#NNPA BlackPress
INTERVIEW: One-on-One with Judge Tammy Kemp — Amber Guyger Murder Trial
NNPA NEWSWIRE — I Messenger Media (Texas Metro News/Garland Journal/I Messenger) sat down recently with Judge Tammy Kemp to discuss criticism she has received as a result of her actions following the conclusion of the Amber Guyger murder trial last week.
Published
6 years agoon
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Oakland Post
The Truth, The Whole Truth and Nothing but the Truth
By Cheryl Smith, Publisher of Texas Metro News/I Messenger Media L.L.C.
I Messenger Media (Texas Metro News/Garland Journal/I Messenger) sat down recently with Judge Tammy Kemp to discuss criticism she has received as a result of her actions following the conclusion of the Amber Guyger murder trial last week. On October 1, 2019, Ms. Guyger, a former Dallas police officer, was convicted by a Dallas County jury of murder for fatally shooting 26-year-old Botham Shem Jean, in his apartment at the Southside Flats on September 6, 2018. Ms. Guyger claimed self-defense as she said she thought she was in her apartment and that Mr. Jean was an intruder. Mr. Jean’s apartment, #1478, was located on the fourth floor and Guyger’s apartment, #1378, was located directly beneath his on the third floor.
The jury found her guilty of murder and sentenced Ms. Guyger to serve 10 years in the Texas Department of Criminal Justice. After Judge Kemp read the jury’s punishment verdict, she thanked the jury for their service, released them from the court’s previous restrictions regarding reading or watching coverage or engaging in/consuming social media content about the trial and offered contact information for counseling services should they find themselves in need of assistance following the trial.
The jury exited the courtroom, the trial was over and the court was officially off the record. However, as is customary in any case where there is a victim of a crime, the victim’s family has a right to make a victim impact statement to the defendant before he/she is transported from the courtroom. In this case, Brandt Jean, the 18-year-old brother of Botham Jean, took the witness stand to address Amber Guyger directly and delivered an undoubtedly unexpected, yet powerful message of forgiveness and love to the woman who took his brother’s life.
Then in a stunning turn of events, the victim’s brother asked Judge Kemp if he could “give her a hug.” He pleaded with Judge Kemp, “Please.” There was a brief pause of silence before Judge Kemp responded, “Yes.” Mr. Brandt descended from the witness stand and approached Ms. Guyger, who ran to him and they embraced and whispered to each other for a couple of minutes before releasing from the embrace and returning to their respective seats. Next Judge Kemp walked over to the Jean Family and after a short conversation, there were embraces.
The next exchange was between Judge Kemp and Ms. Guyger and also ended in an unexpected hug; one that not only sent shock waves across the nation but has drawn fire from the African American community in particular as well as a formal complaint filed by the Freedom From Religion Foundation.
I Messenger reached out to Judge Kemp to provide the facts and set the record straight on several issues that were raised during and after the trial.
I Messenger: Explain the difference between a jury trial and a trial before the court.
Judge Kemp: In the State of Texas, a jury trial is when the accused has his or her case argued before a jury of 12 citizens. Jurors are selected by prosecutors (the State) and defense attorneys prior to the trial during the jury selection process. In a jury trial, the defendant has two decisions to make — who will decide guilt/innocence, the judge or a jury, and if convicted, who will decide punishment, again the judge or a jury.
In contrast, a trial before the court or TBC, is when a defendant has his or her case presented to the judge of a specific court and the judge decides both guilt/innocence and any associated punishment for that individual. Both the State and the defense have to agree to a trial before the Court. Just to be clear, the State vs. Amber Guyger was a jury trial in which the defendant, Ms. Guyger, decided to have both guilt/innocence and punishment decided by a jury.
