Bay Area

Practitioners of African Traditional Spirituality Put Most Observations on Hold During COVID-19 Pandemic

Published

6 years ago

May 6, 2020

As the faithful of the Abrahamic traditions world over have been grappling with the impact of the COVID0-19 pandemic on their religious observances—Passover, Easter and Ramadan – so, too, have practitioners of African Traditional Religion.

The observances of ATR don’t depend as much on a fixed calendar although there are such. But for the most part, traditionalists heed the prognostications of their diviners who determine the outlook over a particular geographical area and/or faithful who may be far from home.

From Nigeria to the Caribbean to the Americas, an epidemic had been foretold.

African Americans apprehend the observances through two major avenues of tradition: that of the Cuban derivation, called Lucumi (derogatorily as Santeria) and Isese, of direct Nigerian tradition.

Both would agree that whatever is ordinarily done in this season has been superseded by the pandemic’s immediate threat of disease and death. For the Cubans, the ‘Letra del Ano” or reading of the year, a divination session conducted on Jan. 1, 2020, by luminaries in Cuba’s Ifa tradition is proving prescient, not just for Cuba but the world. Proliferacion de Epidemicas debido a la mala hygiene y la indiscipline social, it read. Proliferation of epidemics because of bad hygiene and failure of social discipline.

Fully six months earlier, at the beginning of the year for Nigeria, the diviners’ prediction from June 2, 2019, in the holy city of Ile Ife, also indicated that epidemics could happen because of bad hygiene.

In both Lucumi and Isese, adherents generally appeal to the forces of nature (water, wind, fire, earth and all in those domains) on the planet as spiritual beings endowed with consciousness.

Right now, they are petitioning Olodumare (almighty God, owner of the day) in general and Babaluaiye (Father of the Hot Earth) as well as the memory of their beloved ancestors.

Babaluaiye is the force of sickness, acknowledged for the power of devastation to humanity through disease. In Nigeria, he became associated with the hot earth because sickness came during the hot dry season. He is further associated with ancestors and the force of death because of the burials of the dead.

One of Babaluaiye’s apataki, or myths, is that when he was on the road, during that hot, dry season, people hid in their homes until he passed by. Where disease had overcome a village, survivors hid in the forests. In other words, social distancing.

Among the Lucumi in the United States, social distancing seems to be the order of the day. “This is having a big impact on us,” said Nelson Rodriguez, a renowned Oriate (master of ritual initiations) who lives on the seventh floor of a large apartment building in New York’s hot zone, the Bronx.

Normally he travels to California, Puerto Rico, Florida and Cuba to conduct initiations but he hasn’t left his house since the shelter-in-place order in March. In his late 60s, he’s diabetic and a former smoker, a virtual poster child of a pandemic victim.

He asked a friend to take his dog because he can’t risk walking him in his neighborhood where it is clear, looking on the crowds below his seventh floor balcony, that too many people are ignoring Gov. Andrew Cuomo’s directive.

Even when he is not traveling, Rodriguez is accustomed to attending drum ceremonies that typically involve 50 people or more and doing what ordinary priests do: one-on-one divinations and prayer sessions called misas.

Instead, he is conducting a course on divination for his students through Zoom.

Among Isese in the United States and in Africa, such strict adherence to social distancing doesn’t appear to be as rigid among practitioners, perhaps because a lot of their stateside leadership is in Georgia and South Carolina. Diviners are working hard, determining what prayers and offerings should be done at this time to both lessen the impact on human beings and to calm the Earth itself.

Debunking conspiracy theories, Araba Awodiran Agboola says “The virus originated in nature,” and is a response to violations of nature by human beings. “Nature is present to correct the behavior.”

Willie Ramos, Lucumi organizer of Oloshas United, a federation of priests and priestesses all over the United States, has called for a nationwide moratorium on rituals except in life-or-death situations and pre-burial rituals called Etutu. Not knowing how long the health crisis will last, he believes that adherents may have to figure some things out that may change ritual to accommodate the times we live in.

All members of the faith are wondering how this can be done given that rituals require in-person touch and presence. The HIV-AIDS crisis of the 1980s changed some ritual procedures but because COVID-19 transmits so easily much more care must be taken.

Lucumi practitioners in Philadelphia realize the dangers to themselves, but have started taking steps to make sure their brothers and sisters in the faith who pass away from the virus are properly buried.

And some Lucumi practitioners in Georgia with members flung across the country were advised to stand down on ritual at least until October.

Internet conversations among the faithful seem to agree that the pandemic is caused by violations to the Earth. Over the last 200 years, the exploitation of resources has been rampant with a visible impact on our ecosystem.

One comment circulating on Facebook reads that through the pandemic, ‘nature has sent us to our room’ for a time-out.

And perhaps that is a good thing.

