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“Best Man” Sequel Returns with Great Expectations for the Holidays

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We have patiently anticipated the big screen return of the sophisticated, successful, sexy cast of Malcolm D. Lee’s Best Man franchise for many years, now the wait is over!

< p>Best Man Holiday, opening Nov. 15 from Universal Pictures, continues with college friends, turned upwardly mobile adults: Lance (Morris Chestnut), Mia (Monica Calhoun), Harper (Taye Diggs), Robyn (Sanaa Lathan), Julian (Harold Perrineau), Candace (Regina Hall), Shelby (Melissa DeSousa), Quentin (Terrence Howard), Jordan (Nia Long), and newcomer Brian (Eddie Cibrian), reunited for a Christmas gathering to make the holidays brighter, or will they?

Since we last saw them, life has brought about significant change, mostly for the better.

For starters, new looks for Candace and Julian, in addition to their roles and responsibilities as husband and wife. Robyn is huge with child, Quentin much the same with ego. Jordan has a steady beau, Shelby has gone wild and good girl Mia is still holding down that fort.

Unlike many horror stories of money woes for professional ball players, Lance has maintained bank, big time.

A beautiful film by any measure, equally, up close they all looked spectacular during press interviews in Los Angeles, ebullient with gratitude to be back for the sequel. There are surprises this time around and I’m not here to spoil them; you’ll just have to see for yourself.

Filmmaker Lee (UNDERCOVER BROTHER, ROLL BOUNCE, SOUL MEN, WELCOME HOME ROSCOE JENKINS) relies upon his fluid ability as a storyteller, providing language complimentary to a loyal cast, several of whom saw their careers spring board from the original 1999 film, The Best Man.

Roll call:

Since the first Best Man, Harold Perrineau was cast in HBO’s incredibly popular prison drama OZ. His credits thereafter include THE MATRIX franchise, 28 WEEKS LATER, ABC-TV’s Lost and HBO’s Sons of Anarchy among others.

Nia Long already beloved by legions of fans before coming to The Best Man franchise continued with roles in STIGMATA, ALFIE, BIG MOMMA’S franchise, ARE WE THERE YET franchise, network TV’s Judging Amy, Third Watch, Boston Legal, The Cleveland Show and Showtime’s award-winning House of Lies.

Regina Hall has developed a penchant for comedic film roles in the SCARY MOVIE franchise, THINK LIKE A MAN franchise, MALIBU’S MOST WANTED, FIRST SUNDAY; network TV’s Ally McBeal, Second Generation Wayans along with dramatic parts in LAW ABIDING CITIZEN and TV’s Law & Order.

Sanaa Lathan has worked between film, television and stage. Her film credits include LOVE & BASKETBALL, BROWN SUGAR, OUT OF TIME, ALIEN VS. PREDATOR, SOMETHING NEW, THE FAMILY THAT PREYS, CONTAGION and HBO’s Disappearing Acts; TV’s Nip/Tuck, Family Guy, The Cleveland Show, Showtime’s Boss; Broadway’s A Raisin in the Sun and Meet Vera Stark.

Taye Diggs is too a triple threat with film, television, and stage accomplishments sitting comfortably under his belt. Prior to joining the BEST MAN franchise, he wowed and tantalized in the big screen adaptation of Terry McMillan’s HOW STELLA GOT HER GROOVE BACK. Subsequent film credits include BROWN SUGAR, CHICAGO, MALIBU’S MOST WANTED, and BAGGAGE CLAIM; among his TV credits are Ally McBeal, Kevin Hill, and ABC’s Private Practice and; stage credits include Rent, Chicago and Wicked.

Oscar-nominated, multiple award-winning Terrence Howard accelerated his career’s trajectory with roles in HART’S WAR, BIKER BOYZ, CRASH, RAY, FOUR BROTHERS, PRIDE, AUGUST RUSH, IRON MAN, FIGHTING, THE PRINCESS AND THE FROG, RED TAILS, THE BUTLER, PRISONERS and others.

Excerpts from our Best Man Holiday conversation follow –

What is your account of this sweet, sentimental franchise?

Sanaa Lathan (Robyn): I just marveled the whole time at the fact that nine people, 15 years ago, were kind of starting out in their career, nine black people, and 15 years later we were all thriving. We are all still in this business that we all know is risky and unpredictable for any actor let alone a black actor. The fact that we could all come together again, we all have our health, and we’re all relatively sane (laughter), I mean it’s one thing to get like three people back together, but nine people? I think that’s amazing and I don’t look upon that lightly. This is a testament to some kind of faith in all of us in terms of pursuing this career, in terms of living life. For me, I just felt like it was a blessing to have all of these characters’ lives kind represented again. To have these stories being told again, for us, as a community.

I think one of the reasons why the first movie worked so well is because we (African Americans) rarely get to see these people; we don’t get to see ourselves reflected so well, so differently and, in such a variety of ways on film. Malcolm does that so well. It was just a great blessing to be able for this story to come together initially and to get back together.

Sanaa and Taye, is there shorthand between the two of you given your opportunity to work together on other projects over the years?

Taye Diggs (Harper): As far as the shorthand between us, speaking for myself, I feel like we were very fortunate in the first film because we had an immediate bond with each other; this is the type of film that sets the stage for great friendships, you know. When we made the first one, I didn’t know a lot of the cast members. I was familiar with Sanaa but we all became pretty tight after that and maintained relationships. When we got together for the second one, we were able to pick up right where we left off; I mean, without patting ourselves on the back, I also think that synergy comes with being experienced actors. The director did us all a favor by picking up fifteen years later with the characters so we all have matured as human beings and as actors.

