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COMMENTARY: First Lady of Writing — Camille Tucker Talks Clark Sisters Biopic

NNPA NEWSWIRE — Tucker has been in and around Hollywood since college (UCLA). A chance meeting at a barbeque produced the opportunity to co-write a script (Golddiggaz) with legendary director, John Singleton. Her screenwriting success continued with the sale of seven screenplays and a TV pilot to several major studios – Sony, Universal, New Line, Fox TV and Disney Studios.

Published

6 years ago

April 20, 2020

Oakland Post

Camille Tucker, co-writer of The Clark Sisters: First Ladies of Gospel (Photo: Camille Tucker)

By Michele Brown, author of Adventures of Gideon: Kingdom Principles and Life Lessons My Dog Taught Me

What do you get when you mix the daughter of a Baptist pastor, an educator mother with acting aspirations, the 4H Club, a Guatemalan caregiver and the rural-meets-urban multicultural landscape of the Richland Farms neighborhood in Compton, CA? You get the rich, bilingual personal history of screenwriter/director, Camille Tucker.

“People from Compton take great pride in their hometown given all the negative stereotypes associated with it,” says the screenwriter. As a member of one of the first families of Compton, she knows first-hand how negative perceptions can shape a community. Her father was the former mayor of the city. She grew up in a home that hosted Harry Belafonte, Jesse Jackson, Sr. and Sidney Poitier. Camille knows a little bit about being from a high-profile family and the dynamics that accompany it.

Photo: A&E Networks

On the eve of the premiere of the Lifetime TV biopic, The Clark Sisters: First Ladies of Gospel, The Burton Wire caught up with the co-writer of the film to talk perseverance, music, family and representation. Like the rest of us, Camille is working from home – fielding calls from well-wishers excited about the production of her first script.

The Journey to the Screen

While this may look like an overnight success, it is not. Tucker has been in and around Hollywood since college (UCLA). A chance meeting at a barbeque produced the opportunity to co-write a script (Golddiggaz) with legendary director, John Singleton. Her screenwriting success continued with the sale of seven screenplays and a TV pilot to several major studios – Sony, Universal, New Line, Fox TV and Disney Studios.

All this in preparation for the 15-year journey to the screen of her first produced script. Talent and opportunity were bathed in faith for this ordained Christian minister and Biola University Associate Professor of screenwriting. “In 2005, when we started pitching this (she was working with Moesha Show Runner Sara Finney-Johnson), these kinds of stories were not considered without A-list Black woman star power like Halle Berry or Angela Bassett attached,” said Tucker. Fast forward to 2017. Sara is committed elsewhere, and Camille is on her own. The cultural landscape has radically changed, and Hollywood is finally ready to tell the story of a legendary family of black women whose sound has shaped R&B, Pop, and gospel music for generations.

The film’s original producer, Holly Carter (Preachers of L.A.), partnered with Queen Latifah and Tucker was hired to develop the story. She expertly navigated several decades and the development of an ensemble cast whose nexus was the family matriarch, Dr. Mattie Moss Clark, brilliantly played by Aunjanue Ellis. Tucker successfully developed the script and it was sold to Lifetime TV. They brought on Sylvia L. Jones – the two black women screenwriters share writing credit on the film.

The beauty of this story’s journey has facets. This is a story about Black women – written, directed and produced by Black women. “You’ll see this story through an authentically Black lens. Young Black women will see this and know they can do it too,” says Tucker. The film showcases the most uplifting of music genres, gospel music. The Clark Sisters brought it outside of the four walls of the church into the mainstream. Tucker’s story of persistence and patience showcases the power of an idea in its journey to the screen – much like the story of this family – excellence over easy always.

The film highlights the influence of a matriarch who was a trailblazer in her own right – a five-time gold record recording artist and the International Director of Music for the Church of God in Christ. Each of these achievements almost unheard of for a Black woman at that time. Dr. Mattie Moss Clark did this and so much more. She endured great pain at the hand of the two things she loved the most, her husband and her church. Yet she held fast to her vision and taught her daughters to do the same.

Now the world will get to see the story of a great family that faced the same issues we face and through it all, they managed to use their gift of music to offer hope to the world. The world could use some of that right now.

The Clark Sisters is a love letter to Black women and we graciously receive it. The Clark Sisters: The First Ladies of Gospel airs on Lifetime and can probably be streamed on your local cable network.

This article was written by Michele Brown, author of Adventures of Gideon: Kingdom Principles and Life Lessons My Dog Taught Me. Check her out at michelespen.com.

