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The Sacramento Observer and Savannah Tribune Win Big at 2025 NNPA Messenger Awards

BLACKPRESSUSA NEWSWIRE — The Sacramento Observer earned the night’s most prestigious recognition, the John B. Russwurm Award, presented to the newspaper with the highest cumulative score across all award categories. The Observer achieved an impressive 154 points and took home first-place honors in Education Reporting, Business Reporting, Original Photography, Youth and Children Coverage, and Facebook Campaigns.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

SAVANNAH, Ga.—The Sacramento Observer and The Savannah Tribune stood out as the top honorees at the 2025 National Newspaper Publishers Association (NNPA) Fund’s Messenger Awards, held during the Black Press of America’s annual convention at the JW Marriott Savannah Plant Riverside District Hotel.

The convention, themed “The Black Press: Engaging Black America—Empowerment, Justice and Prosperity,” marked the 198th year of the Black Press of America, which today comprises more than 200 African American-owned newspapers and media companies committed to covering the stories and issues that shape Black communities nationwide.

The Sacramento Observer earned the night’s most prestigious recognition, the John B. Russwurm Award, presented to the newspaper with the highest cumulative score across all award categories. The Observer achieved an impressive 154 points and took home first-place honors in Education Reporting, Business Reporting, Original Photography, Youth and Children Coverage, and Facebook Campaigns. The publication also placed among the top three in several additional categories, including Environment, Social Criminal Justice, and Fashion, Beauty, and Lifestyle, underscoring its consistent strength in both editorial content and audience engagement.

While the Observer dominated the content awards, The Savannah Tribune was honored for its leadership and community impact. Publisher Shirley Ann Barber James received the Publisher of the Year Award, recognizing her decades of dedication to preserving and strengthening the Tribune’s voice. Accepting the award, James thanked her family, staff, and Savannah’s civic organizations for supporting the paper’s mission and expanding its reach.

Other publications also earned multiple honors. The Houston Defender captured first-place awards in Health Reporting, Environment Reporting, and Fashion, Beauty, and Lifestyle. The St. Louis American earned first place in the categories of Special Editions, Original Advertising Campaigns, Broadsheet Layout and Design, and Video Campaigns. The Afro-American Newspaper of Baltimore and the Chicago Defender also collected several top finishes.

All winners by category included:

Health Reporting – Emory O. Jackson Award

1st Place: Houston Defender

2nd Place: Birmingham Times

3rd Place: Afro-American Newspaper, Baltimore

Education Reporting – Frank L. Stanley Award

1st Place: The Sacramento Observer

2nd Place: Washington Informer

3rd Place: Savannah Tribune

Social Criminal Justice – Ida B. Wells Award

1st Place: Chicago Defender

2nd Place: Dallas Weekly

3rd Place: The Sacramento Observer

Environment – Wilbert L. Holloway Award

1st Place: Houston Defender

2nd Place: The Sacramento Observer

3rd Place: New York Amsterdam News

Faith & Religion

1st Place: L.A. Sentinel

2nd Place: Baltimore Times

3rd Place: Final Call

Business Reporting

1st Place: The Sacramento Observer

2nd Place: Chicago Defender

3rd Place: Houston Defender

Editorial Opinion – Robert S. Abbott Award

1st Place: Forward Times

2nd Place: Washington Informer

3rd Place: Texas Metro News

Original Photography

1st Place: The Sacramento Observer

2nd Place: Houston Defender

3rd Place: New York Amsterdam News

Entertainment Coverage – Armstrong Ellington Award

1st Place: Afro-American Newspaper, Baltimore

2nd Place: Washington Informer

3rd Place: Atlanta Voice

Sports – Don King Award

1st Place: Afro-American Newspaper, Baltimore

2nd Place: St. Louis American

3rd Place: Atlanta Voice

Youth and Children Coverage

1st Place: The Sacramento Observer

2nd Place: Philadelphia Tribune

3rd Place: Savannah Tribune

Fashion, Beauty & Lifestyle – Ada S. Franklin Award

1st Place: Houston Defender

2nd Place: The Sacramento Observer

3rd Place: Atlanta Voice

Special Editions – Leon H. Washington Award

1st Place: St. Louis American

2nd Place: Philadelphia Tribune

3rd Place: Washington Informer

Original Advertising Campaign – E. Washington Rhodes Award

1st Place: St. Louis American

2nd Place: New Pittsburgh Courier

3rd Place: Seattle Medium

Layout & Design (Tabloid) – Robert L. Vann Award

1st Place: Washington Informer

2nd Place: Texas Metro News

3rd Place: New York Amsterdam News

Layout & Design (Broadsheet) – Robert L. Vann Award

1st Place: St. Louis American

2nd Place: Philadelphia Tribune

3rd Place: Michigan Chronicle

Website Excellence – A. Philip Randolph Award

1st Place: New Pittsburgh Courier

2nd Place: Michigan Chronicle

3rd Place: St. Louis American

Facebook Campaign

1st Place: The Sacramento Observer

2nd Place: Forward Times

3rd Place: Michigan Chronicle

Instagram Campaign

1st Place: Texas Metro News

2nd Place: Chicago Defender

3rd Place: Michigan Chronicle

Video Campaign

1st Place: St. Louis American

2nd Place: Houston Defender

3rd Place: L.A. Sentinel

Community Service – Karl Murphy Award

1st Place: Baltimore Times

2nd Place: L.A. Sentinel

3rd Place: Texas Metro News

Community Engagement – W.A. Scott II Award

1st Place: Dallas Weekly

2nd Place: Houston Defender

3rd Place: Philadelphia Tribune

Newspaper Excellence – John H. Sengstacke Award

1st Place: Philadelphia Tribune

2nd Place: Afro-American Newspaper, Baltimore

3rd Place: Atlanta Voice

Newsletter Excellence

1st Place: New Pittsburgh Courier

2nd Place: Savannah Tribune

3rd Place: Michigan Chronicle

“This is an opportunity to showcase the amazing publications, publishers, and journalists, and their staff who keep the Black press alive,” NNPA Fund Chair and Houston Forward Times Publisher Karen Carter Richards stated.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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