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Porsha Williams on Atlanta’s legacy and her beautiful generational success story

ROLLINGOUT.COM — Porsha Williams understood the importance of living in a Black mecca at a young age.

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By A.R. Shaw

Porsha Williams understood the importance of living in a Black mecca at a young age. At 5 years old, Williams spent Thanksgiving feeding the homeless alongside her grandfather, the late great civil rights leader Hosea Williams. The icon marched alongside Atlanta luminaries such as Dr. Martin Luther King Jr., Coretta Scott King, Andrew Young, Xernona Clayton and Joseph Lowery. Each legend helped to build the foundation for Atlanta to become the Black mecca.

Williams’ experience with such legendary figures allowed her to understand how service, civil rights and business leadership helped to shape Atlanta.

“I knew Atlanta was special from a very young age, just through charity work,” Williams told rolling out. “My grandfather, Hosea Williams, created the charity Hosea Feed the Hungry and Homeless. I worked in it, and it was right in the heart of Atlanta. All of my life I’ve been very close to the community and have known the people. We like to work together, we like to build each other up, we like to network; it’s a very [forward-looking city].”

With her family’s legacy intact, Williams gained notoriety in her own right in 2008 after joining the cast of Bravo’s vibrant reality TV show, “The Real Housewives of Atlanta.” She also became a national voice in entertainment television after being named as a permanent host of the syndicated show “Dish Nation” in 2014. Williams is the only Black woman in Hollywood to currently star in a reality TV show and a nationally syndicated talk show.

She also appeared on the first season of “The New Celebrity Apprentice” and did voice work in the animated movie CarGo.

Along with becoming a household name, Williams continued to pursue her entrepreneurial goals when she was not in front of the camera. She owns a virgin hair line called Go Naked Hair and a line of women’s intimate apparel known as Naked Lingerie.

“Being an entrepreneur just came naturally,” Williams said. “My father was an entrepreneur. He owns his own chemical company. My mother is also an entrepreneur, owning numerous childcare centers throughout Atlanta. I started out working in the family business, which was childcare. I ended up starting my own childcare center [at] 24 years old. Being an entrepreneur gives me the power to come up with a product that is close to my heart, and [a chance to] offer something to inspire other women and help them express themselves.”

She also sees Atlanta as a place where Black businesses can thrive. Georgia is second in the nation when it comes to the number of Black-owned businesses, trailing only the District of Columbia, according to the U.S. Census Bureau.

“Atlanta is definitely a place where you can make a great living for yourself being African American,” Williams said. “We do support each other a lot. A lot of people definitely try to network with each other to keep that going.”

This week, the world will be watching the city of Atlanta as it hosts Super Bowl LIII. Williams hopes that the festivities serve as an opportunity for people to experience the Black mecca up close and personal.

“I want people to experience the Atlanta that they’ve always heard about,” she shared. “I think that Atlanta has a great reputation for being very warm, Southern and with great hospitality. I just want them to be able to experience everything that they would expect from the South, which is to be embraced by us and to know that they always have a home. A lot of people from different states end up moving to Georgia because it’s a great place to raise a family. We have probably the best dynamic here because you can really find a place that you want to hang with your family during the day, and we also have a great nightlife. I think that the Atlanta pride is going to show through, and it’s going to be a great opportunity for us to be able to have so many people from everywhere here.”

In the midst of running a business, starring on “The Real Housewives of Atlanta” and bringing viewers celebrity news on “Dish Nation,” Williams found love with her fiancé Dennis McKinley. The two are expecting their first child together.

“Mommy entrepreneurs must be sure to have a great support system,” she said. “And you have to make sure that the type of business that you want to start will be good for you and your family. I wouldn’t get into just anything. If you don’t have someone to keep your kids and the best support, you may want to start a business that’s online, where you could be working from home. Start a business that’ll be practical for your real lifestyle. Research it and just go for it. Dream big and put in the hard work. Always use your kids as the focus and the purpose and the drive for what you’re going to do.”

A.R. Shaw is an author and journalist who documents culture, politics, and entertainment. He has covered The Obama White House, the summer Olympics in London, and currently serves as Lifestyle Editor for Rolling Out magazine. Follow his journey on Twitter @arshaw and Instagram @arshaw23.

This article originally appeared in Rollingout.com.

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Oakland Post: Week of February 11 = 17, 2026

The printed Weekly Edition of the Oakland Post: Week of – February 11 – 17, 2026

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To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Arts and Culture

Book Review: Books on Black History and Black Life for Kids

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

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Photo of Black History Month book covers by Terri Schlichenmeyer.
Photo of Black History Month book covers by Terri Schlichenmeyer.

By Terri Schlichenmeyer

Authors: Various, Copyright: c. 2025, 2026, Publishers: Various, SRPs: $17.99-$18.99, Page Counts: Various, 

Everybody in your family has stories to share.

Your parents have told you some, no doubt. Your grandparents have offered a few, too, and aunties and uncles have spun some good tales. But there’s so much more to know, so grab one of these great books and learn about Black History and Black life.

