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MOCA, Music & Mentorship at Morales Radio Hall

ABOVE: The legendary Morales Radio Hall sits in Houston’s Second Ward The City of Houston Mayor’s Office of Cultural Affairs (MOCA) develops policies and initiatives that foster an environment in which art and culture flourish. In partnership with MOCA, local musicians and historians gathered at Morales Radio Hall Aug. 30 to discuss mentorship in music. […]
The post MOCA, Music & Mentorship at Morales Radio Hall first appeared on BlackPressUSA.

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ABOVE: The legendary Morales Radio Hall sits in Houston’s Second Ward

The City of Houston Mayor’s Office of Cultural Affairs (MOCA) develops policies and initiatives that foster an environment in which art and culture flourish. In partnership with MOCA, local musicians and historians gathered at Morales Radio Hall Aug. 30 to discuss mentorship in music. Equally as important as the discussion was the setting; the choice of venue is significant, as it has a long and rich history.

Felix and Angela Morales established the Morales Funeral Home in Houston, TX, in 1931. In a time when funeral homes were largely owned by whites and many Hispanic funerals occurred in garages, the Morales family broke the mold. According to their website, they were the first Hispanics to win a contract from the Harris County Commissioners Court to bury indigents. In 1942, Mrs. Morales became the first woman in Harris County to earn a mortician’s license.

Felix and Angela Morales, founders of Morales Funeral Home and Morales Radio Hall

But the couple made history in other ways when they founded Morales Radio Hall in 1946. As Morales Memorial Foundation Board Member Adrian Nieto explains: “This building served as the broadcast facility in Houston for the Houston radio station KLVL in the mid-70s to the mid-90s,” he said. “It’s historic because KLVL was the first full-time Spanish language radio station. It was established in 1950 on Cinco de Mayo by Felix and Angela Morales. Cinco de Mayo is a big holiday, mostly here in the United States, but it’s also Mrs. Morales’ birthday. So, they’re considered broadcast pioneers.”

When the station officially hit the airwaves on May 5, 1950, it was groundbreaking. Nieto shared: “Before that, the Spanish-speaking community in Houston had no information, no news. They didn’t know if there was a hurricane, that a man had landed on the moon, that the president had gotten shot. So it was a major source of news, information and entertainment.” Like the funeral home, the music hall is still standing over 70 years later.

The panel featured recording artist and Forward Times’ very own Lenora; singer-songwriter Michele Thibeaux, who has opened for luminaries like Erykah Badu and EPMD; legendary musician and drummer Jose Martinez; and Chicano music historian Isaac Rodriguez (best known as DJ Simma Down). In 2015, Rodriguez founded Tejas Got Soul, a DJ concert series highlighting Tejano music in Houston. The panel discussion doubled as a deep dive into a treasure trove of Houston music history.

Donnie Houston of the wildly popular Donnie Houston Podcast served as the panel’s moderator and asked the panelists, “How did you find your mentors – or did they find you?”

Lenora affectionately revealed “My first mentor would be my mama – I’m named after her, the OG Lenora.”

Lenora “Doll” Carter was the General Manager of Forward Times while her husband and its Founder Julius Carter served as its CEO/Publisher. But Mr. Carter died of a heart attack in 1971. “The building was bombed, presumably from running a story about things that we sadly still run today — about injustice, calling things out. My grandfather had a heart attack because of the stress of that. And my Mama took up the mantle and became the publisher of Forward Times at just 29 years old — a young widow with two young daughters running a business and never missing a beat.” Lenora was inspired by her grandmother “being a young woman boss and juggling multiple things.”

Panel moderator Donnie Houston poses with panelists Lenora, Jose Martinez, Isaac “DJ Mr. Simmer Down” Rodriguez and Michele Thibeaux (Photo by Elliot Guidry)

Michele Thibeaux recalled one late mentor who “literally pushed me – and I mean with two hands – pushed me on the stage and forced me to learn how to freestyle,” she said. “He literally made me get on the stage and sing ‘Killer Joe’ and I didn’t know it. But these musicians are looking at me like, ‘You know you got to hurry up, right?’”

“My biggest mentor was my father – and a tough one. He gave me my first break to play music,” Jose Martinez recalled. “And as I played with him, he would never really say, ‘Hey, you’re doing good.’ On the contrary, he would say: ‘I don’t think you’re ever going to make it.’ And I would say: ‘I’m gonna show him.’ And that’s what motivated me even more. Finally, a few years later, I got the pleasure of showing him ‘Hey! Here, look what I can do.’”

