Entertainment
Nation’s largest black film fest to open in L.A.
WAVE NEWSPAPERS — The nation’s largest black film festival kicks off in South L.A.
LOS ANGELES – The nation’s largest black film festival kicks off in South L.A. this week as thousands of art, film and music buffs flock to Southern California to celebrate and explore African-American life, history and culture.
From Feb. 7-18, more than 170 films from 40 countries in 26 languages will be screened at the Pan African Film & Arts Festival, all focused on exploring narratives that increase cultural awareness and bridge diverse communities from the African diaspora, festival organizers said.
The annual festival, co-founded by award-winning actor Danny Glover, is the largest event of its kind dedicated to film, art, music and creative expression by black people, organizers said.
“It’s been a privilege to be a platform for many filmmakers and talent to share their unique stories through the lens of their own experiences, visions and creative artistry,” said Ayuko Babu, the festival’s executive director and co-founder.
“Amazing Grace,” a 1972 documentary featuring Aretha Franklin and her L.A.-based recording of a gospel album, is the festival’s opening night film on Feb. 7. “Little Woods,” a modern-day Western starring Tessa Thompson, is the centerpiece film on Feb. 13. The closing night film on Feb. 17 has yet to be announced.
Other feature films include: “Where Hands Touch,” a romance film starring Amandla Stenberg; “Buffalo Soldiers: A Quest for Freedom,” directed by the Isabelle Brothers; and “Ali’s Comeback: The Untold Story,” which reveals behind-the-scenes efforts to get Muhammad Ali reinstated into boxing after he refused induction into the U.S. Army.
Babu said the festival’s goal is not only to celebrate black culture, but also to provide a creative space for the development and expression of black storylines through film, poetry, art and music. It also is intended to help show movie distributors the popularity and potential profitability of black narratives.
“The ongoing challenge is … whose story gets told on the small screen and big screen?” he said. “The Pan African Film Festival is a way of showing distributors the stories that matter to people of color.”
In the festival’s 26-year history, scores of filmmakers or celebrities have appeared or contributed works, organizers said, including Denzel Washington, Kevin Hart, Taraji P. Henson, Ava Duvernay, Jamie Foxx, Will Packer and Ryan Coogler, among many others.
This year’s celebrity guests include Bobby Brown, Danny Glover, Erica Campbell, Kelly Price, Laurence Fishburne, LA Reid, Loretta Devine, Nate Parker, Terrence J, and Tyrese, among others.
Held at the Baldwin Hills Crenshaw Plaza, the festival also will feature industry-related panel discussions and speakers. The festival’s ArtFest will feature an eclectic mix of paintings, sculptures, fashion, jewelry and African artifacts.
Other events include select free screenings during the week for senior citizens, a comedy night on Feb. 11 hosted by J. Anthony Brown and a fashion show on Feb. 17.
For more information, visit the festival’s website at www.paff.org.
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Oakland Post: Week of May 7 – 13, 2025
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Oakland Post: Week of April 30 – May 6, 2025
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Arts and Culture
BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy
When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

By Terri Schlichenmeyer
Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages
Take care.
Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.
It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’
Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.
Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.
She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”
When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.
First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”
After their mother died of colon cancer, Rita’s lupus took a turn for the worse.
“Did she even stand a chance?” Davis wrote in her journal.
“It just didn’t seem possible that she, someone so full of life, could die.”
Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.
Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.
But don’t. Not quite yet.
In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.
This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.
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