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Black Youth Leading the Way in This Modern Day Movement

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Ferguson

by Jeffrey L. Boney
Special to the NNPA from the Houston Forward Times

Imagine being a young teenager and deciding to participate in a serious march that you hoped would shed light on the injustices facing Black people in this country, as well as change the unjust laws that were in place allowing those injustices to be perpetuated without consequence.

That is what our current generation – the Joshua Generation – is up against and that is what many that have come before them have had to endure.

This year marks the 50th anniversary of an event that was televised around the world called “Bloody Sunday” and that event became one of the major catalysts behind the passage of the 1965 Voting Rights Act that strengthen the voting rights for Black people in this country.

Inspired by Martin Luther King Jr., a young Black man by the name of John Lewis joined the burgeoning Civil Rights Movement. Lewis was a Freedom Rider, spoke at 1963’s March on Washington and led the demonstration now known as “Bloody Sunday.”

“Bloody Sunday” refers to the March 7, 1965, civil rights march in Alabama that was scheduled to go from Selma to the capitol in Montgomery to protest the shooting death of 26-year old Black activist Jimmy Lee Jackson, who was shot in the stomach on February 18, 1965, by Alabama State Trooper James Fowler while the troopers were breaking up a peaceful protest in Marion, Perry County.

Lewis worked with other Student Nonviolent Coordinating Committee (SNCC) and Southern Christian Leadership Conference (SCLC) activists to assemble and lead over 600 marchers across the Edmund Pettus Bridge on the way to Montgomery. Lewis and the marchers were violently assaulted and driven back by numerous law enforcement officials after they crossed the bridge. Lewis, who still bears the visible scar on his forehead from the blow he received from an Alabama State Troopers’ nightstick, along with the other unarmed marchers, were beaten and gassed during the attack, while media outlets were on hand to cover the event live. The footage of the vicious and heinous attacks deeply shook the country and put necessary pressure on then-President Lyndon B. Johnson to advocate for the passage of the Voting Rights Act of 1965.

Lewis became one of the thirteen original Freedom Riders and was the youngest of the “Big Six” civil rights leaders and the chairman of the SNCC from 1963 to 1966, some of the most tumultuous years of the civil rights movement. During his tenure, the SNCC opened Freedom Schools, launched the Mississippi Freedom Summer and organized the voter registration efforts that led to the pivotal Selma to Montgomery marches. As the chairmen of SNCC, Lewis wrote a speech in reaction to the Civil Rights Bill of 1963, where he denounced the bill because it didn’t protect African Americans against police brutality; nor did the bill provide African Americans the right to vote. In that year, Lewis helped plan the historic March on Washington in August 1963, the occasion of Dr. King’s celebrated “I Have a Dream” speech and at 23 was the youngest speaker that day.

It is that same spirit – that flows from Lewis, the last living person who addressed the 1963 March on Washington – that has seemingly found its way inside the hearts and minds of a new generation of modern day Civil Rights leaders in this country who are fighting to shed light on critical issues impacting the Black community – from police brutality to economic disenfranchisement to political and legal disparity.

All across the country, we are seeing a number of young activists that have taken up the mantle, without fear or favor, to speak up and speak out about these issues and are not backing down.

Protesters have been gathering in various cities to demand accountability in the legal system following the grand jury decisions concerning Michael Brown in Ferguson, Missouri; Eric Garner in Staten Island, New York; and Jordan Baker in Houston, Texas.

The majority of demonstrations we have seen have been youth-led movements that has gotten the attention of mainstream America and has breathed life into a generation of young people who had not been as politically engaged in matters concerning injustice as they once had been.

Young people who are students, community activists and members of grassroots organizations have made it a point to not stop demonstrating and to keep up the pressure on key entities in order to have their message heard. They have implemented extremely unique activities and messaging in order to keep their message fresh and to capture the attention of America.

Young people have staged something they have labeled “a die in” – which is the act of laying on the ground to represent the hours that Brown lie dead in the street in Ferguson.

