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USF Law Student Sarah Omer is a Voice for Democracy in Sudan

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As the 30-year-old dictatorial regime crumbled in Sudan and protesters clamored for a civilian government, the University of San Francisco School of Law held a panel in March on what justice could look like for victims of the regime. Sarah Omer JD ’21, born and raised in Khartoum, Sudan, talked about the role of women and youth in the revolution. Omer left the country six years ago to attend college in the U.S., but she still has friends and family in Sudan and visits her family home at least once a year.

What is happening in Sudan now?

Last month, protesters removed President Bashir after 30 years in power. The protesters have now staged a sit-in outside the military headquarters in Khartoum and many other cities in Sudan. This sit-in is now in its fifth week, with protesters creating a functioning mini-city. Protesters are demanding the transition of the government to civilian rule. The military has been in power in Sudan for decades.

What was it like to grow up under a dictatorship?

I was privileged because my parents were well-off and I had an American passport. It was easy for me to travel and I went to an American school, which was its own privileged bubble. But I was deprived of civil freedoms like the right to free speech and to dress how I’d like. Most Sudanese children are deprived of basic resources; there is a lack of schools and hospitals in many regions. People don’t have access to medicines and often die of curable diseases. The education system is geared to teach Sudanese children more about their Arab history than the African heritage, which is repressed, denied, and silenced by the military regimes.

Do you run any risks when you speak out against the military regime?

I feared saying the wrong thing on social media. I became more active in voicing my opinion when I came to the U.S, but my parents always say, “You’d better delete those tweets when you come home.” In Sudan, there was always a danger of getting arrested or disappearing if you criticized the regime.

Where do you stand with respect to recent events?

I support the revolution and the demand for a civilian government. Right now, Sudan has a transitional military council in place and it is negotiating with the Coalition for Freedom and Change, made up of civilians and professionals, that stands with the revolution. The people have faith in a civilian coalition that’s committed to restoring education and health care and returning refugees and internally displaced people to their homes. I think the coalition should represent all ethnic groups in Sudan and should be able to rebuild the legislative branches of the government to transition into a democracy.

Do you wish you were in Sudan now?

Yes, especially now when Sudan is finally experiencing the change it so deserves. I post daily updates on my social media (@ssaifo_) to ensure people here know what’s going on.

As a law student, what do you want to do in the future?

I hope to work on issues of justice and accountability in Sudan and be a part of a new judicial system that will serve all of Sudan and particularly Sudanese women who have been wronged by the system. I’m studying law so I can have the tools necessary to become an activist.

What can the university community do to help Sudan?

Support the Sudanese people’s choice of civilian rule. Many nations have accepted the military council as legitimate despite the Sudanese people still protesting for them to hand over power to the people. By putting pressure on our elected representatives here to stand with the people of Sudan, we can assist the revolutionaries. The fewer countries that support the military council, the better.

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Art

Jean-Michel Basquiat, A Troubled Soul

Basquiat often said that he “felt friendless and misunderstood.” After his parents separated, Gerard moved with his children to Brooklyn’s Boerum Hill neighborhood. When he was 7, Basquiat’s mother was diagnosed as mentally ill and was eventually institutionalized. This part of his life troubled him greatly.

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Untitled, 1981 by Jean-Michel Basquiat. Wikipedia photo.
Untitled, 1981 by Jean-Michel Basquiat. Wikipedia photo.

By Tamara Shiloh

It was the early summer of 1980. More than 100 artists converged on an abandoned four-story building at Seventh Avenue and 41st Street in New York City that had once served as a massage parlor. Among those in the group was Jean-Michel Basquiat (1960–1988). His work on exhibit was believed to have been his first painting on canvas.

Although the exhibition, dubbed “The Times Square Show,” drew critical attention, it boosted 18-year-old Basquiat’s career as a painter. His contribution, a mural painted on a patch of wall, was described by Art in America as “a knockout combination of de Kooning and subway paint scribbles.”

The path to that shuttered massage parlor and his rise to success during the 1980s as part of the Neo-expressionism movement were not without difficulty.