I Messenger: One source of contention was your ruling to allow the jury to consider the Castle Doctrine during their deliberation on guilt/innocence. Considering that the law was actually intended for homeowners, like Botham Jean, to protect themselves and their homes against intruders, in this case, like Amber Guyger, why did you allow the Castle Doctrine in as a self-defense theory in the jury’s instructions on deliberation during the guilt/innocence phase of the trial?
Judge Kemp: While I do not comment on my rulings in any case, I would like to take this opportunity to educate people on the Castle Doctrine in general terms.
As it pertains to self-defense and deadly force, the Texas Penal Code states a defendant is entitled to a jury instruction on self-defense if the issue is raised by the evidence, whether that evidence is strong or weak, unimpeached or contradicted, and regardless of what the trial court may think about the credibility of the defense. If you deny a defendant their defense, the case will be reversed and then have to be retried.
I Messenger: What went through your mind in those brief seconds immediately after Brandt Jean asked you if he could give Amber Guyger a hug?
Judge Kemp: My first thought was the security risk. I quickly connected non-verbally with the deputies standing post inside the courtroom and made a split decision that Brandt Jean was sincere in his remarks to Ms. Guyger and that neither he nor Ms. Guyger intended any physical harm towards one another and allowed the contact between them to take place, and I knew I was going to have to explain my decision to Sheriff Brown.
I Messenger: You have been accused by some media outlets and the court of public opinion, particularly in the African American community, of disrespecting the victim’s family by coming off the bench to hug the woman who murdered Botham Jean and giving her a bible. Let’s set the record straight on the facts and what led up to the exchange and ultimate hug between you and Amber Guyger.
Judge Kemp: Like everyone else in the courtroom after witnessing the moving, emotional moment between Brandt Jean and Amber Guyger, I wiped my eyes, then came off the bench and went directly over to talk to Botham Jean’s family first.
I offered my condolences to Mr. Jean’s parents and shared words of comfort and encouragement with them before asking them if I could hug them, which they agreed to and I hugged each family member, father, mother, grandmother, sister and brother one by one. After I spent time with the victim’s family, I went over to the defense’s table and addressed Ms. Guyger. I told her, ‘Brandt has forgiven you. You have to forgive yourself.’ To which Ms. Guyger responded,
‘Do you think God will forgive me?’ I said, ‘Yes.’ Important to note, it was Ms. Guyger who first mentioned anything about religion. Then and only then, did I respond to her faith-based inquiry. Although I am a Christian, because of an individual’s religious freedom rights, I never discuss anything religious during the performance of my duties as a judge unless a victim or defendant mentions it to me first and again only after a trial or plea is officially completed.
I continued, ‘He has a purpose for you.’ She said, ‘You think I can have a purpose for my life?’ I said, ‘Yes’ and she said, ‘I don’t know where to start. I don’t own a bible.’ Her response prompted me to go to my chambers and retrieve the bible I keep in my office. I returned to the courtroom and told Ms. Guyger, ‘You can have this one. I have three or four more at home. This is the one I use at work every day.’ I turned to John 3:16 and read the scripture to her. I told her when you read this and you get to the ‘whosoever,’ you say ‘Amber.’
I told her she needs to read John 3:16 for the next month so it could sink in and then to start with the Gospels. I also told her that the translation that I gave her was difficult for new believers and she probably needed a study bible. I told her, ‘If you like, I will get one for you and get it to your defense team.’ She said, ‘yes’ and told me she would bring my bible back in 10 years. It was at that point, she asked, ‘Can I give you a hug?’ Honestly, I hesitated initially and here’s what ran through my mind in that instant. That Sunday, September 29th, which would have been Botham Jean’s 28th birthday, the sermon I heard at church was, The One is Greater Than the 99, which talked about if you are going to attract the lost, you must show love and compassion. Additionally,
I thought about my job responsibilities as it pertains to my faith, and I have a duty to act justly, love mercy and to walk humbly. Ms. Guyger asked me a second time for a hug and I agreed. As she was hugging me, she was telling me that I was such a good person and I was fair and good. Contrary to speculation, I was not praying with her.
