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NFL Exec Troy Vincent Talks Draft, HBCU Initiatives

NNPA NEWSWIRE — “This is a moment where we need some semblance of hope in some of our communities, and we are hoping that’s what occurs next week,” stated Troy Vincent, who starred for the Miami Dolphins, Philadelphia Eagles, Buffalo Bills, and Washington Redskins over a stellar 15-year career.

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"We're working together to honor the rich history and provide opportunities to students and administrators from these great institutions," said Troy Vincent, who starred for the Miami Dolphins, Philadelphia Eagles, Buffalo Bills, and Washington Redskins over a stellar 15-year career. (Photo: Billy Zagger B-Train Films)

By Stacy M. Brown, NNPA Newswire Senior Correspondent
@StacyBrownMedia

Troy Vincent’s career and life have come a long way since the Miami Dolphins selected him with the 7th pick in the National Football League (NFL) Draft in 1992.

The former five-time Pro-Bowl cornerback has risen to become the second-in-command for America’s most popular sports league, ranking behind only Commissioner Roger Goodell, which makes it possible that he’ll one day ascend to the top job.

No former player, not even the most popular, have ever risen higher than Vincent in the league’s top office. No African American has ever served as commissioner.

On April 23, Vincent will help Goodell kick off the NFL Draft, which will be conducted virtually because of the coronavirus pandemic.

“This is a moment where we need some semblance of hope in some of our communities, and we are hoping that’s what occurs next week,” stated Vincent, who starred for the Miami Dolphins, Philadelphia Eagles, Buffalo Bills, and Washington Redskins over a stellar 15-year career.

This year’s draft, which begins with Round 1 at 8 p.m. EST on Thursday, April 23, and concludes with Rounds 4 through 7 on Saturday, April 25, marks the first time the process is held exclusively online.

Draft night begins with a Draft-A-Thon fundraiser to benefit those affected by the novel coronavirus epidemic.

The fundraiser will receive heavy promotion throughout the draft and through a multi-person video chat hosted on the NFL’s digital properties and will feature celebrities, football legends, other influencers and health-care workers.

Rich Eisen and Deion Sanders will host the event, and Kevin Hart, Quavo, Toni Harris and Kane Brown will be among the guests, according to the NFL.

Draft-A-Thon will allocate funds to six national charities and their local chapters: the American Red Cross, the CDC Foundation, Feeding America, Meals on Wheels, the Salvation Army and United Way.

Half of the total money raised will go to the national organizations to be distributed across the country wherever the funds are needed most.

The other half will be directed to local chapters of those organizations as decided by each NFL team.

Before the pandemic, the draft was scheduled to take place in Las Vegas.

“We did a Zoom call with all of the top 30 prospects, something we usually do in person, but these are unprecedented times,” Vincent stated.

“The commissioner and all of us remain completely aware of the reality of what’s going on, and we hope that maybe for one hour or during two or three hours we can provide an alternative, give you a little joy on your television sets.”

He added that the young draftees are understandably excited, but much of that has been tempered.

“They are used to traveling, and we are used to doing this in person, so when they ask questions like when will they be able to meet their teams, we have to tell them that we must stay in compliance with [stay-at-home and social distancing] orders and guidelines,” Vincent stated.

Watching the news can be a bit of a downer, too.

Vincent said in between calls; he is reminded by news reports of the reality of the coronavirus, which has claimed more than 36,000 lives in the U.S. alone.

“For us holding the draft, we’ve had to be responsible,” Vincent stated.

Responsibility was something Vincent learned at a young age, and he recalled a stern reminder given to him by his grandmother after the Dolphins drafted him.

“When I did my contract, I was taking care of my grandparents, and I remember being in the car, and the Dolphins offered me more than $1 million,” Vincent recalled.

“My grandmother was sitting in the car next to me, and I told them that the money wasn’t what I was looking for per year. When I hung up the phone, my grandmother told me to pull the car over. She said, ‘I just heard you say no to a couple of million dollars.’”

He continued:

“She told me how she and my grandfather worked for $1.45 per hour for 30 or 40 years raising my mother and aunts and uncles and how they never wanted for anything. She said she never wanted to hear me turn down that kind of money again. She said, ‘You need to all that man back.’ I did call them back.”

It’s also because of that upbringing that Vincent has been integral in the NFL’s outreach to African Americans.

He’s spearheaded work between the NFL and HBCUs and the league’s social justice platform, which emphasizes education, economic development, and community and police relations.

The platform includes the funding of grass-roots community organizations and establishes a digital learning curriculum for African American history in 175 underserved high schools.

Working with the Players Coalition, an independent 501(c)(3) entity, the NFL formed a joint player-owner committee focused on social justice, which focuses on reducing barriers to opportunity, and prioritizes making improvements in three key areas:

  • Education and economic advancement
  • Community-police relations
  • Criminal justice reform

Additional programs focus on reducing poverty, promoting racial equality and supporting workforce development.

“Every community knows the grassroots organizations in their respective neighborhoods that do the work, the daily hands-on work,” Vincent said.

It’s also been about four years since the NFL started the “Strength of HBCUs, Impacting Prof Football.” Since 1948, which celebrates and honors the historical impact of HBCUs and their players on the game, and to provide career opportunities in the game of football.

Click here for an overview of the various initiatives between the NFL and HBCUs.

“The NFL’s partnership with HBCUs has deep roots in football’s history,” Vincent noted.

“We’re working together to honor the rich history and provide opportunities to students and administrators from these great institutions.”

The NFL’s HBCU program celebrates the history, increases opportunities for HBCU students and athletic administrators, and provides access through career forums, workshops, internships, and other programs.

“It’s really important for us to identify men and women of color, particularly those who are Black, for these efforts,” Vincent noted. “This allows us to deal with Black and Brown people at these historic institutions where there are multiple programs to take advantage of.”

For more about the numerous NFL community initiatives, click here.

To donate the Draft-A-Thon, Click here.

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

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The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.


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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

 

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