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Slain Mexican Man’s Family Views Body, Seeks ‘Justice’

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In this Feb. 18, 2015 photo, a sign welcomes motorists to Pasco, Wash. For the past week, protesters have gathered daily in front of the City Hall in this agricultural community to protest the fatal shooting of Antonio Zambrano-Montes, an unarmed man who was running away from police at a crowded intersection. (Nicholas K. Geranios/AP Photo)

In this Feb. 18, 2015 photo, a sign welcomes motorists to Pasco, Wash. For the past week, protesters have gathered daily in front of the City Hall in this agricultural community to protest the fatal shooting of Antonio Zambrano-Montes, an unarmed man who was running away from police at a crowded intersection. (Nicholas K. Geranios/AP Photo)

 

PASCO, Wash. (AP) — The 60-year-old mother of an unarmed Mexican man fatally shot by police officers in Washington state fainted when she viewed her son’s body for the first time, her lawyer says.

Antonio Zambrano-Montes was killed Feb. 10 in Pasco, the gunfire captured on video by a witness. The death has sparked two weeks of protests in this city along the Columbia River in the southeastern part of the state.

The victim’s mother, Agapita Montes-Rivera, spoke to reporters Monday before entering a funeral home with other family members.

“I want people to understand my pain,” the woman from tiny Parotita, Mexico, said through an interpreter. “It’s really hard. … When I saw the video, I felt really bad. That’s why I asked for justice.”

Her attorney, Benjamin Crump, said she fainted when she first saw her son’s body Monday afternoon.

Authorities say Zambrano-Montes, a 35-year-old Mexican immigrant and former orchard worker, was throwing rocks at officers and a stun gun failed to subdue him. The Franklin County coroner has ordered an inquest into the death, which is being reviewed by a regional task force. The investigation is being monitored by federal authorities.

“We want justice; that’s all we want,” the victim’s sister, Rosa Elena Zambrano-Montes, 28, said through an interpreter.

Crump, the high-profile attorney who represented the family of Michael Brown, a black man killed by a police officer in Ferguson, Missouri, said he’ll represent Zambrano-Montes’ family. Crump was in Pasco meeting with family members.

“At the heart of the matter is what’s going on with what we see on that video — is it appropriate or not?” Crump, who is based in Florida, told The Associated Press.

“The No. 1 thing they said is, ‘We don’t want them to say that the police acted appropriately,'” said Crump, who represented the family of Trayvon Martin, the black teenager killed in a confrontation with neighborhood watch leader George Zimmerman. Zimmerman was acquitted in 2013 in that case.

In a video recording by Dario Infante Zuniga, 21, of Pasco, five “pops” are audible, and Zambrano-Montes can be seen running away, pursued by three officers. As the officers draw closer, he stops, turns around and faces them. Multiple “pops” are heard, and the man falls to the ground.

Crump said Zambrano-Montes spoke no English and was an immigrant living in the country illegally.

Felix Vargas, head of the Pasco Hispanic rights group Consejo Latino, said a Seattle-based Justice Department official met with his group Sunday. The official said meetings are planned this week with local authorities, Vargas said.

Pasco is a fast-growing agricultural city of 68,000, where more than half the residents are Hispanic but few are members of the police force or the power structure.

The killing was the fourth by Pasco police in less than a year. Officers were exonerated after similar investigations in the first three cases. Critics in the latest case say the officers should have used less than lethal force to subdue Zambrano-Montes.

“Zambrano-Montes had his hands up. Why did you have to shoot him?” Crump asked.

Police said officers felt threatened. Zambrano-Montes was arrested last year for assault after throwing objects at Pasco officers and trying to grab an officer’s pistol, court records show.

Authorities have said Zambrano-Montes was not armed with a gun or knife when he was killed. Whether he had a rock in his hand when he was shot is still under investigation.

Two of the officers involved were white, and the other Hispanic. All three opened fire, though the number of shots has not been disclosed.

Last week, investigators asked for patience as the investigation continues.

Crump said the Pasco case is similar to other high-profile killings involving police officers.

“All the young people are protesting that Antonio had his hands up based on what they saw in the video, and he had no weapons,” Crump said. “And just like in New York, it shows the graphic last moments of Eric Garner’s life, here you have a video that shows the graphic last moments of Antonio’s life.”

In December, a grand jury in New York declined to indict an officer in Garner’s chokehold death.

Meanwhile, another attorney who says he’s representing Zambrano-Montes’ family says he wants to temporarily withdraw a $25 million claim filed by Zambrano-Montes’ widow and two daughters against the city after the shooting. Attorney Charles Herrmann of Tacoma said Monday the claim was premature.

___

Abdollah reported from Los Angeles.

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Oakland Post: Week of May 6 – 12, 2026

The printed Weekly Edition of the Oakland Post: Week of may 6 – 12, 2026

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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