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William Wells Brown, Personifying the American Dream

William Wells Brown personified the American dream. He’d become an internationally renowned antislavery activist and writer who resided in and traveled widely across the northern United States and the British Isles. He penned a series of remarkable books including the first Black novel, the first printed Black play, the first Black travelogue, and the first Black panorama displayed in Britain.

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William Wells Brown. Wikipedia.org photo.
William Wells Brown. Wikipedia.org photo.

By Tamara Shiloh

The minstrel shows of the early 19th century are believed by some to be the roots of Black theatre. However, they were written, acted, and performed by whites for white audiences. The first known play by a Black American was James Brown’s “King Shotaway” (1823), but the first Black play published was William Wells Brown’s (ca. 1814–1884) “The Escape; or, A Leap for Freedom.”

While “Escape” was published in 1858, it was not officially produced until 1971 at Emerson College. It was one of the earliest extant pieces of African American dramatic literature.

Brown, whose mother was a slave, was born on a plantation outside Lexington, Ky. He would become a Black antislavery lecturer, a groundbreaking novelist, playwright, and historian.

According to the New Bedford Historical Society (NBHS), he is “widely considered to have been the first African American to publish works in several major literary genres, and widely acclaimed for the effectiveness of many of his writings.”

Bought and sold several times before age 20, Brown spent his childhood and much of his young adult life as a slave in St. Louis, Mo. There he was hired out to work on the Missouri River which, at that time, served as a major thoroughfare for the slave trade. This location allowed him several chances to escape. It was New Year’s Day in 1834 that he slipped away from a steamboat and finally became successful.

Brown landed in Cleveland, Ohio, where he began educating himself and reading antislavery newspapers. He later worked as a steam boatsman on Lake Erie and conductor for the Underground Railroad. On arrival at Cleveland, he’d taken shelter with Mr. and Mrs. Wells Brown, a white Quaker family and later adopted their names.

By 1843, Brown had become a regular on the Western New York Anti-Slavery Society lecturing circuit. He was also deeply committed to speaking out on women’s rights and temperance laws (laws banning the sale of spirits in less than 15-gallon quantities). It was Brown’s speaking that led many historians and scholars to provide the trajectory for his later career as a writer. By 1845, he’d published “Narrative of William W. Brown, a Fugitive Slave, Written by Himself.”

Brown personified the American dream. He’d become an internationally renowned antislavery activist and writer who resided in and traveled widely across the northern United States and the British Isles. He penned a series of remarkable books including the first Black novel, the first printed Black play, the first Black travelogue, and the first Black panorama displayed in Britain.

Focusing on his own historical works, Brown penned two histories of the Black race, a history on Blacks and whites in the South, and a rare military history of Blacks in the Civil War. He eventually settled in Boston, where he practiced medicine until his death from cancer in 1884.

Learn more about Brown’s compelling story through his classic American slave narrative: “The Narrative of William W. Brown a Fugitive Slave.”

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Big God Ministry Gives Away Toys in Marin City

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.

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From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.
From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.

By Godfrey Lee

Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.

Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.

A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.

Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.

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