“I went on to play with orchestras, and they became my mentors. I learned a lot from bandleaders, ‘cause they were 30, 40, some 50 years old — and here I am, 12 and 13,” Martinez remembered. “I’m thankful for all of those who mentored me and gave me a chance.”

Isaac Rodriguez cited Gus Garza, who worked at KLVL from 1968-1971. He played a variety of Tejano music during his one-hour show, three days a week. “He had a show on KPFT (90.1 FM) called ‘Bailando en Tejas” for about 20 years. Every Saturday night, he would play old Tejano and Chicano music.” He focused on Houston, which piqued the interest of Rodriguez, a fourth-generation Houstonian. While working at KPFT, he introduced himself to Garza, whom Rodriguez credits for “schooling me on everything I needed to get me going.”

Rounding out the conversation, Donnie Houston asked how mentors inspired the panelists creatively. Lenora cited Donald Ray “DJ” Johnson Jr., known as “Beanz” of the production duo Beanz n Kornbread and one-third of popular musical trio, Khruangbin. “Beanz is a person that reminds me, in the midst of all of his personal success, that in the creative process, as well as my day-to-day life: The numbers don’t matter. Don’t look at the numbers; you’ve got to look at the impact and every chance you get, be a little more honest. I think that’s the biggest takeaway in my creative process from [Beanz] is just really focusing on impact instead of impressions,” Lenora said.

Thibeaux remembered working with a producer named Russell on a song called “Skydiving.” “For him, it was really about ‘the song comes first.’ I take that with me. No matter what song, no matter what track, no matter what instrument you are playing, just honor yourself. And when you honor yourself, you’re honoring your gift. And when you honor your gift, you’re honoring God.”

Houston Music Advisory Board Chair Jason “Flash Gordon Parks” Woods; panel moderator Donnie Houston; panelists Jose Martinez, Lenora, Isaac “DJ Mr. Simmer Down” Rodriguez, Michele Thibeaux; and Houston Music + Cultural Tourism Officer Gracie Chavez (Photo by Elliot Guidry)

When asked about meaningful ways that the panelists have returned the favor to their mentors, Rodriguez shared that he preserved their legacies by keeping their music in rotation. “These guys were making music on their own record labels. Chicanos, Mexican kids playing soul music, playing rhythm and blues, but also playing the music of their parents – conjunto and Tejano music. They’re as Texan as anything else.” (Conjunto is a Texas-based genre that employs accordion and a 12-string guitar.)

Rodriguez and his partners from Tejas Got Soul also put together a tribute to honor their legacies. “I was kind of like the record nerd that went and found them. But we got these guys back on stage after so many years. One of my mentors, Oscar Villanueva, hadn’t performed in about 40 years, and we put him back on stage right here at the Morales Radio Hall. We closed the street down and we had a big block party. And we took about three or four guys from his era and learned their songs, and we threw a concert free for the community.”

In a moment that seemed to quite literally bridge the gap, Rodriguez continued: “We gathered some of the best musicians in this network and that day we also got Archie Bell (lead singer of the legendary Archie Bell & the Drells group) to come out as a surprise guest. These guys grew up in Fifth Ward. They grew up side by side with the African American community, you know what I’m saying? So, we had to embrace that.”

In honoring and embracing their mentors, the panelists revealed themselves — along with some pivotal Houston music history.

The post MOCA, Music & Mentorship at Morales Radio Hall appeared first on Forward Times.

The post MOCA, Music & Mentorship at Morales Radio Hall first appeared on BlackPressUSA.

Forward Times Staff

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COMMENTARY: The National Protest Must Be Accompanied with Our Votes

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

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Dr. John E. Warren Publisher, San Diego Voice & Viewpoint
Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper. File photo..

By  Dr. John E. Warren, Publisher San Diego Voice & Viewpoint Newspaper

As thousands of Americans march every week in cities across this great nation, it must be remembered that the protest without the vote is of no concern to Donald Trump and his administration.

In every city, there is a personal connection to the U.S. Congress. In too many cases, the member of Congress representing the people of that city and the congressional district in which it sits, is a Republican. It is the Republicans who are giving silent support to the destructive actions of those persons like the U.S. Attorney General, the Director of Homeland Security, and the National Intelligence Director, who are carrying out the revenge campaign of the President rather than upholding the oath of office each of them took “to Defend The Constitution of the United States.”

