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New Strain of COVID-19 Proving Fatal to Unvaccinated People

Don’t put away that mask. While the American public might be celebrating the lifting of the tightest COVID-19 restrictions in most parts of the United States, the coronavirus pandemic is far from over. 

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Technician holding tube of blood test identified with the label Covid-19 DELTA Variant. Doctor with a positive blood sample for the new variant detected of the coronavirus strain called DELTA/ Shutterstock

Don’t put away that mask. While the American public might be celebrating the lifting of the tightest COVID-19 restrictions in most parts of the United States, the coronavirus pandemic is far from over. 

According to medical doctors, the U.S. is currently dealing with a new strain of the virus, the Delta variant, which is more lethal and virulent than previous strains. The Delta variant originated in India toward the end of last year and was first identified in America in March.
The Los Angeles County Health Department is so worried about a new outbreak, it told residents to mask up again.
“Since the Delta variant is more infectious than other variants, Public Health recommends wearing a mask around others in indoor spaces, regardless of vaccination status,” said the LA County Department of Health in a tweet.
Dr. Jerry Abraham, director of Kedren Vaccines at Kedren Health in Los Angeles, has already seen signs of the new strain in the Los Angeles community. He said medical professionals are already gearing up for what he called the “fifth wave” of the coronavirus pandemic.
“It’s already in L.A.,” he said. “We assume the rates will go back up.”
Like other viruses, COVID-19 is constantly mutating. When the virus encounters new hosts (particularly unvaccinated bodies,) it changes and gets stronger. The best way to eliminate the disease is to vaccinate about 70% of residents in a community (herd immunity,) so the virus doesn’t have any places to grow and survive.
Dr. Eric Feigl-Ding, an epidemiologist and health economist and a senior fellow at the Federation of American Scientists in Wash., D.C., emphasized this point during a recent Ethnic Media Services virtual briefing on the efficacy of continued mask use.
“The more warm bodies the virus has, the more opportunity it will have to mutate,” said Feigl-Deing, who is also the Chief Health Economist for Microclinic International, a San Francisco-based non-profit that bills itself as an organization that revolutionize how deadly diseases are prevented and managed worldwide.” 

 “If you let it spread, it will mutate,” he warned.
Feigl-Ding added that, at this stage, reaching herd immunity is not realistic, and we need to look at alternative solutions to contain the virus, such as continued mask usage, ventilation, hand-washing, disinfecting surfaces and air purification devices.
But over the last year, the debate about vaccinations became political. A large number of people who supported former Pres. Donald Trump downplayed the virus and accused Democrats of overstating the severity of the pandemic. A lot of those skeptics even refused to take the vaccines. 

Some say they don’t trust the science. Others do it to resist what they see as pressure coming from liberals. But health experts say refusing to take one of the three vaccines approved to fight COVID-19 in the U.S. is dangerous and only allows the virus to thrive. 

Data is beginning to show the effects of politicizing public health. Deaths and infections are going up in red states, while the numbers have been steadily declining in blue states.
Medical data shows that 99% of recent COVID-19 deaths were unvaccinated people, according to Dr. Anthony Fauci, the nation’s leading virologist and director of the U.S. National Institute of Allergy and Infectious Diseases.
Abraham is a big proponent of vaccination and estimates his clinic has given about 300,000 inoculations to people in the South Los Angeles area. But he still sees worrying trends. According to Abraham, only about 40% of Black men in the area are vaccinated.
Abraham also warned the situation would worsen during the fall when it gets colder, and people spend more time inside. “It’s not a matter of if,” said Abraham.

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Arts and Culture

COMMENTARY: Black Music is the Sound of Black Freedom: Let Us Reclaim Both This Juneteenth

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

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Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.
Robert Johnson (1911-1938) is thought of as the godfather of blues music, especially Delta blues. The 29 songs recorded by him during his short life have been of massive inspiration to guitarists and musicians over the last 80 years. Public domain photo.

By Wanda Ravernell

Black Music Month and Juneteenth are inextricably linked – Black music is the sound of our freedom.

From the plaintive moans of the enslaved Africans’ ‘sorrow songs,’ to the fields of Civil War battle where Black soldiers picked up abandoned bugles, to the upright piano played in juke joints on Saturday night and churches come Sunday morning, our ancestors’ innovation in the face of want, fear, degradation, and hopelessness has yielded genres of music imitated ’round the world.

Black Music Month started when Black Music Association members Ed Wright, Kenny Gamble and his wife, journalist and radio host Dyanna Williams were able to persuade President Jimmy Carter to establish the observation on June 7, 1979.

In 2000, Congress made it official. In 2009, Pres. Barack Obama changed the name to African American Music Heritage Month and in 2023, Pres. Joe Biden changed it back to Black Music Month, two years after he declared Juneteenth a national holiday, the result of a movement led by Opal Lee.

Our ancestors battle for freedom over these last 400 years and the music that allowed them expression of their humanity deserved to be honored.

