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Special Stage Events, Activities for Children at Oakland’s Black-Eyed Pea Festival

The 8th Annual Black-Eyed Pea Festival, held on the front lawn of Oakland Technical High School, is offering a change to your routine with main stage acts and activities for children. And it’s free.

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A cohort of young performers with the Prescott Circus will perform at the Black-Eyed Pea Festival on Sat. Sept. 30. Courtesy photo.
A cohort of young performers with the Prescott Circus will perform at the Black-Eyed Pea Festival on Sat. Sept. 30. Courtesy photo.

Special to The Post

Got kids?

So, you know they like to do the same thing over and over.

They want you to read them the same story, watch the same movie, eat the same food. They don’t get tired, but you are a little weary of the routine that you know is actually good for them.

But on Saturday, Sept. 30, you don’t have to go to Fairyland again.

The 8th Annual Black-Eyed Pea Festival, held on the front lawn of Oakland Technical High School, is offering a change to your routine with main stage acts and activities for children. And it’s free.

The festival begins at 11 a.m. with a welcome by the event’s regular M.C., Carla Service of Oakland’s Dance-A-Vision. After a brief drum invocation by Awon Ohun Omnira, renowned Bay Area vocalist Rhonda Benin begins the first of two 25-minute sets called “What Is a Band?” from noon to 1 p.m.

The set is an interactive musical program designed for children to introduce them to a live band. Through the “call and response style,” children become a part of the band while learning about the piano, the bass, the drum, and the voice. And musical terms like melody, a capella, call and response, syncopation, rhythm, polyrhythms, unison, and improvisation.

Informative and fun, Benin, who is also a music teacher, will invite a few children to join her on stage to take a turn at playing a percussive instrument.

After Benin’s set, the festival welcomes the Prescott Circus, an Oakland youth group that will — literally — bring in the clowns.

But not just clowns. They’ll bring tradition in the form of stilt-walking, a form of entertainment in several African and Caribbean countries incorporated in carnivals and pageants. There’ll be jugglers and kids performing balancing acts as well as hip-hop dancing. They’re on stage from 1:20 p.m. to 2 p.m.

Asé Arts, run by Nichole Talbott, is a community art studio in the Mosswood Park neighborhood. She will provide all-day arts and crafts activities for children. She has separate tables for very young children and sets tasks within their age range and ability. Of course, children will be using black-eyed peas to decorate their artwork, small picture frames and more.

A few feet away, Benjamin ‘Benja’ Mertz, will supervise a touch-and-play booth where children will get a chance to experiment with instruments, mostly percussive. It serves as a follow-up to Benin’s set on bands. Mertz will be at the festival from 11 a.m. to 4 p.m. A storyteller as well as a musician, he might be persuaded to regale kids with a tale or two.

Adults, of course, are not left out. On the main stage that day, the festival will have the John Santos Quartet, selections by Dimensions Dance Theatre, second-line style music from New Orleans native Michael Jones of MJ’s Brass Boppers and Alvon Johnson will close out the day with a lively blues set.

Nobody will be hungry with soul food classics and creole dishes for sale by Carolyn’s Creole Kitchen, Arnette Cheri catering and Krazy Kettle desserts.

The 8th Annual Oakland Black-Eyed Pea Festival, a celebration of African American traditional music, food and art will be held:

When: Saturday, Sept. 30, 2023

Time: 11 a.m. to 6 p.m.

Where: Oakland Technical High School, 4351 Broadway, Oakland, 94611

Cost: Free

For more information, please call 510-332-5851 or email at oakbepf@gmail.com.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Activism

Big God Ministry Gives Away Toys in Marin City

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.

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From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.
From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.

By Godfrey Lee

Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.

Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.

A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.

Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.

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