Just as Trump is gathering election data like having the FBI take all the election data in Georgia from the 2020 election, so must we organize in preparation for the coming primary season to have the right people on ballots in each Republican district, so that we can regain control of the House of Representatives and by doing so, restore the separation of powers and balance that our democracy is being deprived of.

In California, the primary comes in June 2026. The congressional races must be a priority just as much as the local election of people has been so important in keeping ICE from acquiring facilities to build more prisons around the country.

“We the People” are winning this battle, even though it might not look like it. Each of us must get involved now, right where we are.

In this Black History month, it is important to remember that all we have accomplished in this nation has been “in spite of” and not “because of.” Frederick Douglas said, “Power concedes nothing without a struggle.”

Today, the struggle is to maintain our very institutions and history. Our strength in this struggle rests in our “collectiveness.” Our newspapers and journalists are at the greatest risk. We must not personally add to the attack by ignoring those who have been our very foundation, our Black press.

Are you spending your dollars this Black History Month with those who salute and honor contributions by supporting those who tell our stories? Remember that silence is the same as consent and support for the opposition. Where do you stand and where will your dollars go?

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Why Black Parents Should Consider Montessori

BLACKPRESSUSA NEWSWIRE — I have found that there are some educational approaches that consistently provide a safer, more enriching, and more affirmative environment for Black children. The Montessori method, developed by Italian physician Maria Montessori and introduced to the U.S. in the early 20th century, is one such approach.

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By Laura Turner-Essel, PhD

As a mother of four children, I’ve done A LOT of school shopping. I don’t mean the autumn ritual of purchasing school supplies. I mean shopping for schools – pouring over promotional materials, combing through websites, asking friends and community members for referrals to their favorite schools, attending open houses and orientations, comparing curriculums and educational philosophies, meeting teachers and principals, and students who all claim that their school is the best.

But keep in mind – I’m not just a mom of four children. I’m a mom of four Black children, and I’m also a psychologist who is very interested in protecting my little ones from the traumatic experience that school can too often become.

For Black children in the United States, school can sometimes feel more like a prison than an educational institution. Research shows that Black students experience school as more hostile and demoralizing than other students do, that they are disciplined more frequently and more harshly for typical childhood offenses (such as running in the halls or chewing gum in class), that they are often labeled as deviant or viewed as deficient more quickly than other children, that teachers have lower academic expectations of Black students (which, in turn, lowers those students’ expectations of themselves), and that Black parents feel less respected and less engaged by their children’s teachers and school administrators. Perhaps these are some of the underlying reasons that Black students tend to underperform in most schools across the country.

The truth is that schools are more than academic institutions. They are places where children go to gain a sense of who they are, how they relate to others, and where they fit into the world. The best schools are places that answer these questions positively – ‘you are a valuable human being, you are a person who will grow up to contribute great things to your community, and you belong here, with us, exploring the world and learning how to use your gifts.’ Unfortunately, Black children looking for answers to these universal questions of childhood will often hit a brick wall once they walk into the classroom. If the curriculum does not reflect their cultural experiences, the teachers don’t appear to value them, and they spend most of their time being shamed into compliance rather than guided towards their highest potential, well…what can we really expect? How are they supposed to master basic academic skills if their spirits have been crushed?

Here’s the good news. In my years of school shopping, and in the research of Black education specialists such as Jawanza Kunjufu and Amos Wilson, I have found that there are some educational approaches that consistently provide a safer, more enriching, and more affirmative environment for Black children. The Montessori method, developed by Italian physician Maria Montessori and introduced to the U.S. in the early 20th century, is one such approach.

The key feature of Montessori schooling is that children decide (for the most part) what they want to do each day. Led by their own interests and skill levels, children in a Montessori classroom move around freely and work independently or with others on tasks of their own

choosing. The classroom is intentionally stocked with materials tailored to the developmental needs of children, including the need to learn through different senses (sight, touch/texture, movement, etc.). The teacher in a Montessori classroom is less like a boss and more like a caring guide who works with each child individually, demonstrating various activities and then giving them space to try it on their own. The idea is that over time, students learn to master even the toughest tasks and concepts, and they feel an intense sense of pride and accomplishment because they did it by themselves, without pressure or pushing.

I think that this aspect of the Montessori method is good for all kids. Do you remember the feeling of having your creativity or motivation crushed by being told exactly what to do, when to do it, how to do it, and why? The truth is that when presented with a new challenge and then given space, children actually accomplish a lot! They are born with a natural desire to learn. It is that spirit of curiosity, sense of wonder, and excitement to explore that Montessori helps to keep alive in a child. But that’s not the only reason that I think Black parents need to consider Montessori.

