Art

Oakland-Based Artist’s Work on Display at MoAD in S.F.

MoAD’s most recent Emerging Artists Program exhibition is now up through Aug. 20 and features the work of Oakland-based artist Nimah Gobir. Titled “Holding Space,” the solo exhibition unveils a collection of intimate paintings that consider home, interiority, and belonging in the context of diasporic narratives. Through depictions of her family members and loved ones in everyday situations, “Holding Space” pauses for a poetic reflection on placemaking.

Published

9 months ago

July 19, 2023

Oakland Post

Above, a panel of Nimah Gobir’s installation piece called “Tender-Headed.” Courtesy of MoAd.

MoAD’s most recent Emerging Artists Program exhibition is now up through Aug. 20 and features the work of Oakland-based artist Nimah Gobir.

Titled “Holding Space,” the solo exhibition unveils a collection of intimate paintings that consider home, interiority, and belonging in the context of diasporic narratives. Through depictions of her family members and loved ones in everyday situations, “Holding Space” pauses for a poetic reflection on placemaking. ‍

Embroidery, pattern, and textile motifs convey the layered expressive textures inherent to family homes. This exhibition is a meditation on how homes are places that hold secrets, histories, and vestiges of loved ones.

The artist’s eloquent statement about the exhibition and specific works is below my signature on this email so you can read more from her directly.

Gobir, born in Los Angeles, California in 1993, is the daughter of two Nigerian immigrants. Raised by a single mother and a textbook middle child, she creates art that explores her identity as a Black woman.

Through paintings and installations, her work teases out both the nuances and shared experiences of being Black. Gobir has mounted recent solo exhibitions at MoAD and The Growlery, San Francisco; Johansson Projects, FM Oakland in Oakland and the Guggenheim Gallery, Orange, California.

She has been included in group exhibitions at Root Division and SOMArts Cultural Center in San Francisco.

Gobir completed her BFA in Studio Art and her BA in Peace Studies at Chapman University in Orange, California, and earned her MEd from Harvard Graduate School of Education with a focus on Arts in Education. She lives and works in Oakland, California.

On Saturday, July 15, Gobir will be in conversation with Kija Lucas for an in-person artist talk at MoAD from 3-4:30 pm. More about that event at: https://www.moadsf.org/event/artist-talk-eap-presents-nimah-gobir-in-conversation-with-kija-lucas

A portion of Gobir’s artist statement is below:

“Holding Space” unveils a suite of paintings featuring figurative portraits, embroidery, and textiles. These works uplift home and belonging in the context of immigrant narratives. Displaying a range of small- and large-scale works, this exhibition highlights paintings of my family, including me, my siblings, relatives, and Nigerian-born parents. As a result, the work is autobiographical in nature, drawing from my history as well as memories from those I hold dear.

“Through depictions of my family members and loved ones in everyday situations, I humanize the Black experience and pay homage to Black families. This body of work examines how generations of family members have immigrated to create homes where they have settled, and how my relations, while scattered across the world far from their origins, carry the stories of those who came before them.

“In this exhibition, I invite viewers to grapple with the intimacy of being in someone’s home and entering a space that holds the residue of a family’s presence and everyday habits. The clutter, mix-matched patterns, and textures that make up a home are on display in paintings that show interior spaces.

A couple of images of work on the exhibition page at:

https://www.moadsf.org/exhibitions/holding-space-by-nimah-gobir

Source from MoAD’s media relations office

Oakland Post

Posts by Oakland Post

Up Next

Museum of the African Diaspora (MoAD) Receives IMLS Grant to Expand its MoAD in the Classroom Program

Don't Miss

$10 Million Award for Affordable Housing, Transit Access in West Oakland

Oakland Post

Click to comment

Art

Marin County: A Snapshot of California’s Black History Is on Display

The Marin County Office of Education, located at 1111 Las Gallinas Ave in San Rafael, will host the extraordinary exhibit, “The Legacy of Marin City: A California Black History Story (1942-1960),” from Feb. 1 to May 31, 2024. The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

Published

2 weeks ago

April 16, 2024

Oakland Post

Early photo of Marin City in the exhibit showing the first department store, barber shop, and liquor store. (Photo by Godfrey Lee)

By Post Staff

The interactive, historical, and immersive exhibit featuring memorabilia from Black shipyard workers who migrated from the South to the West Coast to work at the Marinship shipyard will provide an enriching experience for students and school staff. Community organizations will also be invited to tour the exhibit.

All will have the opportunity to visit and be guided by its curator Felecia Gaston.

The exhibit will include photographs, articles and artifacts about the Black experience in Marin City from 1942 to 1960 from the Felecia Gaston Collection, the Anne T. Kent California Room Collection, The Ruth Marion and Pirkle Jones Collection, The Bancroft Library, and the Daniel Ruark Collection.

It also features contemporary original artwork by Chuck D of the Rock and Roll Hall of Fame group Public Enemy, clay sculptures by San Francisco-based artist Kaytea Petro, and art pieces made by Marin City youth in collaboration with Lynn Sondag, Associate Professor of Art at Dominican University of California.