Protesters have added to the traditional “No Justice No Peace” chants, by incorporating “I Can’t Breathe” and “Black Lives Matter” messaging.

All across the country, protesters took to streets of many of the busiest intersections in their respective cities in order to get their message out and stand in solidarity with the families of Brown and Garner. In addition to the street-side protests, many youth demonstrators held massive demonstrations inside of many of the major shopping malls across the country.

Many grassroots activist groups, such as the Houston Justice Coalition, held forums and town hall meetings aimed at local criminal justice reform and developing plans towards the next steps needed to deal with the political, law enforcement and judicial systems, in the wake of the grand jury decisions involving Jordan Baker, Brown, Garner and countless others.

Black youth have been desperate for leadership ever since integration and the lack of mentorship and abandonment has forced Black youth to find their own way to deal with the injustices they are witnessing and up against – without even considering those who should be leading the way.

This response to social and community issues is nothing new. Hip-hop was formed because Black youth needed an outlet to talk about what they were experiencing and going through.

Gangs were formed because Black youth wanted to know what a family looked and felt like, so many joined gangs to create a family-like atmosphere and belong to a family that they felt truly understood them and related to them.

Black youth are no longer seeking to be marginalized. Black youth are seeking respect and justice and will do what they need to do to be safe, have stability and survive.

Business

Car Wash Workers Cope with Lingering Impacts of ICE Raids

WAVE COMMUNITY NEWSPAPERS — Hundreds of car wash workers across Southern California have been detained in federal immigration raids, leaving lingering impacts on families and communities. Mario, a 33-year U.S. resident and father of three, was arrested at a Santa Ana car wash last August and held for two months.

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Photo: iStockphoto / NNPA.

LOS ANGELES — Mario relied on his job in the car wash industry to raise his three children. It was during a shift at a Santa Ana car wash last August that he was arrested by federal agents, taken to a U.S. Immigration and Customs Enforcement detention center and held for two months.

“They made me sleep on the cold floor for a week without a blanket, a toothbrush or basic medical care for the injured man next to me,” Mario, a 33-year resident of the United States, said at a news conference earlier this summer at Inglewood’s Crenshaw Imperial Car Wash, which is now closed after being raided by federal agents.

Mario, who is being identified only by his first name for safety reasons, is among hundreds of car wash workers detained across Southern California in the year since the Trump administration began an aggressive immigration crackdown in the region, according to the CLEAN Carwash Worker Center.

News of raids by masked agents has faded from the headlines, but the effects still linger for those caught in the crosshairs. Family members have been deported or left to languish in detention, and many who remain live with the fear of being hunted down by immigration officers.

At least 373 car wash workers have been detained at car washes across Southern California since the raids began last summer, according to figures compiled by CLEAN. The group’s data also shows federal agents raided or attempted to raid at least 106 car washes in communities across Los Angeles, Orange County and surrounding areas, including Inglewood, Culver City, Westchester, Bell and Whittier.

CLEAN, an advocacy group founded in 2007, has been fighting to protect car wash workers from exploitation and unsafe conditions. When the raids began last year, the group sprang into action, working around the clock to help detained workers and provide their families with legal and financial support.

“We gathered our information from workers, managers, and owners of the car washes that were being raided,” CLEAN Deputy Director Andrea Gonzalez said. “We also gathered information from rapid response teams who were on the ground responding to the raids.”

The Department of Homeland Security did not respond to a request for comment on the group’s findings.

Mario said he was one of seven workers at the Harbor Blvd Car Wash detained on the same day last August, but the only one who has been released. He said he refused to sign deportation papers and is fighting to stay in the United States, a process that has drained his family emotionally and financially.

“Being released is not the same as being free,” he said.

During Mario’s detention at the Adelanto ICE Processing Center, his wife and children struggled to cope with his sudden absence while fighting for his release, his wife Alejandra said.

“The employer gave us a video showing my husband being taken away under arrest, treated worse than a common criminal, with chains binding his legs, arms and waist,” Alejandra said. “It wasn’t right.”