I Messenger: Have you ever hugged any other defendants in your court following the conclusion of a trial or plea in your court?
Judge Kemp: I have hugged a lot of defendants, but I have never been asked for a hug by a defendant convicted of a violent offense before and I have never hugged one defendant who did not ask me for a hug. On any given day in the 204th District Court, however, I routinely counsel defendants on forgiveness and second chances. As a matter of fact, a lot of the defendants that I have ended up hugging were initially angry with me because I would not just give them their time. Instead, when necessary, I required them to go to treatment and after they completed treatment they would come back and thank me.
I Messenger: Continuing on that note of second chances, tell us about Project Phoenix.
Judge Kemp: In my first year on the bench in 2014, I founded Project Phoenix in partnership with the Dallas AFL-CIO to provide marketable skills through apprenticeships in the various trade industries to first-time, non-violent low-level offenders. Upon successful completion of the program, offenders’ cases are dismissed and later expunged from their records. My primary goal in creating this program was to make sure participants could earn a living wage and have a true second chance.
I Messenger: One of the female bailiffs has also come under fire for what appears as if the bailiff is fixing or caressing Amber Guyger’s hair. What was happening?
Judge Tammy Kemp: The jury returned a verdict of guilty and I held Ms. Guyger’s bond insufficient. At that point, she was in the custody of the Dallas County Sheriff’s Office and no longer free to move about.
I instructed the Sheriff’s deputies to restrict Ms. Guyger’s movement to the defense workroom, the courtroom and the restroom. Typically, once a defendant has been convicted, they are transported to the county jail to be booked and processed – a process that can take up to three hours. Instead, I asked that they detain her in the courtroom to ensure we did not experience any delays in the trial.
What people saw in that moment was actually the bailiff doing a moderate pat down of the defendant and discreetly checking her hair for contraband.
I Messenger: After the trial there were protests and criticism by those who believed 10 years was not enough time for the fatal shooting of Botham Jean. Do you believe the sentence was fair given the testimony in this case?
Judge Kemp: That is a question for the jurors. As with any case, I respect the jury’s verdict. I never question or comment on a jury’s decision.
I Messenger: Could you as the judge, have overturned the jury’s sentence and given the defendant a longer sentence?
Judge Kemp: No, by law I could not overturn the jury’s verdict. Again, once a defendant decides to go before the jury to decide guilt/innocence and punishment, the jury’s verdicts in both phases of a trial are the final decisions.
I Messenger: A photo of your political endorsement from the Dallas Police Association (DPA) Political Action Committee has been circulating on social media and many voiced disapproval of the endorsement. In terms of the timeline, when did you receive the DPA’s endorsement relative to when Mr. Jean was killed?
Judge Kemp: The Dallas Police Association’s Political Action Committee endorsed both my first campaign in 2014 and my campaign for reelection in 2018, just as they endorse multiple judicial candidates in every election cycle. During my last election, DPA announced their endorsement of my campaign for re-election in the fall of 2017. Amber Guyger shot and killed Mr. Botham Jean on September 6, 2018. Obviously, no one could have predicted this horrific tragedy would occur a year later, long after the organization endorsed my campaign.
I Messenger: On October 3, 2019, the Freedom from Religion Foundation filed a complaint with the Texas Ethics Commission, against you for the now ‘infamous hug.’ Do you believe your actions were inappropriate?
Judge Kemp: Obviously, I do not think it was inappropriate, but I will leave that decision to the Ethics Commission.
I Messenger: On October 4, 2019, you summoned Dallas County Criminal District Attorney John Creuzot to appear before the 204th Judicial District Court for a contempt of court hearing that is scheduled to take place on October 31st. What is the purpose of this hearing and why do you believe it is necessary?
