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FILM REVIEW: Vice

NNPA NEWSWIRE — If the long list of characters seems vaguely familiar… Vice will set you straight. Not only does it give a closeup view of Dick Cheney and his agenda, it threads together all the people and machinations that led the country into a misguided war in the aftermath of 9/11 and a severe financial crisis.

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(From L to R) Amy Adams as Lynne Cheney, Christian Bale as Dick Cheney, Sam Rockwell as George W. Bush, and Andrea Wright as Laura Busch in Adam McKay’s VICE, an Annapurna Pictures release. Credit : Matt Kennedy / Annapurna Pictures
2018 © Annapurna Pictures, LLC. All Rights Reserved.

By Dwight Brown, NNPA News Wire Film Critic

It was an historic power grab. Not the Republicans taking back the White House after a controversial, razor-thin win by George W. Bush over Al Gore. It was the vice president-elect, Dick Cheney, out-maneuvering George Jr. and becoming the puppet master. Cheney: “No one has shown the world the true power of the presidency.” If one quarter of this searing and satirical film is true, the filmmakers may have made a mistake titling the film Vice. Some viewers may think this bio/drama should have been called Dick.

Writer/director Adam McKay is no stranger to politics and news-related projects. He won a Best Adapted Screenplay Oscar for The Big Short, a comic exposé on the mortgage scandal that brought on the 2007 recession. As a former writer on Saturday Night Live, he turned current events into biting satire. That skill comes in handy with his innate handling of a bleak period in time that most people would like to forget but are still curious about the behind-the-scenes scoop. With a well-researched script, Adams tackles the sordid details of a cunning, ambitious man who ran the country into the ground.

Sam Rockwell stars as George W. Bush in Adam McKay’s VICE, an Annapurna Pictures release. Credit : Matt Kennedy / Annapurna Pictures
2018 © Annapurna Pictures, LLC. All Rights Reserved.

Hats off to McKay and the casting director (Francine Maisler, The Revenant) for assembling a stellar ensemble: Chameleon actor Christian Bale (The Machinist, Rescue Dawn, The Dark Knight) embodies Richard Bruce “Dick” Cheney in every frame. Yes, he gained the weight, grayed his hair and donned the glasses. But the full effect of his uncanny portrayal is in his low, gravelly voice, the bent over head, slouching posture and very deliberate walk that evoke the film’s central figure in the eeriest way. It’s an impressive transformation, not to be confused with being an impersonation. For many audience members, Bale’s uncanny Cheney aura is the image of the VP that will linger.

Though Sam Rockwell (Three Billboards Outside Ebbing, Missouri and Moon) doesn’t look like George W. Bush, his interpretation of the party boy turned governor and gullible president is dead-on. The friendly Texas accent and accommodating demeanor sets him up to be the naïve rooster who invites a fox into his henhouse. Amy Adams gives certain power to the very demanding, king-maker wife Lynne Cheney. Steve Carell’s depiction of Donald Rumsfeld—businessman, congressman, White House Chief of Staff, Secretary of Defense and co-architect of wars in Afghanistan and Iraq—rings true.

LisaGay Hamilton as Condoleezza Rice in Adam McKay’s VICE, an Annapurna Pictures release. Credit : Matt Kennedy / Annapurna Pictures
2018 © Annapurna Pictures, LLC. All Rights Reserved.

The rest of the key players in the Nixon/Ford/Bush administrations are recreated with distinct performances aided by McKay’s instinctual direction: Condoleezza Rice (LisaGay Hamilton); Scooter Libby (Justin Kirk); Gerald Ford (Bill Camp); Rush Limbaugh (Bob Stephenson); Roger Ailes (Kyle S. More); Liz Cheney (Lily Rabe), Mary Cheney (Alison Pill) and Colin Powell (Tyler Perry).

If that long list of characters seems vaguely familiar but you don’t quite remember who was zooming who, then Vice will set you straight. Not only does it give a closeup view of Dick Cheney and his agenda, it threads together all the people and machinations that led the country into a misguided war in the aftermath of 9/11 and a severe financial crisis.

McKay’s script is clear. It’s easy enough to follow the trail of lies, deceit and power plays. Easy to track Cheney’s backstory and the high and low points in his life: flunked out of Yale, a blue-collar job, an internship in Nixon administration, heart attacks, adjusting to having a lesbian daughter and a stint as the CEO of Halliburton, the company that received a billions-of-dollars no-bid contract for reconstruction work in Iraq.

