaluation of the problem. Regrettably, I departed without either. As the crowd erupted in applause when the Vice President concluded her speech, I questioned whether my disappointment was unique to me. Could I bear some unconscious biases, or did I inadvertently overlook a crucial aspect of the discussion?

As I left the convention and headed to a nearby barbershop, I talked with the barber, mentioning that I had just attended Kamala Harris’s speech. His response, “Who’s Kamala Harris?” – a poignant juxtaposition indeed.

The opinions expressed in this column are that of the writer and do not necessarily reflect those of the Chicago Defender.

The post COLUMN: Juxtaposition: Kamala Harris’s ‘Everytown’ Speech and the Racial Dynamics of Gun Violence appeared first on Chicago Defender.

The post COLUMN: Juxtaposition: Kamala Harris’s ‘Everytown’ Speech and the Racial Dynamics of Gun Violence first appeared on BlackPressUSA.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

1 week ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

1 week ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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1 week ago

May 3, 2026

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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