Basquiat was born into a middle-class family in Brooklyn. His father, Gerard, a Haitian immigrant, was an accountant. His mother, Mathilde, was a homemaker. Despite her frequent hospital stays for depression, Mathilde spent countless hours in the Museum of Modern Art and the Brooklyn Museum with Jean-Michel, encouraging his interest in painting.

Gerard, physically abusive, wasn’t involved in his son’s career. Biographies and films have chronicled the strained relationship between the two, according to DNA Info.

Basquiat often said that he “felt friendless and misunderstood.” After his parents separated, Gerard moved with his children to Brooklyn’s Boerum Hill neighborhood. When he was 7, Basquiat’s mother was diagnosed as mentally ill and was eventually institutionalized. This part of his life troubled him greatly.

By age 17, Basquiat dropped out of high school. Gerard then threw him out of the house. He stayed with friends, slept in Washington Square Park, and lived-in run-down hotels.

It was then that he partnered with other graffiti artists and created the persona, SAMO, meaning “same old sh––.” For money, he panhandled and sold sweatshirts and postcards marked with his drawings. He got by on “cheap red wine and 15¢ bags of Cheetos.”

With no formal training, Basquiat created work that mixed graffiti and signs with the gestural and intuitive approach of Abstract Expressionist painting.

He expressed his personal angst in highly stylized self-portraits. In the early ’80s, race entered his work for the first time as a reflection of a “growing consciousness of his own position within the New York art world.”

His painting, “The Death of Michael Stewart” commemorates the killing of the young Black artist by New York City Transit Police. “Black people are never really portrayed realistically…. I mean, not even portrayed in modern art enough,” Basquiat had said.

Basquiat died of a drug overdose in 1988. Toward the end of his life, his works were selling around $25,000 to the Whitney Museum and the Museum of Modern Art.

Earlier though, both museums had rejected his work.

Be inspired by Basquiat’s paintings, read “Life Doesn’t Frighten Me” by Maya Angelou, Jean-Michel Basquiat and Sarah Jane Boyers.

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Arts and Culture

Deputy Library Director Bestowed National Honor

A respected national publication called Library Journal took notice and awarded Deputy MCFL Director Raemona Little Taylor in its 2022 Movers & Shakers class of community builders for her outstanding leadership and impact to the library industry as a change agent. Only 41 people were in the 2022 class, and just over 1,000 librarians nationwide have earned such status since the awards were first given in 2002.

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Deputy MCFL Director Raemona Little Taylor did not let the pandemic get in the way of her equity work to benefit library patrons. (Photo: Library Journal)
Deputy MCFL Director Raemona Little Taylor did not let the pandemic get in the way of her equity work to benefit library patrons. (Photo: Library Journal)

Raemona Little Taylor earns accolade as advocate and literacy partner

Courtesy of Marin County

Advancing equity, from talk to action, is a trademark for Raemona Little Taylor, Deputy Director of the Marin County Free Library (MCFL). And there’s no way the COVID-19 pandemic was going to get in her way.

A respected national publication called Library Journal took notice and awarded Little Taylor in its 2022 Movers & Shakers class of community builders for her outstanding leadership and impact to the library industry as a change agent. Only 41 people were in the 2022 class, and just over 1,000 librarians nationwide have earned such status since the awards were first given in 2002.

Library Journal has provided features and news reporting about American libraries since 1876 and is the top trade publication in that industry. Movers & Shakers profiles up-and-coming, innovative, creative individuals from around the world — both great leaders and behind-the-scenes contributors — who are providing inspiration and model programs for others, including programs developed this year in response to the COVID-19 pandemic. Little Taylor is just the second MCFL employee to receive the national recognition; Diana Lopez, manager of the Marin City MCFL branch, was selected in 2016.

The publication noted that Little Taylor “worked tirelessly” to develop successful initiatives that are considered widely inclusive, stepping up to serve people in need and in marginalized populations. Her signature projects have included offering services to incarcerated youth, developing school partnerships, providing direct tutoring services, and overseeing the day-to-day operations of the Learning Bus, a “green” vehicle that brings literary and education outreach services to children and their families living in rural areas of West Marin. She also piloted a Reading Buddies program and implemented blueprints for safety around children working with adult volunteers.

