Featured

Sen. Kamala Harris Gives Props to Black Press at 75th Anniversary of San Francisco Sun Reporter

Published

7 years ago

May 21, 2019

“Throughout the course of our history, there have been many moments in time where truth must be spoken. Truth that oftentimes make people uncomfortable, but truth that must be acknowledged so people can be seen and be heard,” said Sen. Kamala Harris, who announced her bid to run for president of the United States in late January.

“Truth must be spoken from a voice that is trusted,” she continued. “And we know therefore the value, significance and need for the Black press in America.

Harris, who was born in Oakland and served as California Attorney General from 2011 to 2017, was speaking at the 75th anniversary of the San Francisco Sun-Reporter, the city’s oldest African-American newspaper.

More than 800 people, including San Francisco’s first African American woman mayor, London Breed, attended the event. Several leaders and journalists from the state’s Black and ethnic media – including the Sun-Reporter’s current publisher, Amelia Ashley Ward – were also on hand to celebrate the legacy and contribution of the paper at the Hyatt Regency Hotel in downtown San Francisco.

The Sun-Reporter was founded in 1944 at a time when Blacks migrated in large numbers to major cities in the North and West to escape Jim Crow laws in the South and seek better employment opportunities.

Many African-Americans came to San Francisco and other parts of the Bay Area during that time to work at World War II military shipyards.

Like many historically Black dailies and weeklies across California and the rest of the country, the Sun-Reporter became a social and political advocate for African Americans on issues like civil rights, discrimination, housing and education as well as a vital source of information at a time when there was little media coverage of Blacks in the mass media.

“The Sun-Reporter is an example of the significance of the Black press in America,” Harris said. “There are issues that are unique to the Black community, and until we have true diversity in the press, we must rely on papers like the Sun-Reporter.”

Carlton B. Goodlett, a physician and activist who once ran for governor of California and served as editor of Howard University’s Hillltop newspaper, acquired his first publication, The Sun newspaper, through a poker game, according to the Sun-Reporter’s website. The publication, as we know it today, was born out of a merger between the Sun newspaper, which Goodlett owned, and another African-American publication, the Reporter, which was edited and published by his close friend, Thomas C. Fleming.

Goodlett served as publisher of the paper until shortly before his death in 1997. Since then, Ward, a former reporter and photojournalist who started her career as an intern at the Sun-Reporter, has run the publication guided by the wisdom and vision of its founder.

Harris says when she decided to run for San Francisco District Attorney in November 2002, no one believed in her candidacy except Ward.

“There were many, many – friends and those who were not friends – who said it can not be done. Wait your turn. They are not ready for you,” said Harris. “But one voice spoke loudly and said, ‘I know it is your time, Kamala, and I will have your back.’ And that was Amelia Ashley-Ward.”

Harris also used the opportunity to talk about the climate of hatred and bigotry prevalent across the country right now, and tell the audience that the majority of Americans have more in common with each other than the things that “separate us.”

She also shared policy specifics about some of the things she would prioritize if she is elected president of the United States next fall. They included mandating the Bureau of Alcohol Tobacco and Firearms to require dealers who sell more than five guns a year to do background checks and a $13,500 annual federal investment to increase each teacher’s salary.

To achieve those things, Harris said, Americans must have honest conversations about problems the country is facing.

“We must speak truth each and every day,” she said. “We must fight for the best that we can be.”

Tanu Henry, California Black Media

Posts by Tanu Henry, California Black Media

Related Topics:Black Press Kamala Harris Senator Kamala Harris

Up Next

Gov. Newsom Changes Course on Plan to Pay for Immigrant Health Coverage

Don't Miss

Contra Costa County Adopts Youth Restorative Justice Program

Tanu Henry, California Black Media

Click to comment

Activism

Oakland Post: Week of April 8 – 14, 2026

The printed Weekly Edition of the Oakland Post: Week of April 8 – 14, 2026

Published

3 days ago

April 10, 2026

Oakland Post

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Oakland Post

Posts by Oakland Post

Activism

Oakland Post: Week of April 1 – 7, 2026

The printed Weekly Edition of the Oakland Post: Week of April 1 – 7, 2026

Published

1 week ago

April 6, 2026

Oakland Post

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

Oakland Post

Posts by Oakland Post

#NNPA BlackPress

Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens

TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

Published

3 weeks ago

March 24, 2026

admin

By Candace A. Gray | Tri-State Defender

The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.

Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.

“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”

With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.

“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”

Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.

Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.

The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.

Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.

“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”

Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM). “We began working with Dr. Jenkins in 2018,” he said.

Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.

One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.

The exhibit catalogue bears some of these artists’ stories, among other scholarly information.

The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.

Visit https://www.dixon.org/ to learn more.

Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.