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Oakland Actor Daveed Diggs to Portray Frederick Douglass in Cable Miniseries

Celebrated writer James McBride will see his award-winning book, turned miniseries, “The Good Lord Bird,” make its cable broadcast debut on the Showtime Network, starring Ethan Hawke, as slavery abolitionist, John Brown.
The story is told from the point of view of “Onion,” a fictional enslaved young boy (portrayed by newcomer, Joshua Caleb Johnson) who becomes a member of Brown’s family of abolitionist soldiers battling slavery in Kansas, and eventually finds himself in the famous 1859 Army depot raid at Harpers Ferry, an inciting incident of the Civil War.
Rounding out the series is Daveed Diggs (“Hamilton”); Orlando Jones (“Sleepy Hollow”); Hubert Point Du Jour (“Blindspot”) and Beau Knapp (“Seven Seconds”).
“The Good Lord Bird” is an irreverent and dramatic tale of Antebellum America and the ever-changing roles of race, religion and gender in American society. The series begins Sunday, Oct.r 4th@ 9 pm ET/PT.
I spoke with Daveed Diggs, the beloved Oakland native–turned Broadway sensation and television star — about this high energy, high impact, and very stylized story by James McBride who wrote “The Color of Water.” Diggs is cast as legendary African American abolitionist and orator, Frederick Douglass.
Sandra Varner/Talk2SV: I found myself in rapt attention watching your interpretation of Frederick Douglass as portrayed in this James McBride story. As such, Douglass knows the power of his human currency as a person of literal value; equally, the power and prowess of his persuasion as an orator. Did you see those aspects as characteristics you needed to draw upon?
DIGGS: Oh, definitely, and that’s a great observation. I think it was really necessary to portray a Frederick Douglass who was very aware of what he was capable of and what he was doing. He had a sense of pride that could come off as overblown or pompous. He was that good and that famous. You don’t know very many people who become that famous and that good who don’t know it.
TALK2SV: So, in keeping with this reflection of Douglass, do you own the power of your prowess as an artist?
DIGGS: It’s a conversation I’m having weekly with my therapist, laughter. I don’t know that I do or at least, I haven’t found the same comfort in it. Part of that, I think, is good because it keeps me trying new things, keeps me from thinking that I’ve figured it out; at times, it can be detrimental. I think sometimes I look for help. I look to offset the responsibility or agency (of my talent) and that’s not always the right thing to do. Sometimes, I actually am the adult in the room [laughter] and I’m trying to come to terms with that, but, it’s hard.
TALK2SV: It is said of this story, that the slave uprising at Harper’s Ferry (in Virginia, October 1859), was the precursor to the Civil War. If allowed, I’d liken Frederick Douglass as the precursor to Martin Luther King, Jr. Do you think the dots connect well between these two extraordinary men?
DIGGS: I do. I do. If you can attach a really powerful message with virtuosic writing and attach a person to that, you have a figure with the power to change culture and create culture. I think Frederick Douglass was aware of that [essence] and I think Dr. King was aware of that, too.
I grew up working with Youth Speaks (www.youthspeaks.org), a poetry organization in San Francisco, which focuses on teenagers writing poetry. A primary reason to teach Spoken Word to young people is it forces you to make Spoken Word sound pretty; forces you to take your very valid ideas and come up with a way to make people listen to you, even if they are not particularly conditioned to listen to you. That’s a really powerful tool for young people. And that’s the same rubric that I think MLK and Fredrick Douglass were working with–if my mouthpiece is strong enough, if I can work these words and perform these words in a way that will move people, spiritually and emotionally–that is how you get people on the side of a cause.
TALK2SV: You have created a distinguished footprint, already. Let’s let’s talk about your performance cachet, specifically, portability and transmutability. You flow seamlessly between stage, television and film. What anchors your performance arc that allows you to virtually transport us, the viewer, and go along with you in each format, no matter the character portrayal?
DIGGS: Just trying to understand the mechanics, I’m still learning how to do that in the TV space and in the film space, too. I did so much theater coming up — I understand the mechanics of the stage, very well. It’s the thing I fall back on, the technique of it; I know what reads to a (performance) house of various sizes. I’ve played in every size house there is. So I have the technical ability to adapt. The more I work in the TV and film space, the more I understand those technical elements along with the other part of it. I can’t remember who told me this, either a director I was working with or an actor but, they said 80% of the job is to understand the tone of the piece. I really do find that to be true. If you understand the spirit of the piece you are making, you can be successful, but it really has to do with looking at the totality of the piece. What is the world we want to be snuck into? Make all your choices and point back to them; when I do that, then, I find I am in better shape.
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Tiguan’s AI Touchscreen & Gear Shift: VW Just Changed the Game! #2
Explore the Tiguan’s cutting-edge 12.9-inch infotainment touchscreen featuring wireless Apple CarPlay, Android Auto, voice control, and a new AI assistant. See how VW innovatively moved the gear shifter to the steering column, enhancing the center console and navigation system! #AutoNetwork #Tiguan #Infotainment #AppleCarPlay #AndroidAuto #AISystem #NavigationSystem #CarTech #TechReview #CarInnovation #Automotive

