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Walgreens Exiting East Oakland Because Medicare and Medicaid Customers Don’t Generate Enough ‘Green’ for $140 Billion Corporation

The councilmembers of District 7 and District 6 joined with more than 2,500 neighborhood petitioners to condemn the less than one month notice.

Published

5 years ago

July 24, 2021

Christy Price

Walgreens 8102 International Blvd, Oakland, Calif./Yellow Pages

Oakland City Councilmembers Treva Reid and Loren Taylor announced that they will press Walgreen’s to abandon their plans to close their pharmacy by July 29 at 8102 International Boulevard.

The councilmembers of District 7 and District 6 joined with more than 2,500 neighborhood petitioners to condemn the less than one month notice.

Taylor and Reid pointed out that Walgreens’ lease still has six month remaining before its expiration in January 2022.

They denounced the abandonment of seniors, especially those who reside at Allen Temple Arms across the street from the pharmacy.

“We are disheartened that in the midst of the pandemic, with many health disparities in diagnoses and with the next available pharmacy located miles away, they are furthering the health crisis,” said Reid. “With all the nurses and medical personnel that patronize this pharmacy they were disrespected to hear of the closing by way of second-hand social media postings. We will continue to pursue this issue at the local, regional and national levels to find other ways to solve this problem.”

Taylor said Walgreens exacerbated the pain of the closing by giving the reason that the high percentage of low-income Medicare and Medicaid patients who get their prescriptions filled results in a lower profit margin for the corporation worth $140 billion. He also pointed out how they were making a mockery of their mission statement which is to “Champion the health and well-being of every community in America.”

Taylor and Reid presented the following fact sheet that answers the questions asked of Walgreens:

So why is Walgreens closing?…

The first reason they gave was the rent… After speaking with the property owner I learned that Walgreens asked for close to a 50% reduction of rent and to lock that in for double-digit years, something that the property owner couldn’t afford. In addition, I learned that Walgreens still has six months left on their lease during which they will continue paying their rent. If Walgreens is obligated to pay its lease through January (even if it chooses not to renew that lease) why close six months early?
The second reason they gave was the ‘shrinkage’ – a portion of which is due to theft. We know this is a problem across the state. The representatives from Walgreens that we talked to this morning admitted that the shrinkage rates due to theft are not as high as in San Francisco where they are closing stores. This is a problem across the state – even to the point that Gov. (Gavin) Newsom just yesterday (July 22) signed into law a bill extending a program that allows the California Highway Patrol to operate regional task forces to fight organized retail theft with other law enforcement agencies.
The third reason that they gave is that the high percentage of Medicaid/ Medicare patients leads to lower profit margins because the state reimbursement is not as high as private insurance. This reason squarely places low-income residents of California in the crosshairs of any corporate decision to close stores and reduce services. I reject this rationale for a store closure – especially from a healthcare company where we know in a managed care environment, we must balance the higher profit services with the lower-profit services so that in aggregate we support all residents/ patients.
Taylor said, “I stand here today with my fellow Councilmember, Treva Reid, in whose district we stand and she and I represent districts and a population of residents who are often cast aside and marginalized. Districts that still suffer from the effects of institutionalized racism, redlining, white flight and the war on drugs. A true partnership to champion the health and well-being of every community does not occur when a unilateral decision is made to close a store without more than a few weeks’ notice through a sign being posted on a window alerting customers to the closure.

My office was not proactively engaged by Walgreens, and in fact I found out about this based on a Facebook post by a resident who took a picture of the sign. The communication that came to me through a Walgreens District Manager was that the property owner was being unreasonable.”

Christy Price

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Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

Published

3 weeks ago

March 24, 2026

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By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM). “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.