Sanaa: We didn’t have to play the fifteen years because it was fifteen …

Taye: We were able to use our life experiences and put that forth toward the characters so that helped with the shorthand, and, it was just fun.

Malcolm D. Lee allowed both of you to be vulnerable in your character portrayals; it came across authentically, especially the bedroom scene when Robyn and Harper were confessing to each other their fears and expectations, your shortcomings…the on screen vulnerability was appreciably palpable.

Sanaa: Oh, I love that, that’s great feedback. I think Malcolm is a great writer; you’d be surprised that there are not a lot of good scripts in circulation. There’s a reason why there are only a handful of great movies because I think it’s hard to write something good. Malcolm did a great job with the sequel, taking all these characters with their growth, wherever they were in their lives, and inter-weaving their stories.

Did either of you have any idea this film would factor greatly in launching and establishing your careers?

Sanaa: I was so happy to get the job …

Taye: Yeah, just to be working …

Will either of you return to Broadway soon?

Sanaa: Not that I know of…

Taye: Yeah, I want to…as soon as time permits.

READ MORE AT WWW.TALK2SV.COM.

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COMMENTARY: The National Protest Must Be Accompanied with Our Votes

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

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Dr. John E. Warren Publisher, San Diego Voice & Viewpoint
Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper. File photo..

By  Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper

As thousands of Americans march every week in cities across this great nation, it must be remembered that the protest without the vote is of no concern to Donald Trump and his administration.

In every city, there is a personal connection to the U.S. Congress. In too many cases, the member of Congress representing the people of that city and the congressional district in which it sits, is a Republican. It is the Republicans who are giving silent support to the destructive actions of those persons like the U.S. Attorney General, the Director of Homeland Security, and the National Intelligence Director, who are carrying out the revenge campaign of the President rather than upholding the oath of office each of them took “to Defend The Constitution of the United States.”

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

In California, the primary comes in June 2026. The congressional races must be a priority just as much as the local election of people has been so important in keeping ICE from acquiring facilities to build more prisons around the country.

“We the People” are winning this battle, even though it might not look like it. Each of us must get involved now, right where we are.

In this Black History month, it is important to remember that all we have accomplished in this nation has been “in spite of” and not “because of.” Frederick Douglas said, “Power concedes nothing without a struggle.”

Today, the struggle is to maintain our very institutions and history. Our strength in this struggle rests in our “collectiveness.” Our newspapers and journalists are at the greatest risk. We must not personally add to the attack by ignoring those who have been our very foundation, our Black press.

Are you spending your dollars this Black History Month with those who salute and honor contributions by supporting those who tell our stories? Remember that silence is the same as consent and support for the opposition. Where do you stand and where will your dollars go?

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Activism

Dorothy Lee Bolden: Uniting Domestic Workers

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

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Dorothy Lee Bolden. File photo.
Dorothy Lee Bolden. File photo.

By Tamara Shiloh

Her first experience with domestic work was at the age of nine. For $1.25 per week, Alabama-born Dorothy Lee Bolden (1923–2005), alongside her mother, washed soiled diapers for a White employer. Little did anyone know that this profession would spur Bolden to spearhead the movement for basic dignity and respect for generations of domestic workers.

Domestic work followed Bolden beyond high school. According to sources from the New York Times, Bolden said she would wake “at 4 a.m. to leave home by 6 a.m., and be on the job by 8 a.m., perform all those duties necessary to the proper management of a household for eight hours, leave there by 4 p.m. to be home by 6 p.m. where I would do the same things I’ve done all over again for my own family.”

It was Bolden’s experiences working as a domestic in 1940’s Atlanta that inspired her civil rights activism. A White female employer demanded that Bolden remain beyond her shift and wash dishes. Bolden refused. She was arrested and held in a county jail because “she was crazy.” There was no other reason for disobeying an order from a White person.

Bolden was never sentenced or institutionalized, but this event was the seed that grew into organization that would protect domestic workers across the United States: the National Domestic Workers Union of America.

Rosa Parks had made public transportation a major breeding ground for civil rights activism, so Bolden began organizing during the long bus rides her peers made to the wealthy neighborhoods. Many were fed up, working long hours for little pay, with little to no worker protections.

This organization of women would go on to fight for worker’s rights, create training programs, and teach workers to advocate for themselves. It was also important to Bolden to teach communication skills.

In the book Household Workers Unite, Bolden is quoted as saying: “You have to teach each maid how to negotiate… And this is the most important thing — communication. I would tell them it was up to them to communicate.”

But respect for Bolden’s activism was not shared by everyone. Although she consulted presidents Ford, Reagan, and Carter, she received several death threats from the Ku Klux Klan.

The New York Times reported that during the makings of an oral history project, Bolden said that “men claiming to be members of the KKK called her house and spoke about “whipping my behind,” but in coarser terms. “I told them any time they wanted to, come on over and grab it,” Bolden said during the interview. “It didn’t scare me, didn’t bother me. It made me angry. It made me determined to do what I had to do.”

Representative John Lewis of Georgia said that Bolden “spoke up, and she spoke out, and when she saw something that wasn’t fair, or just, or right, she would say something.”

The NDWU of America ran until the mid-1990s, but Bolden’s legacy lives on.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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