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Tiffany Haddish makes promise to fans following latest performance

ROLLINGOUT — During the performance, it was reported that she forgot several jokes and many others fell flat, causing fans to walk out of the comedy gig. After confirming reports of the flopped show, Haddish made her announcement to fans.

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Tiffany Haddish has made a promise to her fans following her latest performance.

The 39-year-old actress and comedian performed a sold-out show at the James L. Knight Center in Miami to ring in the New Year on Monday night, Dec. 31, 2018.

During the performance, it was reported that she forgot several jokes and many others fell flat, causing fans to walk out of the comedy gig. After confirming reports of the flopped show, Haddish made her announcement to fans.

The comedian insisted that would be the last time anybody witnesses a bad show of hers.

Responding to an online article about her performance, she tweeted: “Yes this happened. I wish it was better Miami. I prayed on it and I have a strong feeling this will never happen again.”

According to a video published by TMZ, the Night School star acknowledged onstage that her forgetfulness was “weird” for her but brushed the criticism off because she knows she can’t have the “best day” every day.

Speaking onstage, she said: “This is weird for me. Now, this is going to be on TMZ or whatever. Every day ain’t the best day, but we do what we do. It is what it is.

“This will probably be the only time you will ever see me like this because I’m never doing this again … I will never allow myself to be this woe the f— out.”

Earlier in the day, she had taken to Instagram to promote the show, while also explaining she had partied into the morning the night before.

She said in a video: “Went to bed at 7. Ciroc is still in my system.”

But despite the fan backlash, some fellow celebrities publicly spoke out in support of the star.

Questlove tweeted: “Failure is a part of growth and lessons get learned. The crowd will speak on this night forever so they had an experience, and you are the wiser. Not end of the world. You’ll shine more in 2019.”

This article originally appeared in RollingOut.com.

Cars

Lions Hold Car Show in Corte Madera

The Corte Madera Lions Electric Vehicle and Classic Car Show was held last Sunday, September 12, at the Village shopping center’s overflow parking lot next to Nordstrom’s. 

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From top, left to right: Chloe Nolasco selling the 2021 Electra Meccanica Solo, 1968 Shelby GT, 1972 Citroen 2cv, 1957 Rolls Royce, 1967 Morgan, 1993 Dodge Viper. Bottom photo from left: 1965 Shelby Cobra 427 S/C MKIII, 1959 Shelby Cobra, 1959 Chevy Corvette (Photos by Godfrey Lee)

The Corte Madera Lions Electric Vehicle and Classic Car Show was held last Sunday, September 12, at the Village shopping center’s overflow parking lot next to Nordstrom’s. 

The latest electric vehicles from Marin Luxury Cars — Mercedes, Mini, Ford, Electra Meccanica, and more than 75 pristine pre-1975 classic cars were featured at the show, including a fire truck and a farm tractor.

The event featured food from the The Pig in the Pickle, beer, wine, and live music from three local bands.

The Corte Madera Lions presented this community wide event. All proceeds will benefit local charities.

“The Marin Post’s coverage of local news in Marin County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.”

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Black History

Ella Fitzgerald and Count Basie: First Black Grammy’ Winners

Two Black performers left the event that night with Grammys in hand: Ella Jane Fitzgerald (1917–1996) for Best Vocal Performance, Female, and Best Jazz Performance, Individual; and William James “Count” Basie (1904–1984), for Best Performance by a Dance Band and Best Jazz Performance, Group. Recognition for the pair was well overdue as their roads to the Grammy were storied.

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Ella Fitzgerald and Count Basie, the first two African Americans to win Grammy awards, 1958. Photo courtesy of 9gag.com/gag/aQREN3K

It was the late spring of 1959. The music industry’s elite converged inside the Grand Ballroom of Los Angeles’ Beverly Hilton. Others were gathering at a function held simultaneously in New York City.

That night, the Grammy Award’s first show took place, and no one knew then that it would become a historic event for African-American performers.