The experience of a car wash worker named José was recounted at the news conference by the Rev. Andy Schwiebert of Immanuel Presbyterian Church in Los Angeles, who said agents “took him” from the La Cienega Car Wash last August.

José’s wife is a U.S. citizen, Schwiebert said, and José had a pathway to gaining citizenship before he was detained. By the time a judge ordered his release on bond, the car wash had shut down, Schwiebert said, leaving José without a job.

“These raids did not just target workers; they destabilized families, congregations, workplaces and entire communities,” Schwiebert said.

The administration’s aggressive enforcement operations have continued across the nation in the months since José’s and Mario’s detention, with ICE arrests in July surging to their highest rate so far under President Donald Trump.

Last month, ICE agents shot and killed Lorenzo Salgado Araujo, a 52-year-old father of three in Houston. Less than a week later, an immigration officer fatally shot 26-year-old Johan Sebastián Duran Guerrero in Biddeford, Maine.

Back in Inglewood, Mario said he was grateful to share his story and that, even though he was released, his experience in detention stays with him.

“I still feel frustrated and traumatized,” Mario said, “because my life is no longer the same as it used to be.”

Ernesto Ureño is a Loyola Marymount University journalism major and intern at Capital & Main, a nonprofit publication focused on inequality. It is published here with permission.

Based on reporting by Wave Community Newspapers.



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Art

Misty Copeland Shapes Ballet’s Tomorrow

THE POSITIVE COMMUNITY — Misty Copeland will curate the 2026 Joyce Ballet Festival, a two-week event in New York City from August 4-16. This role allows her to influence the future of ballet by showcasing a wide range of dancers, choreographers, and companies. The festival will present both established and contemporary works, blending classical traditions with new artistic expressions.

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Misty Copeland at the 2026 Met Gala, wearing fashion in theme of "Costume Art" Date 4 May 2026, 19:39:21

This summer, Misty Copeland will step into a different kind of spotlight. Instead of taking center stage as a dancer, she will help determine what audiences see onstage as curator of the 2026 Joyce Ballet Festival. Taking place August 4 through August 16 at The Joyce Theater in New York City, the two-week celebration will bring together dancers, choreographers and companies representing a broad spectrum of ballet. The festival gives Copeland an opportunity to share not only her appreciation for ballet’s traditions, but also her vision for its future.

Copeland understands better than most how powerful a ballet stage can be. Her historic career with American Ballet Theatre changed the conversation about representation in one of the world’s most traditional performing arts. When she became the company’s first Black woman to reach the rank of principal dancer, her achievement carried significance far beyond a personal milestone. It gave young dancers of color a new image of what was possible and challenged the industry to reconsider who belonged at the center of ballet.

That history informs the perspective she brings to the festival. Copeland has spent much of her career moving between performance, mentorship, advocacy and storytelling. Her curatorial role allows her to bring those interests together by creating a program that does not treat ballet as a museum piece. Instead, the festival presents dance as an evolving language capable of carrying classical traditions into new cultural and artistic territory.

Audiences will encounter a mixture of established works and contemporary creations during the festival. Classical ballet vocabulary will share space with choreography that pushes dancers toward different physical, emotional and theatrical possibilities. The result is intended to give audiences a broader understanding of the art form while demonstrating that tradition and innovation do not have to be competing forces.

The lineup also provides an opportunity to see dancers from different artistic environments. Performers connected to organizations including American Ballet Theatre, New York City Ballet, Paris Opera Ballet, Houston Ballet, Dance Theatre of Harlem and Complexions Contemporary Ballet are among those represented in the festival. Each company carries its own history and artistic identity, making their participation part of a larger conversation about the many ways ballet can be performed and interpreted.

The presence of Dance Theatre of Harlem is particularly meaningful within the larger story of Copeland’s career and the evolution of Black representation in ballet. Founded during a period when opportunities for Black dancers were severely limited, the company helped demonstrate that excellence and classical training could flourish in a Black cultural environment. Its legacy continues to influence dancers and audiences, making its connection to a festival curated by Copeland especially resonant.