Follow The Burton Wire on Twitter @TheBurtonWire.

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Study: Waiting Lists for Child Care Assistance Nearly Doubled

BLACKPRESS USA NEWSWIRE — “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”
The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

Published

2 days ago

June 8, 2026

Oakland Post

By National Women’s Law Center

The National Women’s Law Center released its annual State Child Care Assistance Policies report, finding that the number of children placed on waiting lists for federally funded child care assistance nearly doubled between 2024 and 2025 — and that number has only continued to grow.

The report serves as a key resource for state lawmakers, advocates, and policymakers by tracking state child care assistance policies and identifying where states are strengthening support for families and early educators — or falling behind.

“This deeply troubling increase in the number of children on child care waiting lists is the result of a failure to invest in this crucial sector,” said Karen Schulman, senior director of state child care policy and author of the report. “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”

Key findings in the report related to waiting lists for child care assistance include:

• 17 states had waiting lists or a freeze on intake for child care assistance in February 2025, up from 13 states in February 2024.

• Approximately 106,700 children nationwide were added to waiting lists between February 2024 and February 2025, bringing the total to 225,500 children in February 2025 — a 90 percent increase compared to February 2024.

• The numbers climbed even further between February 2025 and summer/fall 2025, with more than 175,000 additional children added to state waiting lists in just a few months — a 78 percent increase.

• At least seven states newly began placing families on waiting lists or freezing intake, while at least 10 additional states saw their waiting lists grow, after February 2025.

The report also includes state-by-state data on key child care assistance policies, including income eligibility limits, parent copayments, provider payment rates, and eligibility policies for parents searching for work.

Click the link to learn more: Warning Signs: State Child Care Assistance Policies 2025.

The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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Venus Williams Calls a Sabalenka Exit a Tragedy

ROLLING OUT — Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport.
The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

Published

3 days ago

June 7, 2026

Oakland Post

The seven-time major champion read frustration, not a real goodbye, in the world No. 1’s words

By David Kesiena | Rolling Out

When the world’s top-ranked player said she wanted to walk away from the sport, Venus Williams chose empathy over alarm.

Aryna Sabalenka’s blunt remark after her French Open quarterfinal collapse rattled plenty of fans, but Williams heard something different in it. The seven-time Grand Slam champion treated the comment as the raw reaction of a hurting athlete rather than a serious signal about her future.

The collapse that triggered the comment

Sabalenka looked headed for a routine win over Diana Shnaider. She took the opening set 6-3 and built a commanding lead in the second, climbing to 4-1 and later serving for the match at 5-4 while sitting just two points from victory.

Then everything unraveled. Shnaider stormed back to steal the second set 7-5 and bageled the world No. 1 in the third, with Sabalenka dropping 12 of the final 13 games in gusty conditions that reached around 26 mph. The 3-6, 7-5, 6-0 result sent Shnaider into her first Grand Slam semifinal and extended Sabalenka’s long wait for a maiden Roland Garros title.

In the aftermath, Sabalenka did not soften her feelings. She told reporters she had no thoughts and no emotions left and felt like quitting on the spot. She described being stuck in a deep, dark mental hole during the match, unable to find her way back.

What Venus Williams said about Sabalenka

Williams reacted with understanding. She admitted the moment made her sad and said she had been swept up in Sabalenka’s emotions, feeling a surge of empathy for her. She praised the Belarusian for laying everything bare on court, where every feeling shows.

Crucially, Williams did not read the comment as a real farewell. She said she did not believe Sabalenka truly wanted to leave, calling such an outcome a loss for both the player and the sport. Rather than scold her, Williams offered a gentle observation about the rhythm of professional tennis. She suggested players might benefit from a little more time to gather themselves before stepping in front of the cameras, a quiet acknowledgment that athletes are routinely asked to dissect painful defeats before the sting has faded.

Sabalenka walks it back

The story did not end on that bleak note. Within days, Sabalenka signaled she was not actually quitting, framing the press-conference outburst as heat-of-the-moment honesty rather than a plan. At the time of the loss she had also left the door open, saying she would see how she felt in a few days and hoped to get back on track mentally. The walk-back lined up with how Williams had read the situation from the start.

It is not the first time a Paris quarterfinal has pushed Sabalenka to her limit. In 2024 she exited at the same stage and skipped her press conference entirely because of illness, with the tour later releasing her quotes on her behalf. The pattern underscores how heavily this particular tournament has weighed on her despite deep runs in recent years.