Ifadunke Olayemi, who specializes in appeasement to the ancestors, says she is particularly attuned to water at this time. She uses a vessel of water to meditate and then pours it outside, especially at the roots of trees.

There are posts remarking on the return of wild animals to places where humans have become scarce: beaches, forests, even some paved roads.

The absence of cars has cleared polluted air in the skies in Los Angeles, New Delhi and, of course New York.

From his balcony, Rodriguez, a native of Puerto Rico, is doing something he never could before in his many years in the Bronx: take a deep, refreshing breath.

Wanda Ravernell

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Activism

At the event, 16 entities signed the EIP pledge, vowing to take steps to increase public contracting opportunities in their spheres for small and historically underutilized businesses. The pledge signees included Hub International, the Port of San Francisco, the San Francisco Public Utilities Commission, California High-Speed Rail Authority, the Port of Oakland, Robert Graham of Webcor Builders, Holder Construction, the Weitz Company, Sky Blue Builders, Hornblower, Swinerton, Luster National, Talson Solutions, Center for Community Wealth Building, and the Construction Contractors Alliance.

Published

1 week ago

June 24, 2026

Oakland Post

Toks Omishakin, secretary of the California State Transportation Agency, was one of the speakers at the event. Photo by Shellee Fisher Photography and Design.

By Calvin Naito, Special to The Post

On June 4, a national nonprofit named the Equity in Infrastructure Project (EIP) – which aims to increase public construction contracting opportunities for small and historically underutilized businesses – held a day-long event in downtown San Francisco to rally supporters and build momentum to its cause.

It was attended by more than 100 individuals from public agencies, private firms, and other organizations committed to increasing contracting opportunities with governmental agencies, thereby creating more competition and lowering public costs.

The EIP event was held the Hyatt Regency San Francisco in conjunction with BuildIT, which aims to increase contracting opportunities for LGBT-owned businesses.

At the event, 16 entities signed the EIP pledge, vowing to take steps to increase public contracting opportunities in their spheres for small and historically underutilized businesses.

The pledge signees included Hub International, the Port of San Francisco, the San Francisco Public Utilities Commission, California High-Speed Rail Authority, the Port of Oakland, Robert Graham of Webcor Builders, Holder Construction, the Weitz Company, Sky Blue Builders, Hornblower, Swinerton, Luster National, Talson Solutions, Center for Community Wealth Building, and the Construction Contractors Alliance.

Following the workshop, BuildIT hosted a VIP evening reception honoring EIP, whose principals – Phil Washington, John Procari, and Rick Jacobs – accepted the award.

The event also set in motion the coalition’s efforts to implement recommendations from EIP’s “Procurement for Prosperity: A Playbook.”

The Playbook is a practical guide for public agency leaders and procurement and contracting practitioners to grow the capacity of small and first-time contractors, strengthen competition, and deliver better value for taxpayers.

Toks Omishakin, Secretary of the California State Transportation Agency (CalSTA), a long-time EIP supporter, also told attendees, “This is about commitment. This has been a life’s work. This is a tailwind moment.”

The event’s presenting sponsor was Hub International, one of the largest insurance brokerages in the nation, which was joined by partners Travelers Insurance and the State Compensation Insurance Fund.

After the pledge-signing ceremony, attendees participated in a workshop in which they examined the policies, practices, and programs needed to meet EIP goals, learned from practitioners, and identified next steps toward utilizing the Playbook.

Ingrid Meriwether, formerly of Merriwether & Williams Insurance Services (MWIS) and current president of Hub International’s Aligned Risk Management, MWIS, described the hard-fought lessons she and her MWIS team have learned over the last three decades administering contractor development programs (CDPs) for the City and County of San Francisco, Alameda County, City of Los Angeles, LA Metro, and other municipalities.

The CDPs help small and local construction firms win public infrastructure contracts with these government agencies. The program provides bonding assistance, contract financing, technical support, training, and other services to underrepresented businesses funded by public agencies who seek greater contracting participation with these firms.

Merriwether said programs like these “break down systemic barriers, create greater fairness, and save taxpayers money by enabling more competition. The contractor development programs have, cumulatively, over two decades, helped contractors access over $1 billion in bonding, supporting over $380 million in awarded contracts, and maintaining a loss ratio 250 times lower than the industry average – while saving participating municipalities more than $27 million in contracting costs as a result of enabling more competition.”

Rick Jacobs, EIP co-founder and co-chair urged attendees make plans to meet again in the near future “to continue building on this work, share progress on organizational commitments, and discuss how we can collectively advance the goals of the EIP pledge.”

For more information on the EIP and to access a copy of the Playbook, go online to https://equityininfrastructure.org/

Calvin Naito is communications manager for Equity in Infrastructure Project.