The program also reaches beyond a single definition of contemporary ballet. Choreographers with different backgrounds and artistic philosophies contribute to an evening that can move from recognizable classical structures to works shaped by modern dance, theater, popular culture and new approaches to movement. That diversity reflects a generation of artists who increasingly see ballet not as a rigid vocabulary but as a foundation from which they can explore.

For New York audiences, the festival offers something that is increasingly valuable: the opportunity to experience outstanding dancers in an intimate setting. The Joyce is known for presenting dance in a theater where audiences can see movement and artistry up close. That environment can make a familiar ballet work feel newly personal while allowing experimental pieces to communicate with unusual immediacy.

Copeland’s role as curator also sends a message about the importance of artistic leadership. The people who select performers and choreography help determine which stories receive attention and which artists receive opportunities. By bringing a range of voices into the festival, Copeland is using that responsibility to broaden the conversation around ballet. Her choices can introduce audiences to artists they may not otherwise encounter while encouraging longtime ballet followers to look at the form from a different perspective.

The 2026 Joyce Ballet Festival ultimately arrives at an important moment for the art form. Ballet is carrying centuries of tradition into an era defined by changing audiences, broader representation and increasingly adventurous choreography. Copeland’s festival reflects that transition. For two weeks in August, The Joyce will become a meeting place for the familiar and the unexpected—a celebration of where ballet came from and a preview of where it may be going. And with Misty Copeland helping shape the conversation, the future of ballet promises to be as expansive as the dancers who are defining it.

Based on reporting by The Positive Community.



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Community

As Part of Your Back-to- School Checklist, Vaccinate

POST NEWS GROUP — Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable.

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Berkeley Public Health recommends families catch up on immunizations before the new school year begins 

Parents, check that your children return to school up to date on vaccinations. If necessary, schedule a visit with your family’s doctor or with the City of Berkeley’s Immunization Clinic to catch up.

Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable. 

Families are encouraged to:

If your child doesn’t have a health care provider, you may be able to access free vaccinations through the City of Berkeley’s Immunization Clinic. Make an appointment by calling (510) 981-5350, emailing phmailbox@berkeleyca.gov, or booking online.

See what shots are required for pre-kindergarten or TK-12th grade, and check that your kids have all their recommended vaccines.

FREE VACCINE CLINICS AUG. 4-13

Children without health insurance or whose insurance doesn’t cover vaccines can get them for free:

City of Berkeley Immunization Clinic
West Berkeley Family Wellness Center
1900 Sixth St.

Hours: Tuesdays–Thursdays, 9 a.m.–3 p.m. 
Closed 12 p.m.–1 p.m.

Make an appointment between Aug. 4–6 or Aug. 1113 for back-to-school vaccine clinics:

Children 18 years and under are eligible for free City vaccines if they are:

  • Medicaid-eligible
  • Uninsured
  • Underinsured (insurance does not cover vaccines)
  • American Indian or Alaska Native

If you are unsure whether you or your child is up to date, the City of Berkeley Vaccination Clinic can help review records and provide recommended vaccines.

FAMILY WELLNESS RESOURCES

Vaccines are just one of the many public health services you can access at the West Berkeley Family Wellness Center. The center is home to the Women, Infants, and Children program, nutrition support, case management services, and a variety of family support services, plus free classes throughout the year.

Vaccinations aren’t just for kids. Throughout adult life, everyone should keep up with their vaccination needs. See recommended vaccines for adults

Get a healthy start to the school year. Check your child’s vaccinations. Make an appointment with your doctor or get free vaccines at the City clinic.

VACCINE INFORMATION AND FAMILY RESOURCES

Get trusted information about the City of Berkeley by bookmarking berkeleyca.govsubscribing to our newsletter, and following us on Bluesky and Instagram.