For the youngest reader, “As You Are: A Hope for Black Sons” by Kimberly A. Gordon Biddle, illustrated by David Wilkerson (Magination Press, $18.99) is a book for young Black boys and for their mothers. It’s a hope inside a prayer that the world treats a child gently, and it could make a great baby shower gift.

If someone said you couldn’t do something that you were clearly able to do, would you fight to do it anyhow?  In the new book, “Remember Her Name! Debbie Allen’s Rise to Fame” by Tami Charles, illustrated by Meredith Lucius (Charlesbridge, $17.99), a young girl in the Jim Crow South is told that she can’t dance because of the color of her skin.

She didn’t listen, though, and neither did her mother, who took her daughter to Mexico, where the girl soared! This is an inspiration for any 5-to-7-year-old; be sure to check out the back-of-the-book information, if you’re an adult fan.

Do you often hear your elders say things that sound like lessons?  They might be, so “Where There is Love: A Story of African Proverbs” by Shauntay Grant, illustrated by Leticia Moreno (Penguin Workshop, $18.99) is a book you’ll like. It’s a quick-to-read collection of short proverbs that you can say every day. Kids ages 4-to-6 will easily remember what they find in this book; again, look in the back for more information.

Surely, you love your neighborhood, which is why the tale inside “Main Street: A Community Story about Redlining” by Britt Hawthorne and Tiffany Jewell, illustrated by David Wilkerson (Penguin Kokila, $18.99) is a book for you.

Olivia’s neighborhood is having a block party, but she’s sad when no one shows up. That’s when she learns that “the government” is discriminating against the people and businesses near where she lives. So, what can she and her neighbors do? The answer might inspire 6-to-8-year-old kids to stand up to wrongs they see, and to help make their neighborhoods stronger and safer.

And finally, if a kid wants a book, where can they go to find it? In “I’m So Happy You’re Here: A Celebration of Library Joy” by Mychal Threets, illustrated by Lorraine Nam (Random House, $18.99) is a good introduction to the best of what a library has to offer. The freedom to walk into a library and borrow a book is the theme here, as is the sheer happiness of being welcomed, no matter who you are.  This is an easy book for kids as young as two and as old as five to enjoy.

On that note, if you want more, head to that library, or a nearby bookstore. They’ll be glad to see you. They’ve got stories to share.

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Activism

Art of the African Diaspora Celebrates Legacy and Community at Richmond Art Center

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996.

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‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.
‘Be Still...’ by Virginia Jourdan is on display at the Richmond Art Center (RAC), in Richmond, CA. Photo by Carla Thomas.

By Carla Thomas

The 2026 Art of the African Diaspora exhibition is on display at the Richmond Art Center (RAC) through March 14. The one-room gallery bursts with more than 100 works – paintings, photographs, sculptures, and mixed-media pieces – each affirming the power, beauty, and vitality of cultural expression across the African diaspora.

Now in its 29th year, Art of the African Diaspora is the Bay Area’s longest-running exhibition of its kind. Its roots stretch back to 1989, when artist and educator Marie Johnson Calloway founded Colors of Black, a salon for African American artists. That gathering inspired artists Jan Hart-Schuyers and Rae Louise Hayward to establish The Art of Living Black at the Richmond Art Center in 1996. Their vision was to showcase the creativity of emerging and established Black artists, bridging communities and widening access to audiences historically excluded from mainstream art spaces.

Over the decades, that founding vision has expanded and evolved, carried forward by artists, family members, and the Richmond Art Center after the loss of Hart-Schuyers and Hayward. In 2018, a new generation of artists formed a steering committee to organize the event; a year later, the exhibition was renamed Art of the African Diaspora to embrace the broader global connections of people of African descent.

The new name reflects not only a broader cultural lens but also an empowered community network that supports artists across the Bay Area. As part of this year’s programming, RAC will host ‘Art of the African Diaspora: Public Art in Our Communities,’ a free panel on Sat., Feb. 21, from 12 to 1:30 p.m. Artists Kristine Mays, James Moore, and Malik Seneferu will join arts administrator Denise Pate for a conversation on the impact and process of public art. The discussion will be moderated by longtime arts advocate and producer Flo Wiley.

Each panelist brings a distinctive voice to the conversation. Mays, known for her ethereal wire sculptures that capture movement and spirit, has exhibited internationally and is represented in collections ranging from the Smithsonian to the Crocker Art Museum.

Sculptor and painter James Moore creates abstract metal works and colorful field paintings that explore movement, balance, and emotion. His recent public art installations include large-scale pieces in Richmond’s Shields-Reid Park. Malik Seneferu, a self-taught San Francisco native, has built a large body of work celebrating African American life through vibrant murals and expressive figurative art.

Representing the institutional side, Denise Pate oversees public arts investments as director of Community Investments at the San Francisco Arts Commission, advancing racial and cultural equity through funding and advocacy. Together, these artists and administrators will trace how public art emerges, from concept to community collaboration, and why it matters.

The Art of the African Diaspora exhibition runs through March 14 at the Richmond Art Center, 2540 Barrett Ave., Richmond. The center is open Wednesday through Saturday from 10 a.m. to 4 p.m. Admission and programs are free and open to the public.

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