Judge Kemp: On September 23, the very first day of trial, as the attorneys and I were wrapping up preliminary matters outside the presence of the jury, Amber Guyger’s defense team informed the court that our elected DA had appeared in a new television interview alleging that it was in direct violation of the court’s gag order prohibiting both the prosecutors and defense lawyers from speaking publicly about the case and/or trial in any way.
It was determined and confirmed that the DA’s interview on FOX 4 News was not taped the night before the beginning of trial, but in fact had been taped on September 20, 2019, which was three days before the trial was set to begin. Due to the high volume of media coverage on this case, I had put a gag order in place in January of this year for all parties involved in the case. In general, the purpose of a court’s gag order on any case is to prohibit the parties from trying their case in the public.
A contempt of court hearing, also known as a show cause hearing, requires the alleged violator to appear before the court and explain why he/she did not adhere to the court’s order(s). I believe it is necessary in this case, just as it would be with any case, because court orders are meant to be followed, no exceptions. Additionally, with all of the hard work that went into this case on both sides, it was pretty shocking to learn that the order had allegedly been violated, a decision that technically could have resulted in a mistrial before the trial even started, had any of the jurors seen the interview.
However, after I watched the interview, I polled each juror individually and confirmed that none of them had seen it and the trial proceeded accordingly.
I Messenger: What would you like for people to know about the 204th Court?
Judge Kemp: I want people to know that we treat everyone with compassionate accountability in our court. My principles for running were to be accountable to the public, compassionate towards victims and fair to the accused, and we’ve made those principles the bedrock of everything we do in court.
Tammy Kemp is the presiding Judge of the 204th Judicial District Court. There has been a transformation and many successes since she took the bench. Judge Kemp is a native of Wewoka, OK and earned a Bachelor of Business Administration in Finance and a Juris Doctorate degree from OU. After graduating law school, she worked as an Assistant Attorney General and an Assistant Secretary of State for the State of Oklahoma, before relocating to the Dallas area.
She has been practicing law since 1988 and her areas of expertise include criminal, corporate and retirement law. In her previous role of Administrative Chief of the Family Violence and Child Abuse Divisions at the Dallas County District Attorney’s (DA) Office, she supervised 28 attorneys, 21 investigators, and 18 support staff. Her duties included the investigation and prosecution of criminal offenses, including death penalty capital murders.
She is a member of the State Bar of Texas and the State Bar of Oklahoma and has been a member of Concord Church for more than 26 years, where she serves as a Deaconess. A member of Delta Sigma Theta Sorority, Inc., Judge Kemp is married to a wonderful, supportive husband and they have three amazing children.
This article originally appeared in the Texas Metro News.
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#NNPA BlackPress
Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens
TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.
Published
5 days agoon
March 24, 2026By
admin
By Candace A. Gray | Tri-State Defender
The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.
Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.
“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”
With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.
“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”
Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.
Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.
The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.
Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.
“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”
Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM). “We began working with Dr. Jenkins in 2018,” he said.
Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.
One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.
The exhibit catalogue bears some of these artists’ stories, among other scholarly information.
The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.
Visit https://www.dixon.org/ to learn more.
Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.
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#NNPA BlackPress
Grief, Advocacy, and Education: A Counselor Reflects on Black Maternal Health
SAN DIEGO VOICE & VIEWPOINT — Last month healthcare leaders, birth workers, and community members gathered to honor the legacy of Charleston native Dr. Janell Green Smith, a nurse-midwife and doctor of nursing practice who died in January from childbirth complications. She had participated in more than 300 births and specialized in helping Black women give birth safely.
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5 days agoon
March 24, 2026By
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By Jennifer Porter Gore | Word-In-Black | San Diego Voice and Viewpoint
In 2024, the number of U.S. mothers who died as a result of pregnancy or childbirth dropped compared to 2023. But while slightly fewer Black mothers died that year, they still had three times the mortality rate of white women.
South Carolina’s rates of maternal deaths outpaced even the national rates. In fact, the state’s overall rate of maternal deaths between 2019 and 2023 was higher than all but eight states and the District of Columbia.