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National

Black Youth Leading the Way in This Modern Day Movement

Published

on

Ferguson

by Jeffrey L. Boney
Special to the NNPA from the Houston Forward Times

Imagine being a young teenager and deciding to participate in a serious march that you hoped would shed light on the injustices facing Black people in this country, as well as change the unjust laws that were in place allowing those injustices to be perpetuated without consequence.

That is what our current generation – the Joshua Generation – is up against and that is what many that have come before them have had to endure.

This year marks the 50th anniversary of an event that was televised around the world called “Bloody Sunday” and that event became one of the major catalysts behind the passage of the 1965 Voting Rights Act that strengthen the voting rights for Black people in this country.

Inspired by Martin Luther King Jr., a young Black man by the name of John Lewis joined the burgeoning Civil Rights Movement. Lewis was a Freedom Rider, spoke at 1963’s March on Washington and led the demonstration now known as “Bloody Sunday.”

“Bloody Sunday” refers to the March 7, 1965, civil rights march in Alabama that was scheduled to go from Selma to the capitol in Montgomery to protest the shooting death of 26-year old Black activist Jimmy Lee Jackson, who was shot in the stomach on February 18, 1965, by Alabama State Trooper James Fowler while the troopers were breaking up a peaceful protest in Marion, Perry County.

Lewis worked with other Student Nonviolent Coordinating Committee (SNCC) and Southern Christian Leadership Conference (SCLC) activists to assemble and lead over 600 marchers across the Edmund Pettus Bridge on the way to Montgomery. Lewis and the marchers were violently assaulted and driven back by numerous law enforcement officials after they crossed the bridge. Lewis, who still bears the visible scar on his forehead from the blow he received from an Alabama State Troopers’ nightstick, along with the other unarmed marchers, were beaten and gassed during the attack, while media outlets were on hand to cover the event live. The footage of the vicious and heinous attacks deeply shook the country and put necessary pressure on then-President Lyndon B. Johnson to advocate for the passage of the Voting Rights Act of 1965.

Lewis became one of the thirteen original Freedom Riders and was the youngest of the “Big Six” civil rights leaders and the chairman of the SNCC from 1963 to 1966, some of the most tumultuous years of the civil rights movement. During his tenure, the SNCC opened Freedom Schools, launched the Mississippi Freedom Summer and organized the voter registration efforts that led to the pivotal Selma to Montgomery marches. As the chairmen of SNCC, Lewis wrote a speech in reaction to the Civil Rights Bill of 1963, where he denounced the bill because it didn’t protect African Americans against police brutality; nor did the bill provide African Americans the right to vote. In that year, Lewis helped plan the historic March on Washington in August 1963, the occasion of Dr. King’s celebrated “I Have a Dream” speech and at 23 was the youngest speaker that day.

It is that same spirit – that flows from Lewis, the last living person who addressed the 1963 March on Washington – that has seemingly found its way inside the hearts and minds of a new generation of modern day Civil Rights leaders in this country who are fighting to shed light on critical issues impacting the Black community – from police brutality to economic disenfranchisement to political and legal disparity.

All across the country, we are seeing a number of young activists that have taken up the mantle, without fear or favor, to speak up and speak out about these issues and are not backing down.

Protesters have been gathering in various cities to demand accountability in the legal system following the grand jury decisions concerning Michael Brown in Ferguson, Missouri; Eric Garner in Staten Island, New York; and Jordan Baker in Houston, Texas.

The majority of demonstrations we have seen have been youth-led movements that has gotten the attention of mainstream America and has breathed life into a generation of young people who had not been as politically engaged in matters concerning injustice as they once had been.

Young people who are students, community activists and members of grassroots organizations have made it a point to not stop demonstrating and to keep up the pressure on key entities in order to have their message heard. They have implemented extremely unique activities and messaging in order to keep their message fresh and to capture the attention of America.

Young people have staged something they have labeled “a die in” – which is the act of laying on the ground to represent the hours that Brown lie dead in the street in Ferguson.

Protesters have added to the traditional “No Justice No Peace” chants, by incorporating “I Can’t Breathe” and “Black Lives Matter” messaging.

