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‘Stand by Me’ Among 25 Records Being Preserved at US Library

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In this Nov. 15, 2011 file photo, American soul singer Ben E. King speaks during a news conference in Tokyo. One of the most broadcast songs of the 20th century, Ben E. King's "Stand by Me," has been selected for preservation at the Library of Congress, along with recordings from Joan Baez, The Righteous Brothers, Steve Martin and the darker sounds of the band Radiohead. (AP Photo/Itsuo Inouye, File)

In this Nov. 15, 2011 file photo, American soul singer Ben E. King speaks during a news conference in Tokyo. One of the most broadcast songs of the 20th century, Ben E. King’s “Stand by Me,” has been selected for preservation at the Library of Congress, along with recordings from Joan Baez, The Righteous Brothers, Steve Martin and the darker sounds of the band Radiohead. (AP Photo/Itsuo Inouye)

BRETT ZONGKER, Associated Press

WASHINGTON (AP) — One of the most broadcast songs of the 20th century, Ben E. King’s “Stand by Me,” has been selected for preservation at the Library of Congress, along with recordings from Joan Baez, The Righteous Brothers, Steve Martin and the darker sounds of the band Radiohead.

Twenty-five sound recordings spanning from 1890 to 1999 were added Wednesday to the library’s National Recording Registry. Each year the library chooses recordings that are “culturally, historically or aesthetically significant.”

Some of the unforgettable tunes being archived include “Ac-Cent-Tchu-Ate the Positive” from Johnny Mercer in 1944, Baez’s first solo album, The Righteous Brothers’ “You’ve Lost That Lovin’ Feelin'” and Steve Martin’s “A Wild and Crazy Guy” comedy album, which broke new ground in the 1970s as Martin broke out of formulaic jokes and punchlines for less predictable humor.

Upon hearing of his archive-worthy achievement, Martin deadpanned: “I could not be more proud of this honor. This means the record was probably funny.”

The Library of Congress has been seeking to preserve important sound recordings for 15 years under terms of a preservation act passed by Congress.

In the 1960s, King originally intended his song “Stand by Me” for his former group, the Drifters, but he ended up recording it himself. The song is anchored by one of the best-known bass lines in history, curators said. A few years later, The Righteous Brothers were recording “Lovin’ Feelin.'” They thought the song was wrong for them at first but ended up with a hit.

The oldest recordings being saved are in the form of 600 wax cylinder recordings at the University of California, Santa Barbara, that were recorded by consumers in the 1890s, 1900s and 1910s as snapshots of everyday life. These are among the most endangered audio formats because their grooves are fragile and the wax decomposes over time. Another set of wax-cylinder recordings from the 1893 Chicago World’s Fair captured sounds of musicians from around the world performing at the fair, giving Americans their first exposure to “world music.”

Other historic recordings chosen for preservation include radio coverage of President Franklin D. Roosevelt’s funeral in 1945 and the 1953 theatrical recording of “John Brown’s Body,” based on a Civil War poem that proved commercially successful as a non-musical play.

Curators also deemed some more recent recordings worthy of preservation, include tunes from TV’s “Sesame Street.” The children’s show used music as an integral part of its educational program and drew stars ranging from B.B. King to R.E.M. and the Dixie Chicks. The library chose the 1995 recording “Sesame Street: All-Time Platinum Favorites” for the registry.

Public nominations lifted Radiohead’s 1997 album “OK Computer” to the curators’ attention after several years, with an album’s information-age dystopia characterized by corrupt politicians, psychopaths, consumerism and airline disasters.

“I sort of see it as part of a certain ongoing phenomenon in rock music that maybe begins with the Velvet Underground but also The Doors, who are on the registry this year. Pop music is not entirely positive in its outlook, shall we say,” curator Matt Barton said. “I think we can say that ‘OK Computer’ really sums a lot of that up.”

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Follow Brett Zongker on Twitter at https://twitter.com/DCArtBeat

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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