McKay’s wink and nod direction makes a trainload of facts, figures and individuals easy to digest. Even if what he is presenting is obviously one-sided and almost as pitiless as the main character. The writer/director’s very smirky comic touch adds a teaspoon of sugar to some very bitter medicine.

Looking over McKay’s shoulder is the very skilled editor Hank Corwin (The Big Short) who masterfully pieces together humorous, dramatic and informative scenes with cutaways to provocative images (e.g. a heart beating on its own) into a visually engaging montage.

The artful photography is courtesy of cinematographer Greig Fraser’s (Lion) discerning eye. Susan Matheson’s (The Big Short) costume design screams Republican: She must have depleted Brooks Brothers entire stash of dowdy gray suits. In the few moments when the proceedings lose verve, Nicholas Britell’s (Moonlight) over-the-top musical score pipes in and raises the energy level back to mild hysteria.

Red state audiences will yawn. Blue state audiences will be outraged and see parallels with the current administration. What both sides of the aisle will witness is a barrage of revealing information about politicians and events that significantly changed history—not necessarily for the better.

Visit NNPA News Wire Film Critic Dwight Brown at DwightBrownInk.com and BlackPressUSA.com.

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Commentary

Opinion: Surviving the Earthquake, an Eclipse and “Emil Amok.”

Last Friday, a 4.8 magnitude earthquake shook New York City, reported as the “biggest earthquake with an epicenter in the NYC area since 1884” when a 5.2 quake hit. A bit bigger. The last quake similar to Friday’s was a 4.9 in 1783.Alexander Hamilton felt it — 241 years ago. That’s why New Yorkers were freaking out on Friday. They were in the room where it happens.

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In New York City, the eclipse was about 90 percent visible. Good enough for me. Though a full solar eclipse is a celestial rarity, blockages of any sort aren’t generally celebrated. My one-man play is about growing up with the eclipsed history of American Filipinos and how I struggle to unblock all that.
In New York City, the eclipse was about 90 percent visible. Good enough for me. Though a full solar eclipse is a celestial rarity, blockages of any sort aren’t generally celebrated. My one-man play is about growing up with the eclipsed history of American Filipinos and how I struggle to unblock all that.

By Emil Guillermo

I’m a Northern Californian in New York City for the next few weeks, doing my one-man show, “Emil Amok, Lost NPR Host, Wiley Filipino, Vegan Transdad.”

I must like performing in the wake of Mother Nature.

Last Friday, a 4.8 magnitude earthquake shook New York City, reported as the “biggest earthquake with an epicenter in the NYC area since 1884” when a 5.2 quake hit. A bit bigger. The last quake similar to Friday’s was a 4.9 in 1783.

Alexander Hamilton felt it — 241 years ago.

That’s why New Yorkers were freaking out on Friday. They were in the room where it happens.

And it just doesn’t happen that often.

Beyonce singing country music happens more frequently.

When I felt New York shake last week, it reminded me of a time in a San Francisco TV newsroom when editors fretted about a lack of news an hour before showtime.

Then the office carpeting moved for a good ten seconds, and the news gods gave us our lead story.

On Friday when it happened in NYC, I noticed the lines in the carpeting in my room wiggling. But I thought it was from a raucous hotel worker vacuuming nearby.

I didn’t even think earthquake. In New York?

I just went about my business as if nothing had happened. After living near fault lines all my life, I was taking things for granted.

Considering the age of structures in New York, I should have been even more concerned about falling objects inside (shelves, stuff on walls) and outside buildings (signs, scaffolding), fire hazards from possible gas leaks, and then I should have looked for others on my floor and in the hotel lobby to confirm or aid or tell stories.

Of course, as a Californian who has lived through and covered quakes in the 4 to 6 magnitude range, I tried to calm down any traumatized New Yorker I encountered by taking full responsibility for bringing in the quake from the Bay Area.

I reassured them things would be all right, and then let them know that 4.8s are nothing.

And then I invited them to my consoling post-Earthquake performance of “Emil Amok, Lost NPR Host…”

It was the night of the eclipse.

ECLIPSING THE ECLIPSE

In New York City, the eclipse was about 90 percent visible. Good enough for me.  Though a full solar eclipse is a celestial rarity, blockages of any sort aren’t generally celebrated. My one-man play is about growing up with the eclipsed history of American Filipinos and how I struggle to unblock all that.

For example, did you know the first Filipinos actually arrived to what is now California in 1587? That’s 33 years before the Pilgrims arrived in America on the other coast, but few know the Filipino history which has been totally eclipsed.