The exhibit explores how Marin City residents endured housing inequities over the years and captures the history of plans to remove Black residents from the area after World War II. Throughout, it embodies the spirit of survival and endurance that emboldened the people who made Marin City home.

Felecia Gaston is the author of the commemorative book, ‘A Brand New Start…This is Home: The Story of World War II Marinship and the Legacy of Marin City.’ Thanks to the generous contribution of benefactors, a set of Felecia’s book will be placed in every public elementary, middle, and high school library in Marin.

In addition, educators and librarians at each school will have the opportunity to engage with Felecia in a review of best practices for utilizing the valuable primary sources within the book.

“Our goal is to provide students with the opportunity to learn from these significant and historical contributions to Marin County, California, and the United States,” said John Carroll, Marin County Superintendent of Schools.

“By engaging with Felecia’s book and then visiting the exhibit, students will be able to further connect their knowledge and gain a deeper understanding of this significant historical period,” Carroll continued.

Felecia Gaston adds, “The Marin County Office of Education’s decision to bring the Marin City Historical Traveling Exhibit and publication, ‘A Brand New Start…This is Home’ to young students is intentional and plays a substantial role in the educational world. It is imperative that our community knows the contributions of Marin City Black residents to Marin County. Our youth are best placed to lead this transformation.”

The Marin County Office of Education will host an Open House Reception of the exhibit’s debut on Feb. 1 from 4 p.m. – 6 p.m.. All school staff, educators, librarians, and community members are encouraged to attend to preview the exhibit and connect with Felecia Gaston. To contact Gaston, email MarinCityLegacy@marinschools.org

Oakland Post

Posts by Oakland Post

Activism

Alternative Outcome to Slayings by Police Explored in One-Man Play

BLACK MEN EVERYWHERE! is the explosive new one man play written, directed, and performed by Jinho “Piper” Ferreira. Set against the backdrop of a presidential election, the play explores how political and cultural leaders wield the myth of the dangerous Black man to manipulate the masses for personal gain. Piper penned the follow-up to his ground-breaking solo play, “Cops and Robbers,” after an impromptu cross-country Black history tour.

Published

2 months ago

February 16, 2024

Oakland Post

BLACK MEN EVERYWHERE! is the explosive new one man play written, directed, and performed by Jinho “Piper” Ferreira.

Special to The Post

What would happen if police officers who have gotten off for killing unarmed Black people started turning up dead?

Piper penned the follow-up to his ground-breaking solo play, “Cops and Robbers,” after an impromptu cross-country Black history tour.

“My wife and I had been talking about it for years,” Ferreira said. They had taken their three children to Brazil several times and West Africa but had yet to explore their history as Black people in this country. “It was Juneteenth last year and I realized we had a few weeks to make it happen, so we just jumped in the car and left” Piper said.

Three weeks later the family had seen everything from the African American Museum of History and Culture in Wash., D.C., to the phenomenally preserved Whitney Plantation in Louisiana. They’d stood outside of the balcony of the Lorraine Hotel where Dr. Martin Luther King Jr. was assassinated in Memphis, Tenn., walked across the Edmund Pettus Bridge in Selma, Ala., and paid their respects at the Africa Town cemetery – where the passengers of the Clotilda (the last known U.S. slave ship to smuggle captured Africans into this country) were buried near Mobile, Ala.

“We had the kids keep a journal of the trip and my wife and I took notes, but once we got back home, I knew I had to make the pen move,” he said.

Ferreira plays 21 characters in the 60-minute emotional roller coaster ride; personalities we all know. While brilliantly weaving in themes of revolution, treachery, and revenge, “Black Men Everywhere!” is surprisingly — more than anything else — a love story.

“I wrote the play for Black men and everyone who loves us,” Ferreira said. “The play is narrated by a sistah and performed in front of the deeply spiritual artwork of Nedra T. Williams, an Oakland priestess of Olokun. It’s called ‘Black Men Everywhere!’ but we don’t exist without the Black woman.”

For tickets, please go to: http://tinyurl.com/5dm3mhra

Oakland Post

Posts by Oakland Post

Art

City of Stockton Seeks Applications for Public Art Murals

The City of Stockton Arts Commission (SAC) has announced the opportunity for artist(s) and/or artist teams to apply to design and paint original artwork on City-owned property through a Public Art Mural Program. The deadline for applications is Friday, March 8, 2024, at 5 p.m. Applications and additional information are available online at www.stocktonca.gov/publicart.

Published

3 months ago

January 24, 2024

Oakland Post

The Public Art Mural Program incentivizes mural installations by providing city funding and the means of curating the City’s collection of murals.

City of Stockton

The deadline for applications is Friday, March 8, 2024, at 5 p.m. Applications and additional information are available online at www.stocktonca.gov/publicart.

The Public Art Mural Program incentivizes mural installations by providing city funding and the means of curating the City’s collection of murals.

This program has $50,000 in available funds for artist(s) and is also available for those who have already identified funds and would like to complete a mural project on city-owned property. Applications will be reviewed on a competitive basis and selected by the SAC.

To learn more about the Stockton Arts Commission (SAC) or qualifications and eligibility for Public Art Mural Program, please visit www.stocktonca.gov/publicart or call the Community Services Department at (209) 937-8206.