All across the country, protesters took to streets of many of the busiest intersections in their respective cities in order to get their message out and stand in solidarity with the families of Brown and Garner. In addition to the street-side protests, many youth demonstrators held massive demonstrations inside of many of the major shopping malls across the country.

Many grassroots activist groups, such as the Houston Justice Coalition, held forums and town hall meetings aimed at local criminal justice reform and developing plans towards the next steps needed to deal with the political, law enforcement and judicial systems, in the wake of the grand jury decisions involving Jordan Baker, Brown, Garner and countless others.

Black youth have been desperate for leadership ever since integration and the lack of mentorship and abandonment has forced Black youth to find their own way to deal with the injustices they are witnessing and up against – without even considering those who should be leading the way.

This response to social and community issues is nothing new. Hip-hop was formed because Black youth needed an outlet to talk about what they were experiencing and going through.

Gangs were formed because Black youth wanted to know what a family looked and felt like, so many joined gangs to create a family-like atmosphere and belong to a family that they felt truly understood them and related to them.

Black youth are no longer seeking to be marginalized. Black youth are seeking respect and justice and will do what they need to do to be safe, have stability and survive.

Business

Car Wash Workers Cope with Lingering Impacts of ICE Raids

WAVE COMMUNITY NEWSPAPERS — Hundreds of car wash workers across Southern California have been detained in federal immigration raids, leaving lingering impacts on families and communities. Mario, a 33-year U.S. resident and father of three, was arrested at a Santa Ana car wash last August and held for two months.

Published

on

Photo: iStockphoto / NNPA.

LOS ANGELES — Mario relied on his job in the car wash industry to raise his three children. It was during a shift at a Santa Ana car wash last August that he was arrested by federal agents, taken to a U.S. Immigration and Customs Enforcement detention center and held for two months.

“They made me sleep on the cold floor for a week without a blanket, a toothbrush or basic medical care for the injured man next to me,” Mario, a 33-year resident of the United States, said at a news conference earlier this summer at Inglewood’s Crenshaw Imperial Car Wash, which is now closed after being raided by federal agents.

Mario, who is being identified only by his first name for safety reasons, is among hundreds of car wash workers detained across Southern California in the year since the Trump administration began an aggressive immigration crackdown in the region, according to the CLEAN Carwash Worker Center.

News of raids by masked agents has faded from the headlines, but the effects still linger for those caught in the crosshairs. Family members have been deported or left to languish in detention, and many who remain live with the fear of being hunted down by immigration officers.

At least 373 car wash workers have been detained at car washes across Southern California since the raids began last summer, according to figures compiled by CLEAN. The group’s data also shows federal agents raided or attempted to raid at least 106 car washes in communities across Los Angeles, Orange County and surrounding areas, including Inglewood, Culver City, Westchester, Bell and Whittier.

CLEAN, an advocacy group founded in 2007, has been fighting to protect car wash workers from exploitation and unsafe conditions. When the raids began last year, the group sprang into action, working around the clock to help detained workers and provide their families with legal and financial support.

“We gathered our information from workers, managers, and owners of the car washes that were being raided,” CLEAN Deputy Director Andrea Gonzalez said. “We also gathered information from rapid response teams who were on the ground responding to the raids.”

The Department of Homeland Security did not respond to a request for comment on the group’s findings.

Mario said he was one of seven workers at the Harbor Blvd Car Wash detained on the same day last August, but the only one who has been released. He said he refused to sign deportation papers and is fighting to stay in the United States, a process that has drained his family emotionally and financially.

“Being released is not the same as being free,” he said.

During Mario’s detention at the Adelanto ICE Processing Center, his wife and children struggled to cope with his sudden absence while fighting for his release, his wife Alejandra said.

“The employer gave us a video showing my husband being taken away under arrest, treated worse than a common criminal, with chains binding his legs, arms and waist,” Alejandra said. “It wasn’t right.”

