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Country Music Acts Quietly Abandon Confederate Flag

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In this Nov. 2, 2009 file photo, John Rich of the musical group, Big & Rich, performs at a rally for 23rd Congressional District candidate, Doug Hoffman, in Watertown, N.Y. Mainstream country music has been quietly distancing itself from the Confederate flag for years, but as the debate reignites following a massacre at a black church in South Carolina on June 17, country artists still struggle to articulate their feelings about the flag’s history and symbolism. Rich told Fox News’ Sean Hannity that he agreed with South Carolina Gov. Nikki Haley’s call to remove the Confederate flag from the state capitol. (AP Photo/Heather Ainsworth, File)

In this Nov. 2, 2009 file photo, John Rich of the musical group, Big & Rich, performs at a rally for 23rd Congressional District candidate, Doug Hoffman, in Watertown, N.Y. (AP Photo/Heather Ainsworth, File)

KRISTIN M. HALL, Associated Press

NASHVILLE, Tenn. (AP) — The Confederate flag was once a familiar symbol in country music, representing the rural South and the renegade spirit of artists such as David Allan Coe and Hank Williams Jr.

But the rebel banner that will be removed Friday from the grounds of the South Carolina Capitol has faded from stage and song, with many country artists quietly distancing themselves from the emblem that used to feature prominently in merchandise, lyrics and concerts.

“You won’t find it being used by young country acts today, partly because it doesn’t mean the same thing to them,” said Robert K. Oermann, author and columnist for MusicRow magazine. “Partly because some of them aren’t Southern and partly because if you want to appeal to a national audience, why would you do that?”

Many artists have adopted the American flag instead.

Only a small number of country artists have been willing to speak on the issue in the weeks since nine black churchgoers were fatally shot at a Bible study in Charleston, South Carolina.

Charlie Daniels wrote a long column on his website addressing the most recent controversy over the flag, which he called “a sign of defiance, a sign of pride, a declaration of a geographical area that you were proud to be from.”

“That’s all it is to me and all it ever has been to me,” Daniels wrote, explaining that he opposes racism and believes that every person deserves the same rights and advantages regardless of skin color.

“Unfortunately,” Daniels said on the site, “the Confederate battle flag has been adopted by hate groups — and individuals like Dylann Roof,” who is charged with murder in the church attack.

John Rich, of the duo Big and Rich, told Fox News’ Sean Hannity that he agreed with calls to remove the flag from its pole outside the Statehouse in Columbia. A protest song called “Take Down Your Flag,” written by singer songwriter Peter Mulvey, has been recorded and posted online by hundreds of artists, including Ani DiFranco, bluesman Keb’ Mo and actor Jeff Daniels.

The banner was not commonly used until the late 1960s, when it began to be adopted by some country and rock artists who identified as outlaw musicians appealing to blue-collar fans, Oermann said.

Coe and Williams, the country group Alabama and rockers like Lynyrd Skynyrd all used the flag on stage or in merchandise or referenced the flag or the Confederacy in their lyrics.

The flag continued to appear in some country acts through the 1970s and early 1980s, but it fell out of favor as the genre became more commercial and the industry sought to reach wider audiences in the suburbs and urban areas beyond the South.

Country artists take a big risk in addressing social and political issues. Just two years ago, Brad Paisley was criticized for recording a song called “Accidental Racist,” with rapper LL Cool J, that sought to explore racial tensions but came across as naive and ill-advised.

Diane Pecknold, an associate professor of women and gender studies at the University of Louisville who has written extensively about the history of country music, said country has a strong association with patriotism and with promoting inclusion of all races and cultures. She noted that Paisley, Tim McGraw and Garth Brooks all have songs that are explicitly anti-racist.

“You can criticize them for being naive or being post-racial in a way that ignores contemporary and institutionalized racism,” Pecknold said. “You can criticize them for failing to conceptualize it in a meaningful way, but you still have to say that they are talking about race and an ideal of America that is anti-racist.”

Darius Rucker, a black musician who hails from Charleston, chose to communicate directly to his fans on Twitter: “Incredibly proud of my city for handling this tragedy with love. Thankful to be a part of a community that can come together in a time of need.”

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Charlie Daniels’ website: www.charliedaniels.com.

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Follow Kristin M. Hall on Twitter at http:twitter.com/kmhall.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Community

Rajah Caruth: Young Trailblazer of NASCAR

Imagine you’re only 22 years old and already making a name for yourself in NASCAR, one of the most thrilling sports in the US. That is the life of Rajah Kirby Caruth, an American professional stock car racing driver.

