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Opinion: Harris’s Diversity Coalition Revives the Power of True-Blue American Identity Politics

In corners of America dominated by MAGA disinformation, the concept of identity politics is vilified. It goes hand in hand with the anti-DEI wave that’s trying to snuff out the modern civil rights movement. Here comes the good news. So, you thought the dismantling of DEI (diversity, equity and inclusion) programs in higher ed and corporate America meant diversity as a value in America is dead. Think again. Kamala (as Harris says, “rhymes with mama-la”) just woke America back up.

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Photo Courtesy of KamalaHarris.com.
Photo Courtesy of KamalaHarris.com.

By Emil Guillermo

In corners of America dominated by MAGA disinformation, the concept of identity politics is vilified.

It goes hand in hand with the anti-DEI wave that’s trying to snuff out the modern civil rights movement.

Here comes the good news.

So, you thought the dismantling of DEI (diversity, equity and inclusion) programs in higher ed and corporate America meant diversity as a value in America is dead.

Think again.

Kamala (as Harris says, “rhymes with mama-la”) just woke America back up.

The Zoom call as a mass fundraising tool is alive and well.

The frenzy began after the two big kickoff Zoom conference calls last week — Black women (90,000 attendees/$1.5 million raised, followed by Black men (232,000 attendees/$1.3 million raised).

This week, Asian American Filipinos got theirs on a teleconference that featured Filipino Americans like Alameda’s Rob Bonta, the California Attorney General.

It came one day after “White Dudes for Kamala” on Monday drew 200,000 participants, including actor Jeff Bridges who declared “I’m White, I’m a dude, and I’m for Harris.”

The “White Dudes” raised more than $4 million, a slightly larger amount than the call last week with more than 200,000 White women that raised $3.5 million

Other recent Zoom calls included South Asian women (10,000 attendees/ $285,000 raised) and Latino Women (5,000 attendees/$110,000 raised).

The record haul after just one week of the campaign (over $200 million in all) shows grassroots America is falling hard for Kamala Harris.

The surge signals a revival of identity politics too often tamped down by Trump’s divisive MAGA beliefs.

The best put-down a GOP commentator on CNN could muster was to decry it all as the “Democrat obsession with racial segregation.”

Typical response. It’s not segregation to bring disparate people together in coalition. That’s a celebration of diversity’s strength.

NEW CALIFORNIA MEDIA

In the late ‘’90s and into the new millennium, I was part of a consortium of ethnic media organizations led by Sandy Close and the Pacific News Service that chronicled the rise of a New America. We started with California where minorities were already a majority, launching a television show called “NCM: New California Media.”

As host and executive producer, NCM was one of the first “Meet the Press”-style panel programs in any medium that included Asian, Latino, Black, Indian and LGBTQ journalists who covered us like we mattered.

It’s how I met the Oakland Post’s Tom Berkley and his daughter, Gail Berkley. The late Chauncey Bailey was a regular and my friend.  Even Van Jones, long before he was with CNN, appeared on the program.

We covered politics for sure. But there was never one politician who could excite and harness the energy of all the various communities at once.

Gov. Pete Wilson? The recalled Gray Davis? Cruz Bustamante? Ah-nuld?

There was no one.

But there is now.

The future we anticipated and hoped for nearly 25 years ago has finally arrived in Kamala Harris.

Is the Trump/Vance reaction weird? No, they’re just used to snuffing out diversity in favor of preserving their dwindling majority — like trying to dam up the natural flow of America.

Harris has released our natural flow of diversity.

About the Author

Emil Guillermo is a journalist and commentator. See him on YouTube.com/@emilamok1. Contact: amok.com

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Arts and Culture

COMMENTARY: Black Music is the Sound of Black Freedom: Let Us Reclaim Both This Juneteenth

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

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Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.
Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.

By Wanda Ravernell

Black Music Month and Juneteenth are inextricably linked – Black music is the sound of our freedom.

From the plaintive moans of the enslaved Africans’ ‘sorrow songs,’ to the fields of Civil War battle where Black soldiers picked up abandoned bugles, to the upright piano played in juke joints on Saturday night and churches come Sunday morning, our ancestors’ innovation in the face of want, fear, degradation, and hopelessness has yielded genres of music imitated ’round the world.

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

In 2000, Congress made it official. In 2009, Pres. Barack Obama changed the name to African American Music Heritage Month and in 2023, Pres. Joe Biden changed it back to Black Music Month, two years after he declared Juneteenth a national holiday, the result of a movement led by Opal Lee.

Our ancestors battle for freedom over these last 400 years and the music that allowed them expression of their humanity deserved to be honored.