Two Black performers left the event that night with Grammys in hand: Ella Jane Fitzgerald (1917–1996) for Best Vocal Performance, Female, and Best Jazz Performance, Individual; and William James “Count” Basie (1904–1984), for Best Performance by a Dance Band and Best Jazz Performance, Group. Recognition for the pair was well overdue as their roads to the Grammy were storied.

Fitzgerald was a teen when her mother died. Her aunt then took young Ella from her home in Yonkers, N.Y., back to Newport News, Va. Shortly after, Ella’s stepfather died. These events brought on depression. Ella began failing school and frequently skipped classes. After getting into trouble with the police, she was sent to a reform school. There she endured beatings by the caretakers. The brutality forced her to escape.

At age 15, she was alone and struggling to make a life for herself. But things would change when she was in New York City about five years later.

In 1934, young Ella performed at the Apollo’s Amateur Night. The crowd booed her; shouted “What’s she going to do?” A frightened Ella decided to sing. She asked the band to play Hoagy Carmichael’s “Judy,” one of her mother’s favorites. Her voice silenced the audience, and by the song’s end they begged for an encore.

Two years later, Ella made her first recording, “Love and Kisses,” under the Decca label. The rest was music history.
Later dubbed “The First Lady of Song,” Ella was the most popular female jazz singer in the United States for more than half a century. On June 15, 1996, she died in her Beverly Hills home. She’d taken home 14 Grammys throughout her career.

Basie, born in Red Bank, N.J., was one of the all-time great jazz band leaders. Dubbed the “King of Swing,” his career started in clubs and speakeasies in Asbury Park and Long Branch, N.J., then New York City (1924) and later Kansas City (1927).

His music served as inspiration for artists including John Lewis, Thelonious Monk, and Oscar Peterson. Along the way, he faced discrimination but overcame barriers to become one of the most influential musicians of the 20th century.

“Every day, we used to say, ‘Not one drop of my self-worth depends on your acceptance of me,’” musician and producer Quincy Jones said of the racism that he and Basie experienced back then. “It was horrible. It ain’t much better now.”

Basie wrote in a letter: “I can’t remember when I did not experience discrimination … And I didn’t let it bug me.”
The Count won nine Grammy awards over the course of his career. He died on April 26, 1984, in Hollywood, Fla.

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Community

Fillmore’s Great Jazz Era Featured in Book Talk, Concert at S.F. Botanical Gardens

Authors Elizabeth Pepin Silva and Lewis Watts will talk about their book, “Harlem of the West: The San Francisco Fillmore Jazz Era” at the San Francisco Botanical Gardens in Golden Gate Park on Monday, September 20. 

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Sam Peoples Jr. in the Fillmore./ Photo Courtesy of Lewis Watts

Authors Elizabeth Pepin Silva and Lewis Watts will talk about their book, “Harlem of the West: The San Francisco Fillmore Jazz Era” at the San Francisco Botanical Gardens in Golden Gate Park on Monday, September 20.  It will be followed by a mini-concert by the Sam Peoples Trio. The event, co-sponsored by the garden, Bayview Opera House, and the San Francisco African American Historical & Cultural Society will run from 4:00-5:00 p.m. It is part of the garden’s critically acclaimed “Flower Piano” program, where 12 grand pianos are placed around the garden and musicians are invited to come and play them. 

Sam, whose father was a highly regarded, Fillmore-based musician in San Francisco back in the heyday of Harlem of the West, will be performing music that celebrates the great jazz and cultural heritage of the Fillmore District in San Francisco which is described Silva and Watts book.  

The fourth edition of the book, released by Heyday Books in 2020, will also be on sale at the garden. For more information, go to: https://www.sfbg.org/flowerpiano

The San Francisco Post’s coverage of local news in San Francisco County is supported by the Ethnic Media Sustainability Initiative, a program created by California Black Media and Ethnic Media Services to support community newspapers across California.

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