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Rajah Kirby Caruth, an American professional stock car racing driver. (File Photo)
Rajah Kirby Caruth, an American professional stock car racing driver. (File Photo)

By Tamara Shiloh

Imagine you’re only 22 years old and already making a name for yourself in NASCAR, one of the most thrilling sports in the US. That is the life of Rajah Kirby Caruth, an American professional stock car racing driver.

Born June 11, 2002, in Washington, DC, he was drawn to the sport as a child after seeing the Disney Pixar film “Cars.

Caruth dreamed of tooling around the track like the main character in “Cars,” Lightning McQueen. His enthusiasm grew when his parents surprised him with a trip to the NASCAR Cup Series race at Richmond Raceway when he was 12.

In 2018, while keeping busy with school, sports and a summer job, Caruth and his family held fundraisers so that he could buy an iRacing simulator. Then, at age 16, he traded a real driver’s license to race virtually in the eNASCAR Ignite Series, which led to him being recruited by the NASCAR Drive for Diversity Program.

His first big opportunity came in 2019 when he competed in a “Legends” car at Charlotte Motor Speedway in the Bojangles’ Southern Shootout and recorded two top-third in the semi-pro points.

People began to recognize Caruth’s talents. In 2020, he stepped up to the NASCAR Advance Auto Parts Weekly Series and became the first African American to win at Greenville-Pickens Speedway in a late model race. The next year, he won at Tri-County Motor Speedway and picked up his fourth overall late model victory.

Then, he became the first person of color to win at the South Carolina track.

In 2021, Caruth announced he would compete full-time in the ARCA Menards Series East for Rev Racing, where he finished third in the standings, including a series of top-five finishes. He made his NASCAR Xfinity Series debut on a bigger stage as well.

Then, in 2022, thing really took off. A new chapter found Caruth at NASCAR’s unofficial Triple A league with GMS Racing, where he drives full-time for the NASCAR Camping World Truck Series, with a sponsorship from The Wendell Scott Foundation. After a few setbacks, he broke into the top 10 several times, finishing at a career-high 6th at Darlington Raceway.

Fast-forward to 2024, and Caruth’s took the third major step in his career. He is now driving full-time in the NASCAR Craftsman Truck Series for Spire Motorsports and has been making the news for putting on stellar performances. Oh, and he won at Las Vegas: his first career victory.

From an impressionable young racing fan to a professional NASCAR driver, Caruth is charting a new path, creating history, and inspiring people to always remember that if you have the talent, the drive, and most of all, the heart, anything can be achieved.

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Mayor Breed Proposes Waiving City Fees for Night Markets, Block Parties, Farmers’ Markets, Other Outdoor Community Events

Mayor London N. Breed introduced legislation on April 26 to encourage and expand outdoor community events. The first will waive City fees for certain events, making them less costly to produce. The second will simplify the health permitting for special event food vendors through the creation of an annual permit. Both pieces of legislation are part of the Mayor’s broader initiative to bring vibrancy and entertainment to San Francisco’s public right of ways and spaces.

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Outdoor community events are integral to San Francisco’s vibrant culture and sense of community. iStock image.
Outdoor community events are integral to San Francisco’s vibrant culture and sense of community. iStock image.

Mayor’s Press Office

Mayor London N. Breed introduced legislation on April 26 to encourage and expand outdoor community events.

The first will waive City fees for certain events, making them less costly to produce. The second will simplify the health permitting for special event food vendors through the creation of an annual permit. Both pieces of legislation are part of the Mayor’s broader initiative to bring vibrancy and entertainment to San Francisco’s public right of ways and spaces.

Outdoor community events are integral to San Francisco’s vibrant culture and sense of community. These events include night markets, neighborhood block parties and farmers markets, and bolster the City’s economy by supporting local businesses and attracting tourists eager to experience San Francisco’s unique charm and food scene.

They offer residents, workers and visitors, opportunities to engage with local artists, musicians, and food vendors while enjoying the San Francisco’s stunning outdoor spaces and commercial corridors.

The legislation will allow for more and new community gatherings and for local food vendors to benefit from the City’s revitalization.

“San Francisco is alive when our streets are filled with festivals, markets, and community events,” said Breed. “As a city we can cut fees and streamline rules so our communities can bring joy and excitement into our streets and help revitalize San Francisco.”