I was in Battery Park sitting on a bench and there was a sense of community as people all came to look up. A young woman sitting next to me had a filter for a cell phone camera.  We began talking and she let me use it. That filter enabled me to take a picture of the main event with my iPhone.

For helping me see, I invited her and her boyfriend to come see my show.

Coincidentally, she was from Plymouth, Massachusetts, near the rock that says the year the Pilgrims landed in 1620.

In my show she learned the truth. The Pilgrims were second.

History unblocked. But it took a solar eclipse.

Next one in 2044? We have a lot more unblocking to do.

If you’re in New York come see my show, Sat. April 13th, 5:20 pm Eastern; Fri. April 19, 8:10 pm Eastern; and Sun. April 21st 5:20 pm Eastern.

You can also livestream the show. Get tickets at www.amok.com/tickets

About the Author

Emil Guillermo is a journalist and commentator. He does a mini-talk show on YouTube.com/@emilamok1.  He wishes all his readers a Happy Easter!

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Commentary

Commentary: Republican Votes Are Threatening American Democracy

In many ways, it was great that the Iowa Caucuses were on the same day as Martin Luther King Jr. Day. We needed to know the blunt truth. The takeaway message after the Iowa Caucuses where Donald Trump finished more than 30 points in front of Florida Gov. De Santis and former South Carolina Governor Nikki Haley boils down to this: Our democracy is threatened, for real.

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It was strange for Iowans to caucus on MLK day. It had a self-cancelling effect. The day that honored America’s civil rights and anti-discrimination hero was negated by evening. That’s when one of the least diverse states in the nation let the world know that white Americans absolutely love Donald Trump. No ifs, ands or buts.
It was strange for Iowans to caucus on MLK day. It had a self-cancelling effect. The day that honored America’s civil rights and anti-discrimination hero was negated by evening. That’s when one of the least diverse states in the nation let the world know that white Americans absolutely love Donald Trump. No ifs, ands or buts.

By Emil Guillermo

In many ways, it was great that the Iowa Caucuses were on the same day as Martin Luther King Jr. Day.

We needed to know the blunt truth.

The takeaway message after the Iowa Caucuses where Donald Trump finished more than 30 points in front of Florida Gov. De Santis and former South Carolina Governor Nikki Haley boils down to this: Our democracy is threatened, for real.

And to save it will require all hands on deck.

It was strange for Iowans to caucus on MLK day. It had a self-cancelling effect. The day that honored America’s civil rights and anti-discrimination hero was negated by evening.

That’s when one of the least diverse states in the nation let the world know that white Americans absolutely love Donald Trump. No ifs, ands or buts.

No man is above the law? To the majority of his supporters, it seems Trump is.

It’s an anti-democracy loyalty that has spread like a political virus.

No matter what he does, Trump’s their guy. Trump received 51% of caucus-goers votes to beat Florida Gov. Ron DeSantis, who garnered 21.2%, and former South Carolina Gov. Nikki Haley, who got 19.1%.

The Asian flash in the pan Vivek Ramaswamy finished way behind and dropped out. Perhaps to get in the VP line. Don’t count on it.

According to CNN’s entrance polls, when caucus-goers were asked if they were a part of the “MAGA movement,” nearly half — 46% — said yes. More revealing: “Do you think Biden legitimately won in 2020?”

Only 29% said “yes.”

That means an overwhelming 66% said “no,” thus showing the deep roots in Iowa of the “Big Lie,” the belief in a falsehood that Trump was a victim of election theft.

Even more revealing and posing a direct threat to our democracy was the question of whether Trump was fit for the presidency, even if convicted of a crime.

Sixty-five percent said “yes.”

Who says that about anyone of color indicted on 91 criminal felony counts?

Would a BIPOC executive found liable for business fraud in civil court be given a pass?

How about a BIPOC person found liable for sexual assault?

Iowans have debased the phrase, “no man is above the law.” It’s a mindset that would vote in an American dictatorship.

Compare Iowa with voters in Asia last weekend. Taiwan rejected threats from authoritarian Beijing and elected pro-democracy Taiwanese vice president Lai Ching-te as its new president.

Meanwhile, in our country, which supposedly knows a thing or two about democracy, the Iowa caucuses show how Americans feel about authoritarianism.

Some Americans actually like it even more than the Constitution allows.

 

About the Author

Emil Guillermo is a journalist and commentator. He does a mini-talk show on YouTube.com/@emilamok1.

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Activism

Oakland Post: Week of April 10 – 16, 2024

The printed Weekly Edition of the Oakland Post: Week of April 10 – 16, 2024

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