Last month healthcare leaders, birth workers, and community members gathered to honor the legacy of Charleston native Dr. Janell Green Smith, a nurse-midwife and doctor of nursing practice who died in January from childbirth complications. She had participated in more than 300 births and specialized in helping Black women give birth safely.
Her death shocked the community and her colleagues who are determined to address concerns about Black maternal health. The event also covered the importance of protecting mental health during grief and of men’s role in solving the maternal health crisis.
As both a therapist and a father, Lawrence Lovell, a licensed professional counselor and founder of Breakthrough Solutions, discussed ways the event’s attendees could process their grief over Green Smith’s death. He also shared ways male partners can advocate for women’s maternal health during pregnancy and childbirth.
Lovell spoke not just as a therapist but also as a father whose own family had briefly crossed paths with Green Smith. The event, he said, emerged organically from a moment of collective mourning.
Despite the grief, “it was still, like, a really beautiful event, a much-needed event, and it almost felt like we were all giving each other a collective family hug,” says Lovell.
His connection to Green Smith, Lovell says, was brief but meaningful during his wife’s pregnancy with their second child. Green Smith was practicing at the same birthing center where they had their child. She began practicing in Greenville a short time later.Even that short connection carried significance for Lovell, given the small number of Black maternal health professionals.
Lovell did not initially plan to become a mental health practitioner; he chose the career path after graduating from college, when someone suggested he consider psychology. His interest deepened when he noticed how few Black men work in mental health.
“Being Black man and playing football in college, there weren’t a lot of people that look like me talking about mental health,” says Lovell. “[I wanted] to give people that look like me an opportunity to work with someone that looks like them.”
Working with Expectant and New Parents
Lovell often counsels couples preparing for parenthood by, helping partners understand what a successful pregnancy, childbirth, and postpartum recovery look like. That often means helping women manage postpartum depression.
As a man, Lovell says, it’s “humbling” that a woman “just trusts me enough to work with me through their pregnancy or their postpartum recovery.”
In his work, Lovell has noticed how few men understand pregnancy before they experience it with their partner. Because early pregnancy symptoms are often invisible, he says, men may underestimate how much support a mom-to-be actually needs.
“Sometimes they may not realize they don’t know much about pregnancy and what to expect in those three trimesters,” Lovell says. “I tell a lot of the men that just because you can’t see [she’s pregnant] doesn’t mean that she won’t appreciate your intense support in that first trimester.”
Education about pregnancy and postpartum recovery, he says, can change how men support their partners.
Teaching Advocacy in the Delivery Room
Another major focus of Lovell’s counseling is preparing men to advocate for mothers during labor.
“Helping men understand what pregnancy looks like: what delivery is going to look like, and what are the realistic expectations that I should have of myself in postpartum,” he says.
Lovell encourages partners to be honest about their expectations for what will happen during delivery. He helps them prepare for the big day by discussing the birth plan and knowing how to quickly recognize problems. Clear communication, he says, prevents misunderstandings.
He regularly trains men to ask their partners detailed questions about their expectations during and after pregnancy. Advocacy in medical settings can be especially important and requires attention to details the mother may not be able to address.
“It’s always important to fine-tune things and truly understand what helps your partner feel most supported,” Lovell says. “Instead of guessing, you should ask.”
Lovell recalls a moment during the birth of his first child when he had to take that role.
During the delivery, “I felt like something wasn’t as sanitary as I’d like it to be,” he says. “I asked, ‘Hey, can you switch those out? Can you change your gloves?’”
Lovell has a succinct but powerful message he regularly shares with clients’ families, and he shared it with attendees at last month’s event.
“Just to believe women,” he says. “I’ve worked with different couples, and sometimes I’m not really sure that there’s enough empathy from the men.”
That includes how women express pain.