https://youtube.com/watch?v=0xUKM6U2Lpc&autoplay=0&cc_lang_pref=en&cc_load_policy=0&color=0&controls=1&fs=1&h1=en&loop=0&rel=0
Explore the Tiguan’s cutting-edge 12.9-inch infotainment touchscreen featuring wireless Apple CarPlay, Android Auto, voice control, and a new AI assistant. See how VW innovatively moved the gear shifter to the steering column, enhancing the center console and navigation system! #AutoNetwork #Tiguan #Infotainment #AppleCarPlay #AndroidAuto #AISystem #NavigationSystem #CarTech #TechReview #CarInnovation #Automotive
#NNPA BlackPress
IN MEMORIAM: Legendary Funk Pioneer Sly Stone Dies at 82
Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

By Stacy M. Brown
BlackPressUSA.com Newswire
Sylvester “Sly” Stewart—known to the world as Sly Stone, frontman of the groundbreaking band Sly and the Family Stone—has died at the age of 82.
His family confirmed that he passed away peacefully at his Los Angeles home surrounded by loved ones, after battling chronic obstructive pulmonary disease (COPD) and other health complications.
Born March 15, 1943, in Denton, Texas, Stone moved with his family to Vallejo, California, as a child. He began recording gospel music at age 8 with his siblings in a group called the Stewart Four. By his teenage years, he had mastered multiple instruments and was already pioneering racial integration in music—an ethos that would define his career.
In 1966, Sly and his brother Freddie merged their bands to form Sly and the Family Stone, complete with a revolutionary interracial, mixed-gender lineup.
The band quickly became a commercial and cultural force with hits such as “Dance to the Music,” “Everyday People,” and “Thank You (Falettinme Be Mice Elf Agin)”—all penned by Stone himself.
Their album “Stand!” (1969) and live performances—most notably at Woodstock—cemented their reputation, blending soul, funk, rock, gospel, and psychedelia to reflect the optimism and turmoil of their era.
Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.
As the 1970s progressed, Stone confronted personal demons. His desire to use music as a response to war, racism, and societal change culminated in the intense album “There’s a Riot Goin’ On” (1971). But drug dependency began to undermine both his health and professional life, leading to erratic behavior and band decline through the early 1980s.
Withdrawn from the public eye for much of the 1990s and early 2000s, Stone staged occasional comebacks. He was inducted into the Rock & Roll Hall of Fame in 1993, received a Lifetime Achievement Award from the Grammys in 2017, and captured public attention following the 2023 release of his memoir “Thank You (Falettinme Be Mice Elf Agin)”—published under Questlove’s imprint. He also completed a biographical screenplay and was featured in Questlove’s documentary “Sly Lives!” earlier this year.
His influence endured across generations. Critics and historians repeatedly credit him with perfecting funk and creating a “progressive soul,” shaping a path for racial integration both onstage and in the broader culture.
“Rest in beats Sly Stone,” legendary Public Enemy frontman Chuck D posted on social media with an illustrative drawing of the artist. “We should thank Questlove of the Roots for keeping his fire blazing in this century.”
Emmy-winning entertainment publicist Danny Deraney also paid homage. “Rest easy Sly Stone,” Deraney posted. “You changed music (and me) forever. The time he won over Ed Sullivan’s audience in 1968. Simply magical. Freelance music publicist and Sirius XM host Eric Alper also offered a tribute.
“The funk pioneer who made the world dance, think, and get higher,” Alper wrote of Sly Stone. “His music changed everything—and it still does.”
Sly Stone is survived by three children.
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PRESS ROOM: Clyburn on 10th Anniversary of Mother Emanuel AME Church Shooting in Charleston
BLACKPRESSUSA NEWSWIRE — Congressman James E. Clyburn (SC-06) released the following video on X, paying tribute to the 10th anniversary of the shooting that took place at Mother Emanuel AME Church in Charleston, South Carolina on June 17, 2015.

By Congressman James E. Clyburn
CHARLESTON, SOUTH CAROLINA – Congressman James E. Clyburn (SC-06) released the following video on X, paying tribute to the 10th anniversary of the shooting that took place at Mother Emanuel AME Church in Charleston, South Carolina on June 17, 2015.
“Over 6 years ago, the House first passed my Enhanced Background Checks Act to close the Charleston Loophole that allowed a white supremacist to obtain the gun he used to murder nine worshipers at Emanuel AME Church on June 17, 2015.
“I’ll never stop fighting to pass this law.”
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