But we may be losing sight of the value of their sacrifices.

‘Sing a Song Full of the Faith That the Dark past Has Taught Us…’

Along with the long-known exploitation of Black musicians whose recordings were stolen by record companies, the commercialization of Juneteenth feels like another kind of theft.

I had never heard of Juneteenth until I moved to the Bay Area from my hometown of Philadelphia. I didn’t know it was one of many freedom festivals celebrated by descendants of enslaved people in the United States.

Emancipation Day was Jan. 1 in Pennsylvania, April 16 in Wash., D.C., May 20 in Florida, and Aug. 8 in Kentucky. But Juneteenth, June 19, has the most renown, known in Texas as the ‘colored peoples’ Fourth of July.’

It was marked by parades, beauty pageants, rodeos, backyard barbecues and church picnics.

Yes, church.

The formerly enslaved began the day praying in thanks for their freedom just as they had prayed for Jubilee – the day of freedom – when they had chains on their feet and hands. They ‘testified’ about their past suffering and how they had managed to overcome.

And they sang.

Although, we will not hold it this year, Omnira Institute’s Juneteenth Ritual of Remembrance recalled this part of Juneteenth with prayers in the languages of the African captives. In the middle of the ceremony, a soloist would lead us in singing “Many Thousand Gone” while we took turns reciting portions of the Emancipation Proclamation, the news of freedom that took more than two years to reach Texas – two months after the Civil War ended.

“Many Thousand Gone” was famously recorded by Black luminary Paul Robeson in 1947:

“No more auction block for me,

No more, no more

No more auction black for me

Many thousand gone.”

Other verses refer to the ‘pint of salt’ and the ‘driver’s lash,’ the realities of enslavement that they had survived.

‘Sing a Song Full of the Hope That the Present has Brought Us’

All of the genres of African American music have at their root songs like that, the essence being, as Stevie Wonder, wrote, “the joy inside our pain.” So Black music is not just music. It is our story, our history, our very strength.

During the Civil Rights Movement, which peaked 100 years after slavery ended, the people testified that it was the freedom songs – based on spirituals – that gave them the heart to march, face attack dogs, fire hoses, beatings, and shootouts with vigilantes.

The music reminded them that power was in the people. That music, our music, can do so again. We don’t have to accept the commodification of the products of our culture.

The power of those songs is showing a resurgence across the South as we battle again for the right to self-determination through the ballot box.

Those songs are the voices of our ancestors, voices forged in their blood, their sweat, their tears, joy and, above all, faith.  Those songs, those prayers live in our blood and our very breath.

This Juneteenth, let us reclaim those holy voices expressed in Black music for ourselves. It is our birthright. It can neither be bought nor sold.  No more. Never again.

Wanda Ravernell is the executive director of Omnira Institute, sponsor for 18 years of the Juneteenth Ritual of Remembrance and Oakland’s 11th Annual Black-Eyed Pea Festival, which will take place on Sept. 12.

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Activism

Oakland Post: Week of June 3 – 9, 2026

The printed Weekly Edition of the Oakland Post: Week of June 3 – 9, 2026

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#NNPA BlackPress

Study: Waiting Lists for Child Care Assistance Nearly Doubled

BLACKPRESS USA NEWSWIRE — “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”
The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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By National Women’s Law Center

The National Women’s Law Center released its annual State Child Care Assistance Policies report, finding that the number of children placed on waiting lists for federally funded child care assistance nearly doubled between 2024 and 2025 — and that number has only continued to grow.

The report serves as a key resource for state lawmakers, advocates, and policymakers by tracking state child care assistance policies and identifying where states are strengthening support for families and early educators — or falling behind.

“This deeply troubling increase in the number of children on child care waiting lists is the result of a failure to invest in this crucial sector,” said Karen Schulman, senior director of state child care policy and author of the report. “Since the expiration of tens of billions of dollars in federal child care funding in 2023 and 2024, an already fragile child care system has been pushed even closer to the brink.”

Key findings in the report related to waiting lists for child care assistance include:

• 17 states had waiting lists or a freeze on intake for child care assistance in February 2025, up from 13 states in February 2024.

• Approximately 106,700 children nationwide were added to waiting lists between February 2024 and February 2025, bringing the total to 225,500 children in February 2025 — a 90 percent increase compared to February 2024.

• The numbers climbed even further between February 2025 and summer/fall 2025, with more than 175,000 additional children added to state waiting lists in just a few months — a 78 percent increase.

• At least seven states newly began placing families on waiting lists or freezing intake, while at least 10 additional states saw their waiting lists grow, after February 2025.

The report also includes state-by-state data on key child care assistance policies, including income eligibility limits, parent copayments, provider payment rates, and eligibility policies for parents searching for work.

Click the link to learn more: Warning Signs: State Child Care Assistance Policies 2025.

The post Study: Waiting Lists for Child Care Assistance Nearly Doubled appeared first on BlackPressUSA.

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