The experience of a car wash worker named José was recounted at the news conference by the Rev. Andy Schwiebert of Immanuel Presbyterian Church in Los Angeles, who said agents “took him” from the La Cienega Car Wash last August.

José’s wife is a U.S. citizen, Schwiebert said, and José had a pathway to gaining citizenship before he was detained. By the time a judge ordered his release on bond, the car wash had shut down, Schwiebert said, leaving José without a job.

“These raids did not just target workers; they destabilized families, congregations, workplaces and entire communities,” Schwiebert said.

The administration’s aggressive enforcement operations have continued across the nation in the months since José’s and Mario’s detention, with ICE arrests in July surging to their highest rate so far under President Donald Trump.

Last month, ICE agents shot and killed Lorenzo Salgado Araujo, a 52-year-old father of three in Houston. Less than a week later, an immigration officer fatally shot 26-year-old Johan Sebastián Duran Guerrero in Biddeford, Maine.

Back in Inglewood, Mario said he was grateful to share his story and that, even though he was released, his experience in detention stays with him.

“I still feel frustrated and traumatized,” Mario said, “because my life is no longer the same as it used to be.”

Ernesto Ureño is a Loyola Marymount University journalism major and intern at Capital & Main, a nonprofit publication focused on inequality. It is published here with permission.

Based on reporting by Wave Community Newspapers.



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Art

Misty Copeland Shapes Ballet’s Tomorrow

THE POSITIVE COMMUNITY — Misty Copeland will curate the 2026 Joyce Ballet Festival, a two-week event in New York City from August 4-16. This role allows her to influence the future of ballet by showcasing a wide range of dancers, choreographers, and companies. The festival will present both established and contemporary works, blending classical traditions with new artistic expressions.

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Misty Copeland at the 2026 Met Gala, wearing fashion in theme of "Costume Art" Date 4 May 2026, 19:39:21

This summer, Misty Copeland will step into a different kind of spotlight. Instead of taking center stage as a dancer, she will help determine what audiences see onstage as curator of the 2026 Joyce Ballet Festival. Taking place August 4 through August 16 at The Joyce Theater in New York City, the two-week celebration will bring together dancers, choreographers and companies representing a broad spectrum of ballet. The festival gives Copeland an opportunity to share not only her appreciation for ballet’s traditions, but also her vision for its future.

Copeland understands better than most how powerful a ballet stage can be. Her historic career with American Ballet Theatre changed the conversation about representation in one of the world’s most traditional performing arts. When she became the company’s first Black woman to reach the rank of principal dancer, her achievement carried significance far beyond a personal milestone. It gave young dancers of color a new image of what was possible and challenged the industry to reconsider who belonged at the center of ballet.

That history informs the perspective she brings to the festival. Copeland has spent much of her career moving between performance, mentorship, advocacy and storytelling. Her curatorial role allows her to bring those interests together by creating a program that does not treat ballet as a museum piece. Instead, the festival presents dance as an evolving language capable of carrying classical traditions into new cultural and artistic territory.

Audiences will encounter a mixture of established works and contemporary creations during the festival. Classical ballet vocabulary will share space with choreography that pushes dancers toward different physical, emotional and theatrical possibilities. The result is intended to give audiences a broader understanding of the art form while demonstrating that tradition and innovation do not have to be competing forces.

The lineup also provides an opportunity to see dancers from different artistic environments. Performers connected to organizations including American Ballet Theatre, New York City Ballet, Paris Opera Ballet, Houston Ballet, Dance Theatre of Harlem and Complexions Contemporary Ballet are among those represented in the festival. Each company carries its own history and artistic identity, making their participation part of a larger conversation about the many ways ballet can be performed and interpreted.

The presence of Dance Theatre of Harlem is particularly meaningful within the larger story of Copeland’s career and the evolution of Black representation in ballet. Founded during a period when opportunities for Black dancers were severely limited, the company helped demonstrate that excellence and classical training could flourish in a Black cultural environment. Its legacy continues to influence dancers and audiences, making its connection to a festival curated by Copeland especially resonant.