Fostering a love of learning is great. But more importantly, I think that Montessori students excel at learning to love. It begins with Montessori’s acknowledgement that all children are precious because childhood is a precious time. In many school systems, Black children are treated like miniature adults (at best) or miniature criminals (at worst), and are subjected to stressful situations that no kids are equipped to handle – expectations to be still and silent for long periods, competitive and high-stakes testing, and punitive classroom discipline. It’s easy to get the sense that rather than being prepared for college or careers, our children are being prepared to fail. Couple this with the aforementioned bias against Black children that seems to run rampant within the U.S. school system, and you end up with children who feel burned out and bitter about school by the time they hit 3rd grade.

In my experience, Montessori does a better job of protecting the space that is childhood – and all the joy of discovery and learning that should come along with that. Without the requirement that students “sit down and shut up,” behavioral issues in Montessori classrooms tend to be non-existent (or at least, the Montessori method doesn’t harp on them; children are gently redirected rather than shamed in front of the class). Montessori students don’t learn for the sake of tests; they demonstrate what they’ve learned by sharing with their teacher or classmates how they solve real-world problems using the skills they’ve gained through reading, math, or science activities. And by allowing children a choice of what to focus on throughout the day, Montessori teachers demonstrate that they honor and trust children’s natural intelligence. The individualized, careful attention they provide indicates to children that they are each seen, heard, and valued for who they are, and who they might become. Now that’s love (and good education).

As a parent, I’ve come to realize that many schools offer high-quality academics. Montessori is no different. Students in Montessori schools gain exposure to advanced concepts and the materials to work with these concepts hands-on. Across the nation, Montessori schools emphasize early literacy development, an especially important indicator of life success for young Black boys and men. Montessori students are provided with the opportunity to be

successful every day, and the chance to develop a sense of competence and self-worth based on completing tasks at their own pace.

But I have also learned that the important questions to ask when school shopping are often not about academics at all. I now ask, ‘Will my children be treated kindly? Will they be listened to? Protected from bias and bullying? Will they feel safe? Will this precious time in their lives be honored as a space for growth, development, awe, and excitement? Will they get to see people like them included in the curriculum? Will they be seen as valuable even if they don’t always ‘measure up’ to other kids on a task? Will they get extra support if they need it? Will the school include me in major decisions? Will the school leaders help to make sure that my children reach their fullest potential? Will the teacher care about my children almost as much as I do?’

Consistently, it’s been the Montessori schools that have answered with a loud, resounding ‘Yes!’ That is why my children ended up in Montessori schools, and I couldn’t be happier with that decision. If you’re a parent like me, shopping for schools with the same questions in mind, I’d urge you to consider Montessori education as a viable option for your precious little ones. Today more than ever, getting it right for our children is priceless.

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LIVE from the NMA Convention Raheem DeVaughn Says The Time Is Now: Let’s End HIV in Our Communities #2

Set against the backdrop of the NMA conference, Executive Officers from the National Medical Association, Grammy Award Winning Artist and Advocate Raheem DeVaughn, and Gilead Sciences experts, are holding today an important conversation on HIV prevention and health equity. Black women continue to be disproportionately impacted by HIV despite advances in prevention options. Today’s event […]

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Set against the backdrop of the NMA conference, Executive Officers from the National Medical Association, Grammy Award Winning Artist and Advocate Raheem DeVaughn, and Gilead Sciences experts, are holding today an important conversation on HIV prevention and health equity.

Black women continue to be disproportionately impacted by HIV despite advances in prevention options. Today’s event is designed to uplift voices, explore barriers to access, and increase awareness and key updates about PrEP, a proven prevention method that remains underutilized among Black women. This timely gathering will feature voices from across health, media, and advocacy as we break stigma and center equity in HIV prevention.

Additional stats and information to know:

Black women continue to be disproportionately affected by HIV, with Black women representing more than 50% of new HIV diagnoses among women in the U.S. in 2022, despite comprising just 13% of women in the U.S.

Women made up only 8% of PrEP users despite representing 19% of all new HIV diagnoses in 2022.

● Gilead Sciences is increasing awareness and addressing stigma by encouraging regular HIV testing and having judgment-free conversations with your healthcare provider about prevention options, including oral PrEP and long-acting injectable PrEP options.

● PrEP is an HIV prevention medication that has been available since 2012.

● Only 1 in 3 people in the U.S. who could benefit from PrEP were prescribed a form of PrEP in 2022.

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