“If a woman says, ‘my pain is at a nine,’ just because how you would express yourself at a nine is different than how she’s expressing herself at [that level] doesn’t mean you shouldn’t believe her,” he says.
Empathy, he says, can change outcomes far beyond the delivery room.
“We’ve got to believe women when they’re talking about their experiences and their feelings and their pain,” he says. “I think there’s a lot that we can prevent if we empathize better.”
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#NNPA BlackPress
Future of Florida’s Black History Museum in Limbo
JACKSONVILLE FREE PRESS — A proposal sponsored by Tom Leek, a Republican from Ormond Beach, has now passed the Senate in back-to-back legislative sessions. But the House version, filed by Kiyan Michael, a Jacksonville Republican, did not receive final approval in either year, effectively stalling the effort.
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5 days agoon
March 24, 2026By
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Jacksonville Free Press
Plans to establish a long-awaited Black history museum in Florida are once again on hold after legislation needed to advance the project failed to clear the state House for a second consecutive year, despite repeated approval in the Senate.
A proposal sponsored by Tom Leek, a Republican from Ormond Beach, has now passed the Senate in back-to-back legislative sessions. But the House version, filed by Kiyan Michael, a Jacksonville Republican, did not receive final approval in either year, effectively stalling the effort.
Under Florida law, identical or similar bills must pass both chambers before heading to the governor’s desk. Without House approval, the legislation has been unable to move forward, leaving the project in limbo. Long journey, contested location.
The proposed museum, formally known as the Florida Museum of Black History, has been years in the making, with lawmakers and community leaders framing it as a long-overdue institution to preserve and showcase the state’s African American heritage .A central point of contention has been the museum’s location. St. Augustine — widely recognized as the nation’s oldest city and a site deeply tied to both slavery and early Black history — emerged as the leading contender. Supporters argue the city’s historical significance makes it a natural home for the museum. However, competing interests and regional considerations have fueled debate, slowing consensus among lawmakers.
While the Senate-backed measure has consistently advanced, the lack of alignment in the House has underscored ongoing divisions about how and where the project should take shape.
The holdup in the Florida House appears to be less about opposition to the museum itself and more about a combination of procedural bottlenecks, unresolved structural issues, and lingering disagreements over how the project should be formalized and governed.
Despite the legislative setbacks, Republican Gov. Ron DeSantis has publicly voiced support for the museum. Speaking last month during the unveiling of a statue of abolitionist Frederick Douglass in St. Augustine, DeSantis said the project would move forward “one way or another,” signaling an intent to see the museum built regardless of legislative hurdles.
The anticipated museum has already cleared several hurdles. St. Johns County signed an agreement last year with Florida Memorial University to use the land that once housed its campus last year’s legislative session netted $1 million in funding for St. Johns County to work on planning and design for the museum. However, its anticipated that a million $3 million is needed.
Still, without statutory approval to finalize key components — including governance, funding mechanisms and site selection — the project remains largely conceptual.
With the House bill failing again, the timeline for the museum’s development is unclear. Lawmakers could revisit the proposal in the next legislative session, but any further delays risk pushing the project back several more years. Advocates warn that continued inaction could stall momentum for a museum many see as critical to telling a fuller, more accurate story of Florida’s past. For now, the effort remains paused — caught between political support at the top and legislative gridlock within the Capitol.
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#NNPA BlackPress4 weeks agoTrump’s MAGA Allies are Creating Executive Order Plan to Steal the 2026 Midterms
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#NNPA BlackPress4 weeks agoPoll Shows Support for Policies That Help Families Afford Child Care
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Activism3 weeks agoOakland Post: Week of March 4 – 10, 2026
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#NNPA BlackPress3 weeks agoWoman’s Search for Family’s Roots Leads to Ancestor John T. Ward – A Successful Entrepreneur and Conductor on the Underground Railroad
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#NNPA BlackPress3 weeks agoOP-ED: NNPA Launches 2026 “Leadership Matters” Video Series