The program also reaches beyond a single definition of contemporary ballet. Choreographers with different backgrounds and artistic philosophies contribute to an evening that can move from recognizable classical structures to works shaped by modern dance, theater, popular culture and new approaches to movement. That diversity reflects a generation of artists who increasingly see ballet not as a rigid vocabulary but as a foundation from which they can explore.

For New York audiences, the festival offers something that is increasingly valuable: the opportunity to experience outstanding dancers in an intimate setting. The Joyce is known for presenting dance in a theater where audiences can see movement and artistry up close. That environment can make a familiar ballet work feel newly personal while allowing experimental pieces to communicate with unusual immediacy.

Copeland’s role as curator also sends a message about the importance of artistic leadership. The people who select performers and choreography help determine which stories receive attention and which artists receive opportunities. By bringing a range of voices into the festival, Copeland is using that responsibility to broaden the conversation around ballet. Her choices can introduce audiences to artists they may not otherwise encounter while encouraging longtime ballet followers to look at the form from a different perspective.

The 2026 Joyce Ballet Festival ultimately arrives at an important moment for the art form. Ballet is carrying centuries of tradition into an era defined by changing audiences, broader representation and increasingly adventurous choreography. Copeland’s festival reflects that transition. For two weeks in August, The Joyce will become a meeting place for the familiar and the unexpected—a celebration of where ballet came from and a preview of where it may be going. And with Misty Copeland helping shape the conversation, the future of ballet promises to be as expansive as the dancers who are defining it.

Based on reporting by The Positive Community.



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Community

As Part of Your Back-to- School Checklist, Vaccinate

POST NEWS GROUP — Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable.

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Berkeley Public Health recommends families catch up on immunizations before the new school year begins 

Parents, check that your children return to school up to date on vaccinations. If necessary, schedule a visit with your family’s doctor or with the City of Berkeley’s Immunization Clinic to catch up.

Vaccines protect your household and also limit the spread of diseases such as measles and polio. The higher the vaccination rate in a community, the greater the protection for everyone – especially the most vulnerable. 

Families are encouraged to:

If your child doesn’t have a health care provider, you may be able to access free vaccinations through the City of Berkeley’s Immunization Clinic. Make an appointment by calling (510) 981-5350, emailing phmailbox@berkeleyca.gov, or booking online.

See what shots are required for pre-kindergarten or TK-12th grade, and check that your kids have all their recommended vaccines.

FREE VACCINE CLINICS AUG. 4-13

Children without health insurance or whose insurance doesn’t cover vaccines can get them for free:

City of Berkeley Immunization Clinic
West Berkeley Family Wellness Center
1900 Sixth St.

Hours: Tuesdays–Thursdays, 9 a.m.–3 p.m. 
Closed 12 p.m.–1 p.m.

Make an appointment between Aug. 4–6 or Aug. 1113 for back-to-school vaccine clinics:

Children 18 years and under are eligible for free City vaccines if they are:

  • Medicaid-eligible
  • Uninsured
  • Underinsured (insurance does not cover vaccines)
  • American Indian or Alaska Native

If you are unsure whether you or your child is up to date, the City of Berkeley Vaccination Clinic can help review records and provide recommended vaccines.

FAMILY WELLNESS RESOURCES

Vaccines are just one of the many public health services you can access at the West Berkeley Family Wellness Center. The center is home to the Women, Infants, and Children program, nutrition support, case management services, and a variety of family support services, plus free classes throughout the year.

Vaccinations aren’t just for kids. Throughout adult life, everyone should keep up with their vaccination needs. See recommended vaccines for adults

Get a healthy start to the school year. Check your child’s vaccinations. Make an appointment with your doctor or get free vaccines at the City clinic.

VACCINE INFORMATION AND FAMILY RESOURCES

Get trusted information about the City of Berkeley by bookmarking berkeleyca.govsubscribing to our newsletter, and following us on Bluesky and Instagram.

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