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Oakland Museum Presents Landmark Retrospective Celebrating Beloved Bay Area Artist Mildred Howard

“Poetics of Memory” coincides with a year of major recognition for Howard. In 2026, she received the California Arts Council’s 50th Anniversary Award, honoring artists whose work has shaped California’s cultural and civic life, as well as the Museum of the African Diaspora’s Artist Impact Award. In 2025, she was awarded a prestigious Guggenheim Fellowship in recognition of her transformative contributions to American cultural life.

Published

1 week ago

June 24, 2026

Oakland Post

Mildred Howard. Photo by Christine Cueto for the Oakland Museum of California, 2025.

Special to The Post

The Oakland Museum of California (OMCA) opened “Mildred Howard: Poetics of Memory,” the first major museum survey of Bay Area artist Mildred Howard, on June 12.

The exhibition spans five decades of Howard’s influential work, bringing together immersive installations, found-object sculptures, archival materials, and new commissions that explore memory, identity, and power in American life.

Howard was born in San Francisco in 1945 and raised in the East Bay, where she went on to study Afro-Haitian dance, make and sell clothing, and experiment with collage and sculpture.

Her multimedia art practice emerged from these experiences, later becoming associated with West Coast conceptual art, San Francisco funk, and a vibrant community of artists like Oliver Jackson, Betye Saar, and Raymond Saunders. Since the 1970s, she has used found materials and family stories to explore memory—both individual and collective.

At OMCA, visitors enter “Poetics of Memory” through a series of intimate galleries featuring Howard’s early mixed-media pieces and sculptures, along with a large video projection of a number of her public artworks.

Together, they emphasize Howard’s interest in everyday objects as powerful carriers of individual and shared stories. Highlights include collages that remix images of the artist herself; found-object sculptures like The History of the United States with a few Parts Missing (2007) that address omissions in dominant narratives; and public works like “Locks and Keys for Harry Bridges” (2001) that transform urban space into a meditation on access and labor.

This culminates in a richly detailed “studio” environment, where works in progress, archival exhibition flyers, historic photographs of Howard and her community, postcards from fellow artists, and other materials offer insight into her creative process and daily life.

The exhibition then opens into a high-ceilinged, dramatically lit space that brings together Howard’s signature immersive installations. On one end, “Crossings” (1997/2026) – a field of hundreds of ceramic eggs leading to an ornate mirror – suggests cycles of birth, motherhood, and transition, while drawing on the emotional echoes of the Middle Passage. On the other end, “Blackbird in a Red Sky” (a.k.a. “Fall of the Blood House”) (2002) – a red glass shack bordered by a pond – also uses reflection and transparency to draw viewers into the work and prompt consideration of themes of identity and home.

Howard’s newest video installation, “Moving Stills” (2026), repurposes never-before-seen family footage she took as a teenager on a train trip to the American South. Projected onto cascading layers of translucent fabric that stretch across an entire gallery wall, the piece immerses viewers in a layered meditation on memory, migration, and time.

The “Mildred Howard: Poetics of Memory” exhibit will be on display through Oct. 11 at the Oakland Museum of California, 1000 Oak St., Oakland, CA 94612. Museum hours are Wednesday through Sunday, 11 a.m. to 5 p.m., with extended hours on Fridays to 9 p.m.

This story is sourced from the Oakland Museum of California press office.

Oakland Post

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Alameda County

Ferry Fares to Increase July 1 as Ridership Hits Record Highs

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

Published

1 week ago

June 24, 2026

Oakland Post

Courtesy photo.

By Mike Aldax, The Richmond Standard

Starting July 1, the standard adult fare for the San Francisco Bay Ferry route between Richmond and San Francisco will increase to $5.20, up from the current $4.90.

Discounted fares for eligible passengers, including youth, seniors, people with disabilities, and Clipper START users, will rise to $2.60 from the current $2.40. Children under 5 will continue to ride for free.

The Oakland and Alameda routes will increase from $4.90 to $5.10, the South San Francisco route will go up from $7.40 to $7.60, and the Vallejo route will increase from $9.90 to $10.

The adjustments are part of a systemwide fare update approved by the agency’s Board of Directors, which is moving away from a flat 3% annual increase to route-specific pricing for the 2027 and 2028 fiscal years.

This fare update arrives as San Francisco Bay Ferry celebrates a historic May, transporting 301,270 passengers. The record-breaking figure represents an 8% increase over May 2025 and marks the third consecutive month of record-setting ridership.

Furthermore, it is the sixth month in a row that passenger numbers have exceeded pre-pandemic levels. Weekend travel has been a primary driver of this growth, with average weekend ridership seeing a 56% increase compared to pre-pandemic trends.

The agency states that the fare adjustments are necessary to ensure the long-term fiscal sustainability of public ferry services. By shifting to route-specific adjustments, the agency aims to offset rising operating costs while maintaining the high levels of service frequency and reliability.