But we may be losing sight of the value of their sacrifices.

‘Sing a Song Full of the Faith That the Dark past Has Taught Us…’

Along with the long-known exploitation of Black musicians whose recordings were stolen by record companies, the commercialization of Juneteenth feels like another kind of theft.

I had never heard of Juneteenth until I moved to the Bay Area from my hometown of Philadelphia. I didn’t know it was one of many freedom festivals celebrated by descendants of enslaved people in the United States.

Emancipation Day was Jan. 1 in Pennsylvania, April 16 in Wash., D.C., May 20 in Florida, and Aug. 8 in Kentucky. But Juneteenth, June 19, has the most renown, known in Texas as the ‘colored peoples’ Fourth of July.’

It was marked by parades, beauty pageants, rodeos, backyard barbecues and church picnics.

Yes, church.

The formerly enslaved began the day praying in thanks for their freedom just as they had prayed for Jubilee – the day of freedom – when they had chains on their feet and hands. They ‘testified’ about their past suffering and how they had managed to overcome.

And they sang.

Although, we will not hold it this year, Omnira Institute’s Juneteenth Ritual of Remembrance recalled this part of Juneteenth with prayers in the languages of the African captives. In the middle of the ceremony, a soloist would lead us in singing “Many Thousand Gone” while we took turns reciting portions of the Emancipation Proclamation, the news of freedom that took more than two years to reach Texas – two months after the Civil War ended.

“Many Thousand Gone” was famously recorded by Black luminary Paul Robeson in 1947:

“No more auction block for me,

No more, no more

No more auction black for me

Many thousand gone.”

Other verses refer to the ‘pint of salt’ and the ‘driver’s lash,’ the realities of enslavement that they had survived.

‘Sing a Song Full of the Hope That the Present has Brought Us’

All of the genres of African American music have at their root songs like that, the essence being, as Stevie Wonder, wrote, “the joy inside our pain.” So Black music is not just music. It is our story, our history, our very strength.

During the Civil Rights Movement, which peaked 100 years after slavery ended, the people testified that it was the freedom songs – based on spirituals – that gave them the heart to march, face attack dogs, fire hoses, beatings, and shootouts with vigilantes.

The music reminded them that power was in the people. That music, our music, can do so again. We don’t have to accept the commodification of the products of our culture.

The power of those songs is showing a resurgence across the South as we battle again for the right to self-determination through the ballot box.

Those songs are the voices of our ancestors, voices forged in their blood, their sweat, their tears, joy and, above all, faith.  Those songs, those prayers live in our blood and our very breath.

This Juneteenth, let us reclaim those holy voices expressed in Black music for ourselves. It is our birthright. It can neither be bought nor sold.  No more. Never again.

Wanda Ravernell is the executive director of Omnira Institute, sponsor for 18 years of the Juneteenth Ritual of Remembrance and Oakland’s 11th Annual Black-Eyed Pea Festival, which will take place on Sept. 12.

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Activism

Oakland Post: Week of June 3 – 9, 2026

The printed Weekly Edition of the Oakland Post: Week of June 3 – 9, 2026

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Study: Waiting Lists for Child Care Assistance Nearly Doubled

BLACKPRESS USA NEWSWIRE — “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”
The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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By National Women’s Law Center

The National Women’s Law Center released its annual State Child Care Assistance Policies report, finding that the number of children placed on waiting lists for federally funded child care assistance nearly doubled between 2024 and 2025 — and that number has only continued to grow.

The report serves as a key resource for state lawmakers, advocates, and policymakers by tracking state child care assistance policies and identifying where states are strengthening support for families and early educators — or falling behind.

“This deeply troubling increase in the number of children on child care waiting lists is the result of a failure to invest in this crucial sector,” said Karen Schulman, senior director of state child care policy and author of the report. “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”

Key findings in the report related to waiting lists for child care assistance include:

• 17 states had waiting lists or a freeze on intake for child care assistance in February 2025, up from 13 states in February 2024.

• Approximately 106,700 children nationwide were added to waiting lists between February 2024 and February 2025, bringing the total to 225,500 children in February 2025 — a 90 percent increase compared to February 2024.

• The numbers climbed even further between February 2025 and summer/fall 2025, with more than 175,000 additional children added to state waiting lists in just a few months — a 78 percent increase.

• At least seven states newly began placing families on waiting lists or freezing intake, while at least 10 additional states saw their waiting lists grow, after February 2025.

The report also includes state-by-state data on key child care assistance policies, including income eligibility limits, parent copayments, provider payment rates, and eligibility policies for parents searching for work.

Click the link to learn more: Warning Signs: State Child Care Assistance Policies 2025.

The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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