Fee Waiver Legislation

The events that can take advantage of the new fee waivers are those that are free and open to the public, occupy three or fewer city blocks, take place between 8 a.m. and 10 p.m., and have the appropriate permitting from the ISCOTT and the Entertainment Commission.

The applicant must be a San Francisco based non-profit, small business, Community Benefit District, Business Improvement District, or a neighborhood or merchant association. Fees eligible for waiver include any application, permit, and inspection/staffing fees from San Francisco Municipal Transportation Agency, Department of Public Health, Fire Department, Entertainment Commission, and Police Department.

Currently, it can cost roughly anywhere between $500-$10,000 to obtain permits for organized events or fairs, depending on its size and scope. Organizations and businesses are limited to a maximum of 12 events in one calendar year for which they can receive these fee waivers.

Food Vendor Streamlining Legislation

The second piece of legislation introduced will help special event food vendors easily participate in multiple events throughout the year with a new, cost-effective annual food permit. Food vendors who participate in multiple events at multiple locations throughout the year will no longer need to obtain a separate permit for each event. Instead, special event food vendors will be able to apply and pay for a single annual permit all at once.

“Many successful food businesses either begin as pop-up vendors or participate in special events to grow their business,” says Katy Tang, Director of the Office of Small Business. “Giving them the option for an annual special event food permit saves them time and money.”

Currently, food vendors are required to get a Temporary Food Facility (TFF) permit from the Department of Public Health (DPH) in order to participate in a special event, among permits from other departments.

Currently, each special event requires a new permit from DPH ranging from $124-$244, depending on the type of food being prepared and sold. Last year, DPH issued over 1,500 individual TFF permits. With the new annual permit, food vendors selling at more than four to six events each year will benefit from hundreds of dollars in savings and time saved from fewer bureaucratic processes.

“This legislation is a step in the right direction to make it easier for food vendors like me to participate in citywide events,” said Dontaye Ball, owner of Gumbo Social. “It saves on time, money and makes it more effective. It also creates a level of equity.”

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Community

Salesian Coach Knew Angel Jackson Could Play in WNBA

Back in 2019, Salesian Girls Basketball Head Coach Stephen Pezzola made a bold prediction about one of his players, Angel Jackson. “If she keeps putting in the work like she did for us, she could be in the WNBA,” the coach said. That turned out to be very true. Last month, the Las Vegas Aces selected Jackson with the 36th overall pick in the 2024 WNBA Draft. She is the second player from an Historically Black College or University, or HCBU, to be selected in the draft in 20 years.

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Angel Jackson. Photo courtesy of Jackston State.
Angel Jackson. Photo courtesy of Jackston State.

The Richmond Standard

Back in 2019, Salesian Girls Basketball Head Coach Stephen Pezzola made a bold prediction about one of his players, Angel Jackson.

“If she keeps putting in the work like she did for us, she could be in the WNBA,” the coach said.

That turned out to be very true. Last month, the Las Vegas Aces selected Jackson with the 36th overall pick in the 2024 WNBA Draft. She is the second player from an Historically Black College or University, or HCBU, to be selected in the draft in 20 years.

Jackson’s success came as little surprise to Pezzola, who last year led the Pride to their 8th North Coast Section championship since he took over the program in 2008-2009. In 2019, Pezzola commended Jackson as “a very coachable kid” from the time she arrived at Salesian.

Tomekia Reed, her coach at Jackson State, shared similar sentiments, noting Jackson worked “very hard” to reach this moment.

“She came into our program doing great things and never looked back,” Reed told the Clarion Ledger. “She has trusted our leadership as we were able to develop her into an amazing player. I have watched her improve tremendously over the years.”

The 6’-6” Jackson played three seasons at the University of Southern California before transferring to Jackson State. She was ranked 10th in the NCAA in blocked shots and averaged 10 points per game in her final college season.

She finished her collegiate career with 1,047 points and was twice named Southwestern Athletic Conference Defensive Player of the Year.

As the 36th pick, Jackson was the final pick in the 2024 NBA Draft. In a television interview, Jackson said she didn’t expect to be picked, and called the moment “surreal.”

“It made me feel so appreciative that HBCU is getting back on the map again,” she said.

All she could do in that moment was cry.

“I called my mom immediately, and she started crying,” Jackson said. “It was the best moment you can feel as a young lady.”

There’s no stopping Jackson now. “The sky is the limit,” she said.

Her high school coach agrees.

“I knew that Angel could do it,” Coach Pezzola told the Richmond Standard this week. “We are so proud of Angel and what she has accomplished. It was an honor and joy to coach Angel at Salesian.”

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