For now, attention shifts to the grass. Wimbledon offers Sabalenka a quick chance to reset, and a strong showing there would turn this French Open meltdown into a footnote rather than a turning point.

Originally published by Rolling Out — https://rollingout.com.

The post Venus Williams Calls a Sabalenka Exit a Tragedy appeared first on BlackPressUSA.

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COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue

THE CAROLINIAN — Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.
The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.

Published

3 days ago

June 7, 2026

Oakland Post

By Judaea Ingram | Special to The Carolinian

RALEIGH, N.C. – Music filled the air as families danced through the crowd, children gathered around activity stations, and community members explored wellness resources from local organizations. Black-owned businesses lined the streets while people stopped for chair massages, conversations, and moments of connection inside the wellness suite.

At the center of the event stood a simple but powerful reminder:

“You Matter.”

For Darkness RISING, those words represent far more than a slogan. They reflect the organization’s mission to break the stigma surrounding mental health in the Black community while creating spaces centered on healing, honesty, and hope.

Operating at the intersection of the arts and mental health, Darkness RISING uses music, storytelling, wellness programming, and community engagement to inspire healing while addressing barriers that have historically prevented many Black Americans from accessing mental health support.

The organization hosts a variety of programs and events throughout the year, including block parties, wellness workshops, mixers, kickoff events, community classes, and Darkness RISING: Live — a free annual arts and wellness festival now celebrating its ninth year.

The festival combines entertainment with healing-centered resources, featuring live music, dancing, singing, food trucks, Black vendors, children’s activities, mental health resources, wellness spaces, and opportunities for open conversations about mental health.

While the events may feel celebratory on the surface, organizers say the deeper purpose is creating safe spaces where people can feel comfortable discussing mental health without fear of judgment.

Darkness RISING also provides free nationwide resources, including a Black Mental Health Resource Packet, a Black Mental Health Provider Database, and its “Find Me a Therapist” initiative, which helps connect individuals with culturally competent care.

The organization’s work is rooted in addressing longstanding inequities that continue impacting mental health access within Black communities.

Historically, segregation, redlining, racial discrimination, incarceration, poverty, and unequal healthcare access have contributed to higher rates of behavioral health challenges while simultaneously limiting access to proper treatment and support. Darkness RISING approaches those issues through what organizers describe as a transformative justice lens, focusing on healing rather than punishment and creating equitable wellness opportunities for marginalized communities.

Its REBUILD program specifically supports justice-involved and formerly incarcerated people of color through free therapy and wellness support, while the REBUILD Youth program focuses on young people impacted by Adverse Childhood Experiences, also known as ACEs.

For Rudolph, therapy became life-changing after decades of incarceration and years of rejection after returning home.

“Came home in 2015, started my own computer company, investing in real estate, did the normal thing and got some jobs here and there and was met with rejection after rejection and people telling me I am not a good person,” Rudolph shared. “Even had a rejection in church.”

He said one of the hardest battles became overcoming the mental barriers created during incarceration.

“I got in touch with a couple of friends, and they explained to me how I had to get over the mental hurdles and get rid of the way my prison mindset was in order to survive and become successful,” he said.

Rudolph later moved to North Carolina hoping for a fresh start, but the struggle continued.

“Things were looking bad,” he said. “Could not get a job. The struggle was real.”

Eventually, therapy and support through organizations like Darkness RISING helped begin his healing process. He said working alongside other justice-involved men through therapy gave him the ability to rebuild mentally while finding community with people who understood his experiences.

Stories like Rudolph’s reflect the foundation behind Darkness RISING’s mission: ensuring people feel seen, supported, and worthy of healing regardless of their background or circumstances.

Community members who attend the organization’s events often describe them as emotionally transformative.

Some participants say Darkness RISING encouraged them to seek therapy for the first time, while others say the organization gave them a safe space to openly discuss struggles they previously kept hidden.

“I have been encouraged by the beautiful, generous, brave and open individuals who come together and use their talents to create art, share personal experiences and provide hope to those who may be struggling with mental health,” one participant shared.

By combining art, wellness, education, and community outreach, Darkness RISING continues changing how mental health conversations happen within the Black community.

Not through silence.

But through healing, honesty, connection, and joy.

Originally published by The Carolinian — https://caro.news.

The post COMMENTARY: Using Art, Healing, And Community to Transform Mental Health Dialogue appeared first on BlackPressUSA.