Undeterred by the pandemic, Little Taylor moved the Reading Buddies program online, teamed with partners to create 500 new wireless hotspots for school-age children who were rushed into online learning for the first time, and led efforts to create a licensed day care center for children of health care and essential workers at an MCFL branch.

“The entire Marin County Free Library team stands with Raemona in our commitment to racial equity in Marin County,” said MCFL Director Lana Adlawan. “Raemona works tirelessly to ensure that community and staff voices are heard and that library programs are inclusive for all. She isn’t afraid to dream big and work hard to make new things happen. I am excited to see what she dreams up next!”

Little Taylor’s passion lies in offering services around literacy and education that are appropriate to the realities of disproportionately affected communities. The first step is acknowledging what she described as a long history of libraries as segregated spaces.

“Until libraries and librarians grapple with their history as gatekeepers for white-dominant culture, they will struggle to create welcoming and inclusive workplaces where diverse workers feel like they truly belong,” Little Taylor told the Library Journal. “It can be a real challenge to work within institutions as the one and only Black, Indigenous and people of color [BIPOC] staff member. We need to move beyond being tolerated to being celebrated.”

Little Taylor, an MCFL employee since 2017, is the public services administrator of the 10 MCFL branches and two mobile vehicles serving patrons in the field. Previously she was a teen and adult services librarian at the Fairfax branch and then senior librarian and education initiatives coordinator for four branches in West Marin. After earning her master’s degree from the University of Tennessee at Knoxville, she began her professional career as a public records researcher and in several roles with the Nashville Public Library prior to joining MCFL.

Nominations for annual awards were vetted by the editors of Library Journal, giving weight to factors such as innovation, the impact of the person’s work, and the potential for programs to serve as models and inspiration for others in the field.

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Art

Marin Fair Competitive Exhibits Open for Entry

“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”

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Marin County Fair “So Happy Together!” returns June 30-July 4

Courtesy of Marin County

2022 Marin County Fair Poster depicting a variety of farm animals with the Marin County Civic Center and Marin Fairgrounds property in the background. San Rafael, California — With Marin County Fair’s June 30 opening day just around the corner, the Competitive Exhibits categories for the 2022 Fair are now available on the Fair’s website MarinFair.org.

The competitive exhibit program, which usually takes place indoors, will remain online for one more year and will include competitions such as fine art and photography, decorated cakes and cookies, wine and beer label design, clothing and textiles, cartoon art, exceptional art, poetry and creative writing, hobbies and crafts, and more. The Plein Air painting competition on the first day of the Fair will take place outdoors. The agriculture competitions will remain outdoors and will include poultry, rabbits, sheep dog trials, pocket pets, dog care and training, and small animal round robin showmanship, to name a few.

“We are thrilled to provide an array of online competitions for our community during our outdoor only 2022 Fair,” said Director of Cultural Services Gabriella Calicchio. “The Competitive Exhibits program is the heart and soul of the Fair and we’re excited to bring our talented community together again to participate.”

The full list of categories and entry guidelines is available online at MarinFair.org. Submissions will be accepted from May 6 to May 31 and winners will be announced online during Fair time.

The 2022 fair will also focus on outdoor entertainment including the headline concerts, performers roaming the grounds such as jugglers, unicyclists, and stilt walkers, and interactive art experiences for fans of all ages. Returning fair favorites will include traditional carnival rides, the Global Marketplace, the Barnyard, food and drinks, and fireworks every night over the Civic Center’s Lagoon Park.

Early bird tickets sold out within one day of release. Discounted Fair tickets are still available for adults and teens through June 29. The Fair is a one-price gate featuring 28 carnival rides, exciting exhibits, spectacular firework displays, first-rate concerts and exciting attractions are FREE with gate admission. Tickets are available online only at MarinFair.org.

Headline concerts will soon be announced, and reserved gold circle tickets will go on sale May 16. Reserved concert seating in a special section is $60 per person and includes Fair admission.

Special Admission Days:
Kids Day at the Fair – Thursday, June 30
Children 12 and under are FREE on Thursday, June 30.
Senior Day at the Fair – Thursday, June 30
Seniors 65+ are admitted FREE

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